Showing posts with label Standard. Show all posts
Showing posts with label Standard. Show all posts

Wednesday, May 29, 2013

Congratulations - MGMT

#5. This is the second studio album released by one of my favorite bands MGMT. These guys are from Connecticut, forming at Wesleyan University. They came out with their first release in 2004. At that time they were known as The Management, but when they found out someone was using that name they changed it to MGMT. They released their first studio album Oracular Spectacular in October of 2007 digitally. Then in January they released the CD and LP versions. In my opinion, they haven't released anything yet that I don't like. I first got into theses guys with Oracular Spectacular in fall of 10th grade. That was the year that I really began experimenting with different types of music. The first time I heard any song on this I liked it, but it has only grown on me. Here is the review. This was supposed to go up the 13th, but I wanted to do a fucking amazing job on this review. So instead what I did was I waited until the last week of the month and uploaded the reviews that were going up. Well that was 13 months ago, but you definitely won't be disappointed, hopefully. I know I won't. I bought the CD and picked up stuff I never did before.
  1. It's Working: This is an amazing opener to this album. It is a very fun feeling song and it is upbeat and cool. It also has a fun music video. This is already much different for their last album. This is a fun song. Like I said earlier, it's kind of cartoony. You can really get into this song, and it sets up the rest of the album so well. The harmony vocals are dreamy and it's just so like great.
  2. Song For Dan Tracey: This is a song that was one of my favorites the first time I heard it. It was a really cool song to listen to and it is fun. It is upbeat and exciting to listen to. This song also has a cartoony feeling to it. But after the verse it goes into a nightmarish cartoon. This song has a jungle vibe.  Part due to the instrumentation, but also the mentioning of the jungle in the song. This song is another song that could get you set up for the rest of the album. The ending is a buildup and it only gets more exciting.
  3. Someone's Missing: This is one of my favorite song of all time. I love the way this song builds. This is the most tame song in the beginning, thus far on the album. Because of that fact, it's one of my favorite tracks on the album. This song is too short to be a single, but I wouldn't want it any other way. The whole. I love the way, though it's "hidden", you can hear the bass. If you listen, and the psychedelic sounds there. I love the guitars distortion on this track and it makes me get pumped for what to come next. I've heard this song about a million times and I still get pumped each time I hear it. The outro to the song almost comes in beautifully. ORGASM!!!
  4. Flash Delirium: I love the bass on this track. This is a single, but its such a weird song. I don't really see how a normal person, unless you're high, or you're me, would understand this song. Now I'm not going "You just don't get art". No, I'm going, "You don't appreciate it". There's a difference. The lyrics to this song are somewhat sadistic. I'm not 100% sure if this is about the same thing, for the most part, as the line "stab you're FaceBook", and "vanity", like Andrew said how he felt about. This song has a nervous breakdown at the ending of it. This song is kind of like a painting. The same way Life On Mars? is by David Bowie. This song is overwhelming at the ending. And it progressively gets more overwhelming. More and more and more and more and more and more gets built on to it. Then it has little bits where it cools down, but not very much. The music also paints a picture too. It's just so magical. It's almost "the prefect song". The music video is something else too. Check it out, and tell me if you get it.... I did. {10/10}
  5. I Found A Whistle: This song reminds me of Christmas. The synthesizers give me that same feeling, not sound but feeling, that I get from Wonderful Christmastime by Paul McCartney & Wings. But you know, it's kind of a twisted one, with a noose. I love the white noise sounds in there. It kind of sounds like snow in the wind. This is a very sweet song to continue after the last "meltdown". 
