Freak Out! - The Mothers of Invention

Today marks the 50th anniversary of one of my favorite, and one of the most influential to me personally, release #1 by Zappa. This also happens to be the debut album by The Mothers of Invention, bestowed upon the unworthy Earth on June the 27th, 1966. Where to start, where to start.... Well, I don't really know? I think this is one of the greatest records ever made, and should be on the lists for guitarists to listen to, and for fans of music in general. In fact I'd go as far as the only reason for it to not be on a top 100+ list is only if you Rolling Suck, or you've never heard it prior to compiling it to the list. It also happens to be quite funny, and is not super serious (well at some parts). All and all its just a really a great rhythm & blues record. I can go on and on forever about the history but why do that. I wanted to note for this review that i will not be using the CD, because that's the most common version of the album (the '87 remix/'95 Rykodisk versions). I will be using the original vinyl mixes (Disc one of MOFO), and also my vinyl copy of the album. Why? Well, why not do the original version for the anniversary.

1. Hungry Freaks, Daddy: Opening the album we get this, this rocker that just takes you there. With the help of Elliott's lead and the other Ray's tamborine, but it's the song in general. Something nice about this is it has something to say and it says it,  being pretty funny along the way (kinda). I think the lyrics are straight and the point I don't really think this could have opened better with what's present. Plus that solo, damn Winged Eel Fingerling.... 
2. I Ain't Go No Heart: An instant classic, I love this song so much. This is a bit less punchy, like it doesn't feel like a rock song with a punch as much as a rhythm and blues number. This has a timpani and feels very large, again we get some great playing and this song is so crafted, and sounds so great. I love the middle eight and it's so fucking large. I'm serious you could easily turn this into a big band television/orchestral piece. Also that ending......... he's a bumber every summer.
3. Who Are The Brain Police?: A complete change of tone. The first two tracks where upbeat, fast and exciting. Upbeat as in not downers sonically, this couldn't be any more opposite. This sounds as if you were on a bad acid trip and your senses were slowed down. There are moments, during the verses before the refrain, of the Umpalumpa song. The thing is, that came out 5 years after this. This also is pretty trippy, as mentioned, and I think (as much as it sounds like I'm sucking his dick) a really nice contrast from the first two. The sound isn't boring, and overall it sounds like a nice change of pace really. I can't every begin to tell you how much I love the freak out in this thing and it's such a fucking great song.
4. Go Cry On Somebody Else's Shoulder: A doo-wop classic, sung by Ray Collins. This is a solid tune, and does a great job of replicating the sound and style. This isn't quite as silly sound ling as say, Oh in the Sky, but its a got some boy soprano from Roy. This tune also works and feels like its fit in a movie from the 50s very snugly. Great tune that really "is very greasy". The song progresses, though it's probably an inside joke, it contains one of my favorite lyrics about khakis. And the song becomes more silly after that but it's still done pretty straight for the style. Also fuck, Eugene that's some fucking fire piano playing.
5. Motherly Love: This is rather funny. I could be misreading this, but I feel like when you hear Motherly Love its like (and as the lyrics hint) love from a Mom. But the lyrics also hint at it being "love" from a Mother. Thus is a solid R&B number, and just rocks. This also has some funny little sounds here and there and some nice playing, as with the rest of the record. But it's solid bro.
6. How Could I Be Such a Fool: This is a song that's grown on me oh so much. It's sort of weird, where the others thus far rocked or were kind of shallow this song musically is sad. Like I feel like Zappa could be making a joke, but this song is so fucking good. Like if he wasn't a cynic I feel like this could be a great break up song. The arrangement..... Fucking Amazing, and it comes and goes so fast. I feel like it is like a relationship, grasp it and get what you can and give what you can to it while its still here. This might be one of best songs here to be honest. Also Carol Kaye plays 12 string guitar on this track.
7. Wowie Zowie: This is a fun little ditty that could very easily be a children's song. I feel like he was going for that too with some of the lyrics. But then, I mean it's bizarre.... I still love it. The xylophone makes it more playful but it still has the that great hook. 
