The Real Thing - Faith No More

What a perfect way to have a summer feeling than an album that is quintessentially summer music to me. What is this, this is the third LP by Faith No More. Their first two LPs, '85s We Care A Lot and '87s Introduce Yourself feature the vocal talents of Chuck Mossley. He was a sang in a monotone voice, which might be off putting but I believe it worked for their sound and image. A lot of that founds its way on this, the first album to feature Mike Patton on lead vocals. In fact all the music was written prior and recorded, they just asked Mike to write lyrics and sing for the album. 

1. From Out of Nowhere: Opening we get a solid opener. And to be honest this is a great opener, in context of the other albums they have song but they don't really pump you up. Right off the bat there is something building up to somewhere. Not tension, but the music is very very engaging. The play also happens to be much more fun and have more personality in my opinion. This has song great vocals and the keys are something else here. The arrangement is great and that bridge ...... Yes! Great solid opening. And even though it's a straightforward song, there are little elements that change slightly enough to not be a loop. {8/10}
2. Epic: Possibly the best know song by the group, this tune is a classic. What a baseline, what a riff, what a rap. While I think it's silly, I still love this thing so fucking much. I also love the tone on those guitars, Jim does an awesome job. I also like this being sequenced second because I personally think if fits better that way. The song is quite good at building tension, and the licks are pay off. I could almost see this being played on strings and working well. The ending fade out is so fucking awesome and that piano. Well lets just say that's part of the reason the piano is my favorite instruments. Every time I hear it it takes me back to High School Summer Sophomore Year. Trust me I like this, not for nostalgia, but for the fact I just love these songs. 
3. Falling to Pieces: The third track to be a single from the album, and at track three I gotta say it's great. It's weird how this song, along with my lesser favorites have grown on me. The bass line is very memorable, with some great guitar work and just gives an atmosphere. Like it can't hear this song and picture anything other than the music video. It's a fun music video, but the song itself is quite fun. I really love the keyboards on this thing too. I love the guitar solo towards the end, the buried in. And I like the multi tracked vocals on here, silly but add to the song. 
4. Suprise! You're Dead!: This song has a much rougher, rawer feeling to it. It has that Metal that makes this a Funk Metal record. I could see this going toe to toe with another Metal band at the time. Maybe not as heavy as a Slayer, and I know there are heavier bands back then than Slayer, but yeah. I still think this song packs a punch and, maybe the backing vocals take away from that lunch a bit. If this was produced, or executed, a bit differently I could see this being a Slayer song. I really dig it and like the telling from Mikey. 
5. Zombie Eaters: This opens with arpeggiated acoustic guitar, and is a nice follow up to the last tracks punch. I also like the hi hats that punctuate his vocals. The arrangement here is great and it builds tension. Even if you've never heard the song before there is a tension you feel. I love the Spanish feeling guitar licks and once it happens you just feel that hit. The bass is thundering and I'd love to hear this thing live. I really like the sections and the builds and changes that happen in this song. While it's pretty straightforward, I still like the little details here and there. It's not just a straight loop. The only real complaint is I don't think it HAS to be 6 minutes long. They could have maybe cut a minute out or 30 seconds maybe. Although I don't know, they do kind of justify the length a bit by the changes, but I feel a bit unsure. I like it but it is a bit long. I guess I really have to be in the mood to hear the entire song (outside of a front to back listen). I really like the ending though. 
6. The Real Thing: Alright, six tracks in and we finally get the title cut. Opening with a drum beat, that has a snare hit (I believe)... Damn! There's also this like wind sound or something, or water sound effect. I don't know but I like it. There is a tension of waiting for the song to explode. Now while the explosions are more overt and obviously going to happen in this song than the last, that doesn't make it bad or worse. I don't think this is as well arranged, but there is a bit more of a punch maybe. This also sits at 8 minutes and is a song I feel like I have to be in the mood to sit through all of it. I like the vocals on this thing. I do dig the part where the song quotes down, nice dynamics. But again, I feel like it could end at 5 minutes but there's still 3 minutes left. Like honestly there isn't much that happens in those last two minutes of the song. I mean yeah sound effects, but that doesn't mean it's worth. They could have just as easily edited it to be shorter. 
7. Underwater Love: Now where the last track runs out of steam a bit, this track absolves it of its sins for me. Honestly; as goofy a song as this is, and as goofy the lyrics are too.... I kinda love this song.  This is just a fun song that I feel like is a bit of a return to the fun of the first few songs. Not that the others aren't fun, but this is a fun song. I can't believe it wasn't a single. I really like the vocals and I love the underwater feeling to the vocals. I don't know, I feel like I'm underwater when I listen to this song. I could be crazy, but that keyboard intro definitely helps set that tone. Solid tune, which happens to be an all time favorite of mine. Also love the drums in the outro, good job Puffy. 
8. The Morning After: This song is a song I go a bit back and forth with. Like okay, this feels like a song written for their last album or maybe their first. Like honestly, this would fit quite snug on Introduce Yourself or We Care A Lot. I like the punch/crunch to the guitar and the pop of the bass. Actually it isn't that much if a stretch to imagine Chuck's monotone voice singing over this. I like the harmony guitars in that one, I'll cal, aside. The funny thing is this was "demoed" and released on a 7" or something for a magazine back in 1988 with Chuck on vocals as New Improved Song. Now even before I heard that I could hear his voice over this, but look at the two side by side and you'll get what I'm talking about when I say this is a step up from the last two records. The ending is great also. 
9. Woodpecker From Mars: Closing we have a reworking of Pills For Breakfast but better quality and more intresting. Now I could just be saying that because its an instrumental, but this compared to their last instrumental is far superior. Actually this feels a bit more like an eastern sounding thing. Also even though they aren't the same thing exactly, they both function and are set up similarly. This is just more of a fleshed out version of the idea better fit to the sound of the album. I hope that makes sense. Also this packs a lunch and is a far more satisfying closer. I really dig this tune, though it is a bit long. You could also see it as an extension of the last track a bit too, but that might be a stretch. 