  6. Siberian Breaks: This is the longest song on the album, and it is also the best. It isn't my favorite, because I don't have a one certain favorite on this album, but it is the most well composed and put together song on the album. Ok, it may be my favorite. I'm not sure, but this song is like Flash Delirium but if that song was older and "better", and a more mature version of Metanoia (though it's shorter by around 1:30). It's hard to imagine, especially since I praised that song too. This song is just a trip from the beginning. I love the jazz chords and the whole psychedelic vibe to the acoustic part. It reminds me a little of Jugband Blues. Because it could still be psychedelic and there be an acoustic guitar. And his Rickenbacker... DAMN! The melody of this song and the "second part" where they start singing with the echo. I know it's about surfing in the arctic, and it's a great song. It song is more of a painting than Flash. The part where it sounds like a jumpy part or a skip, reminds me of Syd's Floyd. And the "Old Mary Ann" line, I believe that's an Alice in Wonderland reference to the rabbit. I might be wrong, but I think that's what it is. The next part with the echos and the "flares".... YES! Then there is the part where it kind of goes into a normal song, before going into the acoustic melody of the beginning, and then outro flares of electronic sound, it's beautiful. {12/10}
  7. Brian Eno: This song is named after the producer of the same name. This song returns to the fun that was on the songs like Dan Tracey and It's Working. After buying the CD I was able to pick up on the different layers on this song. The little tiny things. Which is something he'd do. Listen to the little details on The Warm Jets and you'll understand. An example in this song is right before the last chorus the "what does he know" that's hard to understand. There is also little Enoesque layers throughout. I love how this song pretty much falls apart. With the sirens in the background. The very ending literally falls apart, kind of like And All Things Will End by A7X. There are things that I probably won't pick up on yet, since I'm getting into Eno now, but in the future it might be fun to see if there's any references that I'ven't picked up. Like how they say his whole name, that he chose Brian Peter George St. John le Baptiste de la Salle Eno.
  8. Lady Dada's Nightmare: This is a avant-garde song that could be fit under dada. Hence "Lady Dada's Nightmare". It is also a point to Gaga because I guess Andrew, the singer, likes her music and had a new found appreciation for it. Whatever, I still don't care for Gaga, but this song. This is a great track to go before the ending. Craziness right before a beautiful ending. ITs actually pretty beautiful. Its kind of like the ending of Siberian Breaks. This sounds like it was composed. Then screams in the background make it awesome. My cousin said that when he saw them live this year they cameout to this song playing. And it was extremely loud.
  9. Congratulations: This is the best ending for the album. It is such a pretty song. It gives this album a Congrats, you guys did it, you made an amazing album and did it how you wanted to. The applause at the end of the song is so fitting because this album does deserve a round of applause. The keyboards solo brings a tear to my eye. The video is also pretty beautiful. The acoustic guitar in this song is sick, and when I learned it I was so proud. This song is a true gem,
Overall I give this a 10/10. You have to give these guys props. They made it big using commercial electronic sounds and could of continued doing that and making tons of more money, but they didn't want to make that music anymore. To think that they killed it, in a good way, doing the electronic pop stuff, and then killing it doing the neo-psychedelic/prog style. You could trip on this at the same time as this being the soundtrack for a cartoon. The album cover helps set the tone. These guys are very good at song writing. And if you like it or not there is no denying it. There are so many moments on that I still get into with each listen. When I listen to an album and there is songs that progressively grow on me. Oh, real fast, this is better than the Laming Fips. Like say Brian Eno is the only song you like, well once you have established that as a sick song, not to the point of you being bored of the song, but you want to search more. Then your new favorite songs is Song For Dan Tracey then this happens until you like every song. I call this, at least for myself, a standard. I doubt that's the right term, but that's what I refer to stuff like that. Example Nightmare or House of Balloons or Mr. Bungle self titled album or even You Are What You Is. How about Joe's Garage Vol. I or Joe's Garage Vol. II & III. These are examples of albums for me where I progressively fall for another song each listen or so. One last thing, if you want you could play this for kids and they'll probably love it, and people who love psychedelic music too. Most of the lyrics on this album paint a picture too. Hell, this album  is a great big picture. Can't wait to hear MGMT since hearing Alien Days.