8. You Didn't Try to Call Me: This is another huge song that is phenomenally put together. Pet Sounds is a masterpiece, fuck that noise everything here kills that fucking notion. This song is a great and I really don't have much to say other than this is hilarious, but sonically it's great.
9. Any Way the Wind Blows: Another break up song, another classic. This song is very memorable and has that fun Wowie Zowie feeling but is a bit more serious maybe. You know the whole gauntlet of what this album puts you thought, why can't all music be this compelling, fun, exciting, scary and interesting. Also there's a neat background to this story in the liner notes of the original Lp
10. I'm Not Satisfied: Is it wrong to find this track funny. While it isn't as mellow dramatic as the lyrics, well extreme, to ITIGKM this sonically sounds like a "depressed" teenager. Don't get me wrong, it's a great tune, it's just it fits so well with this shallow, one dimensional character. Like really, I can't help but laugh at this song. The music is so big and so large, as with all the other tracks.
11. You're Probably Wondering Why I'm Here: This title is a bit misleading. but it's such a weird song. Like really, it's got that kooky feeling to it but I also feel like it might be a love song. But then again, most love songs aren't really that deep, so maybe it's just the satire :) I love the music and the lyrics have me rolling on the floor and I can so fucking quote this. The call and response, in the Zappa's dead pan. Plus I caught that Caravan reference.
12. Trouble Every Day: One of the best blues song ever. Seriously; not only does the music have balls and kick ass, the message is equal to that of the music. Actually the lyrics might be more relevant today than back then, at the very least are still relevant today. This really is s song to aspire to pull off if your a musician who isn't just in it for quick doe, but rather the are, craft and power of music. Really, I'm serious, flawless.
13. Help, I'm A Rock: On the vinyl this and the following track were the two sections of one track, but for the sake of the way the thing is why not. This is a bizarre track, which I don't really know how to describe. I know the rhythm section is really doing a great job keeping the beat but the voices sound like they're freaking out. This also has some kind a funny stuff, but it feel a bit like an experiment. There is a section that changes but I believe it to be the In Memorium of Edgar Varese but yeah, hear it yourself, but I personally love it.
14. It Can't Happen Here: Another quotable tune, that is just all kind of wonderful. I love it and it makes sense that it follows what just happened. Also this is an all a capella tune. Well that's at least for most of it, there's this piece spliced in there..... it's fucking great. Feels sort of improvised. I also think parts of the next track, or parts of this track, are in the next track. But they mention Suzy.
15. The Return of the Son of Monster Magnet: "Suzy, Suzy Creamcheese. What's gotten into ya darling" what a way to end the record, that voice introduction then go straight into the Varése quote with the lion or whatever it's called. Love the drum beat in that beginning and this is the sound of chaos. I really think you need to hear it yourself, also it's nice to hear it not so reverby as on the Freak Out! cds. I love sounds and how stuff works and Zappa obviously know how to do dat shit. The thing picks up pace and starts to sound like white noise almost. As the song progresses it becomes complete chaos until it becomes a sort of reprise of It Can't Happen Here then going into a sort of Mr. Bungle/Were Only In It For The Money/Lumpy Gravy thing for the last four or so minutes. It's really something to hear, not only does it make me smile, but I love every second.

Overall I have to give this a 11/10. I didn't highlight anything because there are kind of all my favorite songs. Actually upon re-visitation I might like this more than Abbey Road. Even if you think his humor is stupid, his writing is to silly, or his music is to complex to swallow; I am under the belief there is still something here for you to find and take home. From the novelty to the political messages to the blues rockers and doo-wop tracks. From the avant-garde experiments and musique concrete compositions to the down right and instantly quotable song. No matter your taste, no matter your style, there will be something for you to take from this 1966 classic double album. And to be honest, these songs are so damn catchy I can't imagine you not coming away with something you sing. I mean I can't stress that enough. This is the perfect starting point to get into Frank's enormous body of work, and its also one of his best. Also if I didn't make it clear, check the lyrics out, it'll be worth it trust me.