Overall I have to give this album a 8/10. These are solid tunes, memorable choruses and fun to listen to while driving in the summer heat. While their next LP would be their best, this still belongs the best of the 80's list. This is fun and harmless music and maybe you'll end up finding a favorite song somewhere. This improves on what the previous two records where trying to do and is just, its kinda awesome and just so much larger and confident. The CD bonus tracks, Edge of the World is great, but it wasn't on the original vinyl so I didn't include it in the review. 

Nightmare - Avenged Sevenfold

There is a reason that I can honestly say that Avenged Sevenfold's fifth album Nightmare, is in my top 5 all time favorite albums of all time. Part of the reason is because of all the stuff that they went through with the passing of The Rev, who was their drummer, who died right before they were going to start recording the final cuts. This album has lots of memories for me. I remember the day the single Nightmare came out. I saw a ad on Facebook and then, I was a bad ass because I bought the song without even asking my parents. When I first heard the beginning of the song I was hooked on it, then I remember listening to it 3 or 4 times in the day. I left home and in the car, while my dad was picking something up, I turned on the radio and all I missed was the beginning, Now I'm no amazing album reviewer but I think it's worth a shot to voice my opinions. I saw the track listing I think the day they released it and I thought it was the most bad ass thing that they had a 11 minute song, which I know off the top of my head it's actually 10:56. I listened it the day before I left for camp on like July 23rd, but i didn't really remember anything, because I was too busy to actually pay attention, about it except some song's drums sounded like Almost Easy and some of the songs sounded cool. While I was going up to camp I watched the Welcome to the Family YouTube black ops video at least, I am defiantly not over exaggerating, 15 times. I was also bad ass for listening to God Hates Us on YouTube to. The day it came out I drove my mom, who wasn't camping, nuts and said that she had to get the Cd the day it came out. I was so in need of that Cd I almost had someone pick it up at camp for me. well after "hell" was over I got home and burned it on my iTunes. It felt so surreal touching it. I listened to it on the way to my cousins college graduation party and I was psyched when my other cousin, Stevie, was waiting to talk to me about the album.