Wednesday, March 20, 2013

Apostrophe (') - Frank Zappa

This is one of the first Frank Zappa albums I ever heard. At first I thought it was OK  but it grew on me. The thing about it is that I wasn't huge on it at first. It was kind of like, my now favorite album I've ever heard, Abbey Road. At first I didn't like all the songs on that album at first. But when I actually listened to it I liked it more. That's how a lot of albums are, and songs. I remember watching the Classic Albums movie about Over-Nite Sensation/Apostrophe (') one. I thought that it was one of the coolest documentary I'd ever seen. My friend Jason was sleeping over and I was watching that while he was busy doing something in the basement at my house. I couldn't not watch it, and be impressed. To this day, he still blows my mind with his compositions and skill. I pushed this back a while because I wanted to get a lot of info to make this accurate  I'm doing the review of the 2012 UMe Remaster.
  1. Don't Eat The Yellow Snow: I love the beginning of this song. With the wind sounds and the guitar. I love the guitar's tone throughout this entire album. I love the drums and the song is catchy. This song is very bass driven. The "Watch Out Where The Huskies Go" can't not get stuck in your head.
  2. Nanook Rubs It: This is where the Fur Trapper who is "Strictly Commercial" comes and steps on his favorite baby seal. With a "Lead filled Snowshoe". There is some parts where the vocals go back and forth in the speakers. This song is more "funky"? than the last one. This is an awesome example of Frank's story telling. I love how he does this for some of his songs. There is a part where, if you listen, you can hear him say "here fido" which is a reference to Dirty Love.
  3. St. Alfonzo's Pancake Breakfast: I was in awe of the percussion parts. I love how this songs intro is a sick percussion riff. This is the part right before my favorite part of the suite. the Rollo Interior is also awesome. "Hurt Me, hurt me" is something I reference a lot. Usually making fun of some of my friends. The drums in this song as so sick and I love the lead into the next track. 
  4. Father O'Blivion: This is such a funky song. I love the way the guitar sounds and the "wah". You probably could do the "Funky Alphonzo" to this song. I couldn't get this song out of my head for the longest time. It's also a pretty fast track. The bass in here and the synthesizers. UGH!. And the Spanish march part or "Domonuss Vum Bizcum" (I know it's spelled wrong. But I tried phonetically) is fucking sick.
  5. Cosmik Debris: For the longest time this, and Stink-Foot I didn't care for. I don't know why, but Stink-Foot grew on me. I was almost obsessed with this song. I love the violin in this song. Its sick. And I like the little motifs for the different parts. I think that's the right word. And I love this entire story. I would constantly reference this song, just about every chance I could. I would suggest listening to this song, and listening to this lyrics too. It's kind of a funny story about a drug dealer trying to sell Frank drugs and he says no and then pretty much outsmarts and tricks the drug dealer. "I had the sucker hypnotized".
  6. Excentrifugal Forz: I didn't know what to think about this song. That was until I dissected it, so to say. Or maybe I should say I better listened to it. I also think this is a good way to start off side two. And it's kind of the prelude to Apostrophe. I like the part where it says "Pup Tentacle  and him re-reference in Cheepnis in the follow up Roxy & Elsewhere. This song kind of has a futuristic feeling to it. I don't know, maybe I'm just crazy, but that's how I feel.
  7. Apostrophe ('): I could probably say that this is my least favorite track. I don't know why, but it's my least favorite. This is a jam between Frank, Jack Bruce and Jim Gordon. And I also guess Tony Duran does rhythm guitar on this song. This song is kind of cool, but It's probably my least favorite on the album. It is a pretty cool song though.
  8. Uncle Remus: This was probably my first favorite song by Zappa. I love the piano in the song and I didn't even realize what it was about until I looked at the lyrics. It was written by Frank and George Duke. This song is actually pretty epic. This is probably the only real serious song on this album. Most of the songs on this are pretty humours and silly, but this song is kind of meaning ful. It brings up some of the topics that were brought up in Trouble Every Day off his June 1966 Freak Out! debut
  9. Stink-Foot: I wasn't very huge on this song, until the 2012 UMe Remaster. I feel like I'm jumping on the band wagon, but this is a really cool song. This song was written after seeing a a foot deodorant commercial where the dog passes out from the guys feet. I don't really know if that would make you like this song or not. This song is super catchy though. The instruments only make it that much more catchy. I FUCKING love this! This is the songs where the term Conceptual Continuity is from. There are also other references in this song "Here Fido", "Imaginary Diseases", "Poodle Bites, Poodle Chews It". It's just a "sick" ending for an awesome album. Not to mention the solo in the song is also pretty sick too.
Overall I have no choice but to give this album a 10/10. This is one of the first albums that got me into Frank. If I'd have never heard this album then I'd be so fucked. This album has played such a part in everything. The 2012 UMe Remaster is how the Vinyl sounds, minus the ''Farts'' in the songs as mentioned above. Another thing is that this album isn't really one to get boring. Some albums have "drags" this one doesn't really have any. And I obviously can't do this album any justice, so just listen to it, the Vinyl or 2012 UMe Remaster version (that's the one that's on iTunes & Spotify).