LISTEN TO THIS RECORD, I couldn't fit it in the Albums to hear before you die with the amount of characters in the Blogger label section. 

Young And Rich - The Tubes

This follows the classic 1975 Self Titled debut album by The Tubes. Instead of Al Kooper on production, they got Ken Scott to produce. This album is the first to feature Re Styles, the girl who's hand is on the covers of the first two albums, and also that's really the only difference between the first and second I know of. You know there isn't even that much info about this album on the web either.

1. Tubes World Tour: This opens the album with an explosive track. It kind of is like a world tour recollection by way of Aerosmith's 1979 song No Suprise. Well with an percussion heavy chorus, and song Utopia keys. And a really funky solo. While not as explosive as the debut it's still pretty great. This is one for the few moments on this album that has this much excitement, or at least pulls me in this much. It's very fun to hear and kinda of makes you want to love this album. It might not be the same pull the previous album had, but it comes pretty damn close. During right before the solo there are sounds that remind me a ton of Space Baby. Then after the solo I had to laugh when I heard the accordion. Which works very well here. I also like the little touches and changes in this song. This really is a Tubes tune.
2. Brighter Day: I heard this about five times now and I can't remember a single second other than its softer than the intro. Upon listening to this for the review, like in the moment, it's very Thin Lizzy sounding. At the very least in terms of Fee. The backing vocals, at parts remind me of Bowie's backing vocals on some songs. I think the best part is the classical guitar in the song and the solo. It's nothing that crazy or mind blowing, but it keeps the mood of a slower song and doesn't blow the steam away by the end. Upon revisiting this, it isn't terrible, it's just a bit different. I guess should also mention, those dual guitars (or what sounds like it) do pull on my heartstrings a bit. I mean still this isn't a 10 or anything more of a 7 or 8.
3. Pimp: This is the type of track that I see The Tubes covering, but they cover it so unenthusiastic. I mean it's tracks like this that beckon the question, did they really want to be there. Well at least they didn't really go full out funk. There are some parts that sound like they added funk instrumentation, strings, bass heavy, and a harpsichord or a clavi. But the string swells are gorgeous. This song, if it was more alive would probably be as good as a song off the last album. Actually this sounds like it could have been an outtake from the last album. Earlier I said it was unenthusiastic, yes it's very much so. Like this song could have been epic, but they went the subdued way... but not to it's real benefit. I mean yes I have Morricone flashbacks (good thing), but it's just his music punches me in the heart sometimes.... this makes me kind of feel something, but not the brought to tears emotions that Ennio can.
4. Stand Up and Shout: This is a rocker. The thing is this isn't really anything special. Ok maybe the piano rolls are kinda cool, but still. This isn't anything you can't really hear on any other album that has a rocker. There is a similar-Tubes World Tour feeling to this tune, but it's not as exciting. This also sort of reminds me of maybe the cover of Let's Spend The Night Together off Aladdin Sane. Just not as...... engaging. Even that little talking thing Fee does reminds me of the sort of breakdown in the cover.
5. Don't Touch Me There: This is my favorite tracks here. Not that there is a ton to work with, so to say, this still stands out as a great. This is supposedly a "send up" of Phil Spector's wall of sound production. I can see that, but this is still my favorite track. I think the reason it is is because it's very doowop/brill pop influenced. The biggest problem is probably the "wall of sound" that I didn't realize was there. For whatever reason I don't care for the type of production. Now sometimes it is perfect, and awesome River Deep, Mountain High, other times it gives me a headache after multiple listens, Long And Winding Road. But its fitting seeing how it's a tribute to it. I don't know, I'd love to hear another version of this song because it'd be a 10 if it wasn't for that production. Seriously. This song is also very reminiscent, with the vocals and what not, of a Ronettes track. Hell Shirley (Re Styles real name) even vaguely reminds me of Ronnie or Veronica Bennett when she sings. Also this needs to be said, two people who are not in the Tubes, wrote this track.
6. Slipped My Disco: Dancin' Fool and Disco Boy did it better. Also this song isn't really anything that I remember after hearing it. It's kinda like Brighter Day. There is this weird sort of reggae thing they do in the chorus, I think this is an interesting song, that I feel like if I went into actually what was going on (notes) it'd like it more. But audibly, I feel like there is something missing. I do laugh at the slickness of the way he says the title. And the ending gets pretty solid, but yeah. I just don't think it's as funny as a tune off the prior album.
7. Proud to Be An American: "Were at least i know I'm free." This basically a lesser sequel of the What Do You Want From Life? track off their debut. This is done in a very Elvis rockabilly feeling. It's harmless. Oh, I figured it out, this would totally appeal to a Rockabilly or it's a pretty solid tune. Also if you care, you should look into those lyrics. There are a giggle or two given.
8. Poland Whole / Madam I'm Adam: At 6:31 this is the longest track here. The second longest being 5:03 on the next track, nothing after that is longer than 4:42. So while not super long, it's quite a bit longer than most of the songs. It starts very, I feel like this is an epic tune but I also feel like it's trying to recapture moments that open the debut. The tune is still pretty solid in it's own right, it's just I feel like it's trying to redo it a bit. I think it's pretty hard rockin', but yeah. It does make me smile though to hear Fee go "crazy". He sounds like a crazy person a bit. Oh one last thing, I like those little touches to the song.
9. Young and Rich: Closing the album we get a lounge acoustic track. And honestly, this is a fitting end. I feel satisfied when I hear this close the album. There is a chill feeling to this that I think fits considering it was chill on other tunes. Also really diging that organ/keyboard/synth what ever it may be. That solo melody is really nice, and the drums sound awesome here. And I love that build and all the little details that are happening here. Great great ending.