1. Nightmare: The intro of the song is amazing. I don't care what anyone else thinks This song still feels the same way it did the first time I heard it. I remember just being in awe at this song. I still am to this day. That all i can really say about this song.
2. Welcome to the Family: This song is worthy of Metal royalty. The sick intro and the... I don't know exactly how to explain it. My favorite part is bridge, Avenged make a lot of amazing bridges, and the bridge makes me tear up a little. There is little at what i can say about this song to. With out over thinking the 3 minutes of the song. Save Me is nice all you have to do is listen to it two or three times to get your ideas, this not so much.
3. Danger Line: This is the song that made me want to learn piano, fo realz. It's such a beautiful song and the way they pulled this off it, makes me tear up. yes I begin to cry at its beauty. And I get this chill that makes me cry when I listen to it. I'm crying while I'm typing this up right now. The guitar solo makes, for me a little breather from crying after hearing his vocals that are extremely touching. But that ends when I hear "the whistler", as credited in the album, whistles and the drums/piano fadeout.
4. Buried Alive: The first time I heard this I didn't think much of it but after hearing it, and actually listening to it I love it. This songs intro gives me a chill, almost like the one from Danger Line. And the chorus makes it blood pumping. The first and second verses just "rip me apart". The violins make it all that much better and more emotional. After the second chorus at about 3:51 it holy shit. That's all I can say. at 4:14 the harmony part makes up one of  my FAVORITE guitar solos. The post solo at like 4:58 is awesome, especially live, but the rest of the song is blood pumping and aggressive. I love the way this ends on a fast beat and then stops, and the faster beat is picked up on Natural Born Killer, and the opposite for Danger Line into Buried Alive, one starts softer and the other begins softer
5. Natural Born Killer: This song is an 'iffie. There are days I like it more than others. The drums sound too much like Almost Easy, so I really only get the whole thing out of the song when I listen to the album front to back. The 1st solo is also pretty cool
6. So Far Away: This song is good. I feel like an asshole because this is every one's favorite song because it's about The Rev. Well FYI I remember listening to Avenged and liking them, not enough to say i was a fan, when I was in 7th grade. 2 years before he died. Now so many people love him and didn't know about the band till after he died. I honestly love this song. It makes me cry, not as much as Gunslinger, but it is still touching. The best part I think, that makes me begin to tear, is  the second acoustic solo at 3:28. That, along with the video, and also the drums make me begin to tear. I hate myself for not being a big enough fan to be affected by The Rev and I will always feel that way.
7. God Hates Us: If you look at this album as one big picture it could be looked at as a nightmare. The beginning of title track is soft, like falling into your sleep, then it picks up, your in your nightmare, then the bad dream begins to faze as you hit Danger Line and you are at peace when Buried Alive comes along. But the nightmare picks up at the end of Buried Alive and into Natural Born Killer. This fazes off and for all of So Far Away the nightmare becomes a beautiful dream. So sound asleep right? wrong. This song has its eerie intro and is the 1st climax of your night mare. The solo the vocals the everything is terrific. Then it just cuts to the same eerie intro as the outro.
8. Victim: This is picking up as the peaceful part of your big dream and stays this way until the end. This was a different song where I didn't appreciate it till I actually listened to the album in its whole. Which quick fact, I have played this album, looking at my iTunes play, at least 20 times. The solo is sick, one of my all time favorites EVER, and the vocals are cool. This is just a awesome song. I think the best part is after the solo from 3:54-4:54. That is my favorite minute and then goes into another awesome solo. I also love the bongos and I think the ending is better with that part, but i think it's perfect that way because it is just how it began
9. Tonight the World Dies: This is arguably one of the most eerie songs Avenged has ever done. This song took more than one listen to appreciate it. but it is great. The solo good blues and twang. The beginning and end work perfect and it's great and the acoustic guitar makes the song all that much creepier.
10. Fiction: This song is to king of i didn't think i would like it because of piano. That changed after I heard Danger Line finding a new love for piano. And after listening to it's beautifulness for real. It is, to me, like they are singing to each other and trying to grab out to each other but can't reach. I guess you could look at it, if you run about 100 miles with it, according to my way of the way it sounds like they are reaching out to each other. It could be like Dear God, roughly like god watch out for my girl and take care of her while I'm away and not around, combine with Afterlife, The guy dies and doesn't want to be dead and wants to return to his life back on earth and escape, concept wise if you use my take on, not fiction's story but the way the lyrics and the atmosphere from voices, strings, piano, bass and drums it's like they are singing to each other because they are brothers. but at 3:33 comes one of the most touching parts of any song, EVER, with the organ breakdown and them singing. Looking at my take on how it sounds, the are coming to grips that they won't see each other.... yet 
11. Save Me: This song is orgasm worthy. I remember seeing this as the either worst song or the most mother fucker song I've seen by Avenged. This was before hearing it. When i listened to the album, in pieces on Soundcloud, as i said earlier. But I talked to Stevie about it and after that I tryed, this fall, to beat Save Me to school. If I moved my but it'd be a 15 minute walk but i tried to get home in under 11 minutes. Never did but that makes this song that much more meaningful to me. Ok so here is the part about the music. The intro guitar takes off, your dream is over this is a bitter sweet wrap up. So sit down bitch and take it. At 1:23 how the lead guitar picks up, that my friend is jizz your pants worthy. The great intro/build up to any song. He doesn't even start singing until 2:02. And the chorus is touching the vocals take over but if you actually listen to the instrumentation through out the album its sick. I love that they use the whisper type thing, much like Critical Acclaim and Welcome to the Family. Ok 4:49 another amazing build up to a well... amazing solo. This song gets better every time I listen to it. I seriously am having trouble sitting down and not attempting to jam along. The ''breakdown'' at 5:48 is another thing that helps this get into the next part of the song. The cowboy-ish arpeggios Syn plays at 6:08 are, I feel the best way ever to slow down and build up for another solo. At 7:35 is where it gets into full swing and back to the original verse type just wanting to get fucked in the asshole. This part makes it seem like there is going to be a big solo, the intro guitar riff even comes in but It is just as good if not better that it's the way that it is and slows down into part of what helps prove this beautiful song. Now the tearjerker in this song starts at around 9:29 where it is the GREATEST way to end a 10+ minute song.

Overall Nightmare deserves a 100/10. These guys deserve more success for their skills. Everyone thinks their cool or they are good because of 1 or 2 songs. Well they can get raped by Save Me and see if they actually only like 1 or 2 songs anymore. This album has so much more that I can offer but this is the best I ca do for now.