Saturday, March 9, 2013

The Rise and Fall Of Ziggy Stardust and The Spiders From Mars - David Bowie

This is, though it came out in June, my review for this album. I figure with The Next Day on the trail only 3 days away why the fuck not review one of my Favorite albums ever. I could go on forever about Bowie and how him, and this album especially, helped influence my taste and songwriting. I wrote out an album, that was scraped, but was heavily Ziggy-era Bowie influenced. Frankly I want to start this review, so here is a quick factual bio. Released June 6th, 1972. First to feature Ziggy persona. Album number 5. Possibly his most famous album.
  1. Five Years: This song starts out with a fade in of drums. Then guitar and Davie and piano comes in. This song is an awesome tone setter for the rest of the album. The chorus on this song, and the entire album, are so damn amazing. The piano in this song is very pretty. And when the strings come in and get louder. This song kind of "fades in" throughout the entire song. As the song progressively gets louder and everything comes in for the chorus.
  2. Soul Love: I like the way this song starts out kind of slower. There is sax in the song. I like that this is different than the last song. It isn't completely repetitive like other albums by some bands. I'll leave that up for your interpretation. I like the way that David sings this one. The sax in this song is kind of "sexy"? I hope that makes sense. I could see someone dancing to this at a wedding. "Sexy" might not be the right word, but I still think that is could be considered "Romantic" sounding. I love the moans in the background. Then I love it how the song goes into more of a Ziggy sound. This song is a pretty cool, sick, smooth second track.
  3. Moonage Daydream: I was reading that this is, story line wise, one of the most important songs. The guitar in this song is sick and the drum fills in between the "Moonage Daydream". UGH! The woodwind solo there is awesome. I think that the strings too. There is also a sick echo in this song. The solo pretty much blows my mind. The way the guitar in the solo is, it reminds me of something Pink Floyd might have done for the song Comfortably Numb or any song post Dark Side.
  4. Starman: This song is more of an eargasm. Now I don't really know if I can tell you how much I love this song. The song is such a build up. This is one epic song. The guitar right after the chorus is awesome. I also think the chorus in the song is so..... YES!. The piano in between the verses and chrous that gives you a little suspense right before the chorus begins.
  5. It Ain't Easy: It kind of bugs me when people cover songs for a concept album. Ah-la Eyesight To The Blind on the 1969 Who classic Tommy. It's a good song, but that's just my view on it. None the less, this is an awesome song. This song, along with the other songs, has such an epic chorus. The harpsichord in the verses and the stringsplosion that shows up in the chorus. Damn! 
  6. Lady Stardust: Now, this is the only spot on the album where, in the beginning, kind of has a little dent. I think that this song is pretty sick, but it's probably my least favorite song. I know this sounds bad, but this is probably my only problem with this album. But, I don't think it would be the same without it. This song is more of a ballad and doesn't have that epicnessness to it. The piano is awesome in the song, but it doesn't really go anywhere.
  7. Star: I don't know why he used the word star so many times in the tracklisting. None the less, this song is a pretty cool song. It isn't a Rock 'N' Roll Suicide but it's an awesome song. I like the instruments and the way they all play. I think the ending of the song is pretty sick, not quite "epic" but sick.
  8. Hang On To Yourself: Here's an upbeat song. By that I mean it's more dance-able than the last two. This is a total song that I imagine Ziggy playing. This song is also super catchy. The bass line in this and the guitar solo that kind go hand and hand. It's sick. The band that David was using for this album is just a gift from God.
  9. Ziggy Stardust: This song, instrumentally, is just so different, for me. I heard this, then was reintroduced to it in Guitar Hero. I think that this isn't quite a "ballad" but it isn't weird. It is just different type of "ballad". The refrains in this song are amazing. The slight "uh" during the refrains are pretty funny, but I think add to the song. The ending of this song is an awesome finish and perfect.
  10. Suffragette City: I could kind of see T. Rex playing this song. They style, not the specific song. This song is a fun song. You can dance to this. The guitars tone in the solo is awesome. I love it so much. The piano in the background is pretty cool to. I love it so much.
  11. Rock 'N' Roll Suicide: I don't know why, but I never really thought about this song being this song. I knew this song and thought it was awesome, but didn't realize it was Rock 'N' Roll Suicide. You know what I mean. This song is so epic. The way it starts out very calm and quiet after the last song, which was a pretty fast "exciting" song. The build in this song is just like, for me, Life On Mars? off 1971's Hunky Dory. The strings, by Mick Ronson?, are so Damn beautiful for both songs. I love the way the bass sounds in the 2012 Remaster. And the strings at the end. I would make love to this song playing in the background. This song is truly "Wonderful". 
Overall I have to give this album a 9.7/10. I love it. This has, not just memories, but an awe to it. I don't know how to explain it enough unless you experience this album. Damn, this 2012 Remaster is better than the dumb 'ole 1999 Version I got off iTunes 4 years ago. Part of what I think makes this album so awesome is every song on the album is epic. From the build ups to the strings to the choruses. I tip my hat to you Bowie in making one damn amazing album. I don't know enough descriptive words to explain how awesome this is. That's part of the reason I don't review Jazz, sorry Miles. If you want to make a decent album or make a decent song visit this album a few times first.