Overall I have to give this a 7/10. While its enjoyable it has its problems. What's wrong here only continues on to the next album. There are great tracks here, and then there are ok tracks. I assume Al didn't produce this either because of them not wanting it to sound like the last or because he was busy. I understand both cases, but still. When I hear the first album it makes me pine for singers and groups to gain an ounce of the personality that Fee has, but here it sounds like he's devolved into an everyday guy trying to be eccentric. And the group and recording doesn't seem as fun either. I should note the addition to the group didn't mess anything up. The song she sings is one of the best, if not the best.

Apostrophe (') - Frank Zappa

This is one of the first Frank Zappa albums I ever heard. At first I thought it was OK  but it grew on me. The thing about it is that I wasn't huge on it at first. It was kind of like, my now favorite album I've ever heard, Abbey Road. At first I didn't like all the songs on that album at first. But when I actually listened to it I liked it more. That's how a lot of albums are, and songs. I remember watching the Classic Albums movie about Over-Nite Sensation/Apostrophe (') one. I thought that it was one of the coolest documentary I'd ever seen. My friend Jason was sleeping over and I was watching that while he was busy doing something in the basement at my house. I couldn't not watch it, and be impressed. To this day, he still blows my mind with his compositions and skill. I pushed this back a while because I wanted to get a lot of info to make this accurate  I'm doing the review of the 2012 UMe Remaster.

1. Don't Eat The Yellow Snow: I love the beginning of this song. With the wind sounds and the guitar. I love the guitar's tone throughout this entire album. I love the drums and the song is catchy. This song is very bass driven. The "Watch Out Where The Huskies Go" can't not get stuck in your head.
2. Nanook Rubs It: This is where the Fur Trapper who is "Strictly Commercial" comes and steps on his favorite baby seal. With a "Lead filled Snowshoe". There is some parts where the vocals go back and forth in the speakers. This song is more "funky"? than the last one. This is an awesome example of Frank's story telling. I love how he does this for some of his songs. There is a part where, if you listen, you can hear him say "here fido" which is a reference to Dirty Love.
3. St. Alfonzo's Pancake Breakfast: I was in awe of the percussion parts. I love how this songs intro is a sick percussion riff. This is the part right before my favorite part of the suite. the Rollo Interior is also awesome. "Hurt Me, hurt me" is something I reference a lot. Usually making fun of some of my friends. The drums in this song as so sick and I love the lead into the next track. 
4. Father O'Blivion: This is such a funky song. I love the way the guitar sounds and the "wah". You probably could do the "Funky Alphonzo" to this song. I couldn't get this song out of my head for the longest time. It's also a pretty fast track. The bass in here and the synthesizers. UGH!. And the Spanish march part or "Domonuss Vum Bizcum" (I know it's spelled wrong. But I tried phonetically) is fucking sick.
5. Cosmik Debris: For the longest time this, and Stink-Foot I didn't care for. I don't know why, but Stink-Foot grew on me. I was almost obsessed with this song. I love the violin in this song. Its sick. And I like the little motifs for the different parts. I think that's the right word. And I love this entire story. I would constantly reference this song, just about every chance I could. I would suggest listening to this song, and listening to this lyrics too. It's kind of a funny story about a drug dealer trying to sell Frank drugs and he says no and then pretty much outsmarts and tricks the drug dealer. "I had the sucker hypnotized".
6. Excentrifugal Forz: I didn't know what to think about this song. That was until I dissected it, so to say. Or maybe I should say I better listened to it. I also think this is a good way to start off side two. And it's kind of the prelude to Apostrophe. I like the part where it says "Pup Tentacle  and him re-reference in Cheepnis in the follow up Roxy & Elsewhere. This song kind of has a futuristic feeling to it. I don't know, maybe I'm just crazy, but that's how I feel.
7. Apostrophe ('): I could probably say that this is my least favorite track. I don't know why, but it's my least favorite. This is a jam between Frank, Jack Bruce and Jim Gordon. And I also guess Tony Duran does rhythm guitar on this song. This song is kind of cool, but It's probably my least favorite on the album. It is a pretty cool song though.
8. Uncle Remus: This was probably my first favorite song by Zappa. I love the piano in the song and I didn't even realize what it was about until I looked at the lyrics. It was written by Frank and George Duke. This song is actually pretty epic. This is probably the only real serious song on this album. Most of the songs on this are pretty humours and silly, but this song is kind of meaning ful. It brings up some of the topics that were brought up in Trouble Every Day off his June 1966 Freak Out! debut
9. Stink-Foot: I wasn't very huge on this song, until the 2012 UMe Remaster. I feel like I'm jumping on the band wagon, but this is a really cool song. This song was written after seeing a a foot deodorant commercial where the dog passes out from the guys feet. I don't really know if that would make you like this song or not. This song is super catchy though. The instruments only make it that much more catchy. I FUCKING love this! This is the songs where the term Conceptual Continuity is from. There are also other references in this song "Here Fido", "Imaginary Diseases", "Poodle Bites, Poodle Chews It". It's just a "sick" ending for an awesome album. Not to mention the solo in the song is also pretty sick too.

Overall I have no choice but to give this album a 10/10. This is one of the first albums that got me into Frank. If I'd have never heard this album then I'd be so fucked. This album has played such a part in everything. The 2012 UMe Remaster is how the Vinyl sounds, minus the ''Farts'' in the songs as mentioned above. Another thing is that this album isn't really one to get boring. Some albums have "drags" this one doesn't really have any. And I obviously can't do this album any justice, so just listen to it, the Vinyl or 2012 UMe Remaster version (that's the one that's on iTunes & Spotify).

We're Only In It For The Money - The Mothers Of Invention

This album is SUPER important and I'm honored that this is my first Zappa album review. This is the 44th anniversary of this huge album. This is even more important musically to me than Dark Side Of The Moon and The Valley combine. This was the first Zappa album I heard in it's entirety, along with Sheik Yerbouti and Freak Out! Those are three of my favorite albums but three of the most important musically to me. Now I can go on forever about how this is an amazing album but, well I'm gonna break it down track by track. The original intended album cover for this was a parody of Sgt. Pepper's Lonely Hearts Club Band. I don't really like that album cover much, but because of legal stuff that was on the inside instead of the outside.

1. Are You Hung Up?: This is a sound there is is a person talking and whispering. It is kind of eerie. And there is a little guitar riff in there and it is cut off by a someone making a horse sound. If I am not mistake, Eric Clapton's voice is on this song. It's either that track or Telephone Conversation.
2. Who Needs the Peace Corps?: This song is funny. I like how he brought up the problems and the foolishness of the whole hippie movement in something a hippie would probably listen to. That is the thing about Frank, he had this thing where he could make appealing songs that make fun of the people who it appeals to. Another example is Dancing Fool. I also like how the instrumentation is in the background to him talking about instructions of what he will do as a hippie. There is just something about the way they do that part of the song that is so neat. I really think it is cool that they not only do that, they also make it work. The part in the song where it says "I love the police as they beat the shit out of me" well, that is something I included in a sophomore year speech  I did on censorship. Which I bombed, why well I did pretty much everything they said no to. So I went down like a man.
3. Concentration Moon: This song is "cute". I don't know what people could have a problem with this. This is one of my first favorite songs by Zappa. I really like how the song ended and it has a couple seconds in between of sound collages, then starts over. The line where it say "American way, how did it start" is one of the coolest sounding things I've heard. The part just hits me like a rock. If you make music or even enjoy music there has to be some types of music that hit you like that. Well this is one of the many that hit me. Hard!
4. Mom & Dad: This song is so pretty. The lyrics are also very touching, if you listen to then and think about them. The lyrics talk about someone telling their parents people are getting shot by the cops. and ultimately he was shot. This song has a build at "Ever take a minute to show a real emotion" which leads into just this perfectly built up part and the song just. This song hits hardest of all the songs. This is a song that I could cry to. It is just so pretty and touching. This shows that he is himself. I don't see any other way to say that. This song makes me tear up, maybe it will make you to.
5. Telephone Conversation: I like how this flows in the album in between tracks. This is just how this album is. I kind of think of it in a way as a big commercial.
6. Bow Tie Daddy: This was also another instant classic for me. I really like this one because it is different. And this is also a cute song but if you listen to it. It will catch your attention because of its cartoon sounding to it. But it is making fun of the parents of the hippies. This is defiantly a song I could see on the radio.
7. Harry, You're a Beast: This flow to this song is great. The vocals on this track are really good. I like the instrumentation on this to. Then there is Dick Barber doing that signature growl on this track. Then it goes back to the normal part. The track gets played backwards. This mentions someone saying "Don't come inside me", but is is all sped weird so it would be censored. This song appears to be about a guy who is a beast, sexually. This song is just so great. It grabs your attention and it is super catchy. I love this, and it is one of my favorite 
8. What's the Ugliest Part of Your Body?: This song is very funny. I think this applies to everyone, the way this song is you think it's about a penis or a vagina but it states that :"Its your mind". I love at about 30 seconds it picks up and sounds pretty cool. I think that this also hit me like a rock. The way his vocals are and the drums and guitar. Perfect
9. Absolutely Free: The piano intro to this song is just cool. I also like how he took a shot at. I also think that it's funny how they had to censor the line "Flower Power Sucks!". This album in general is a masterpiece. There is are parts in this song where it remind me of a odd type of waltz. The drum roll on the chorus is how my favorite type of sounding drums are. I like the compression on them.
10. Flower Punk: There is a cut where it sounds like they are changing the channel. Then this song starts immediately after. This has a very distorted wah-wah guitar sound to it. The vocals are sped up, a technique Frank often did on songs, especially on stuff with The Mothers of Invention. The song kind of ends the starts up and has static noises and people running around in the background and in one speaker there is one person talking to you and the other speaker has someone else talking to you at the same time.
11. Hot Poop: This is another sound collage song that has a funny title. It is only 26 seconds but it has part of the song Mother People which is on this album, played backwards.
12. Nasal Retentive Calliope Music: This is a classic sounding sound collage. It sounds like someone was recording stuff and sped it up extremely fast. At the last 20 seconds of the song there is a surf rock sounding song that plays with waves in the background. That whole surf rock part is awesome. It reminded me of a more surf rock version of Lumpy Gravy the theme song. This track is cut off by other sound collage stuff and ends with a fart sound. 
13. Let's Make The Water Turn Black: This song is on of the instants. The fart sound from the track before is hilarious, especially since this track is about someone trying to start a fire with a lighter and their farts. Supposedly this was based of a real event in Frank's life. I'm not positive but I think I read somewhere that that is the inspiration. There is just something about the way this song is performed that is so embedded in my head forever, that I don't exactly know for sure.
14. The Idiot Bastard Son: This song is a song that is only like 45 seconds. After the 45 second mark it has people talking about a bunch of different stuff. At about 1:21 the song starts up again. This song is a little different and there are different lyrics and guitar parts. The drums and bass are the same. Then there is a type of part where it has a piano part with vocals and guitar. After that they have the whispering spoken words again until it leads up into the next track.
15. Lonely Little Girl: This is my least favorite song on the album. I'm not saying it is bad, I just don't LOVE it. There is parts in this song where it sounds like there is a sitar in it, which is at the end of the song. This has part of How Could I Be Such A Fool? and What's The Ugliest Part Of Your Body in it. I just never really got into this track that much.
16. Take Your Clothes Off When You Dance: This song is also pretty. The thing about this is that it is just funny. With the instrumentation on it sounding cartoonish and cartoonish vocals on the track singing about lonely people gathering together and peace. Along with that peace you can take your clothes off when you dance. That is the last line of the song so you get the impression of them talking about "All the evils know to man, will be an evil we can rise above" is not as important as being able to run around naked.
17. What's the Ugliest Part of Your Body? (Reprise): This is just a shorter version of the track of the same name. It isn't all that different from the other version. The only major difference is it appears to fall apart towards the end. And after the music is done there is voices that talk and just say random stuff.
18. Mother People: This song is also very important to my Zappa music appreciation. This is part of my favorite songs by him. This song is funny and it is very catchy. It gets stuck in your head, very easily.  It starts out with an orchestral feeling to it. This reminds me of Lumpy Gravy. But then after that part it goes back to the normal song and ends. This song is a good song to start off listening to The Mothers with.
19. The Chrome Plated Megaphone Of Destiny: If not for Revolution 9 then it would of been harder to fall for this album. This song is and avantgarde, noise collage, tape loop track. The first ever tape loop song I liked was Revolution 9 by The Beatles off their 1968 self titled album. The beginning of this has some type of motor sounding thing to it. Then this evolves into piano, which evolves into a bunch of random instruments together. This sounds like Frank's take on his type of Edgar Varese composition. This also somewhat reminds me of a not so distant cousin of the second half of The Return of the Son of Monster Magnet which is off 1966's Freak Out! album. There are also cartoonish vocals laughing like they are evil or they are high. This track is 6:25 and by far the longest track on the album. The second longest track on this album is 3:24. That over 3 minutes longer that any the second longest track. There is a part where it sounds like they were just running around hitting stuff in this big empty room.

Over all this is a 10/10. I love this album. Its just so perfect and just works. I literally could of reviewed this album with out even re-listening to all but 3 songs. The rest are permanently engraved in my skull musically. I think that this should be on a list of top 50 albums ever. This is just such a perfect piece of musical history for me and it is also touching to me and has meaning. If not for this I probably wouldn't like Frank. The way this album was mixed and edited is perfection. This isn't amazing quality but it gets the job done. I think that the quality works and is perfect for what it needed on this album. Some albums need to be low quality to sound good and then the same is true of the opposite. Long story short I love this album and can't wait till March 22nd cuz then I'd doing Apostrophe and March 26th Just Another Band From L.A. check out my page at the top where it says release dates.