Monday, April 30, 2012

Toys In The Attic - Aerosmith

This is my first Aerosmith review. This is their third album released this month in 1975. This is like Aerosmith's classic album. When I was in 8th grade they were my favorite band. I bought all their CDs, I still need all their live albums, minus Live! Bootleg, a few compliations, and the boxsets, minus Pandora's Box. These guys lost their position as my favorite after I gave into The Beatles. Now this is one of my favorite albums and I suggest anyone to listen to it. But it's not going into the "Albums To Hear Before You Die" because it is a commonly known album. I guess theses guys used a 16-track tape recorder for this album. I do think that this is well... Here
  1. Toys in the Attic: This song has this like arpeggio riff in there. The vocals of Tyler and Perry are super close on this track. They almost sound like someone singing. The chorus to the song has that arpeggio thing that is in the intro. All the instrumentation in the song is clear and audible. You can pick out each instrument. This song is such a good tone setter for this album. I love the, what I assume, picked bass "thump, thump, thump, thump". The way it sounds is awesome. And I also love that the song fades on this track.
  2. Uncle Salty: This song is about sex abuse. Uncle Salty sexually abused this girl so then that led to a life of prostitution for her. I love how this song is so mellow. The guitar in this song is also very cool sounding. Don't quote me, but I think that Joe used a 12 string guitar on this song. This is a very clear song too. This whole album is clear. There song ends with the two channels alternating and repeating the chorus to the fade. The bass in this song is also really cool sounding. I love the guitars distortion on this song.
  3. Adam's Apple: This song is Ok. I'm not obsessed with this song. I think that this song is really catchy, but it just hasn't hit me like all the other songs on this album. This song is all about Adam and Eve. There are horns on this song, which I think is kind of cool, but like I said I'm not huge on this track.
  4. Walk this Way: This bitch is like 3:41 minutes of sickness. This song has a very distinct riff, along with the rest of the songs on this album. But the thing about this is that they out did themselves with this song. I love that the album was called Toys in the Attic and not Walk this Way. If it did it would have ruined the surprise of this song. The drum beat comes in and a measure late the guitar comes in. The blues feel to this song still appeals to me. For the most part blues bugs the crap out of me, but some Aerosmith doesn't. Especially their '70s stuff. The solo in this song is super cool and easy to remember. This is the classic Aerosmith that everyone should know. I know that this is a song everyone knows, but there are more good songs like this one.
  5. Big Ten Inch Record: The legend in this song is "Suck on my Big Ten Inch, Record". And Steven says that he said "sept on my big ten inch record". I didn't even realize that it sounded like suck until I read that. So I'm on your side Steven. Realistically this was a filler. It's not a bad filler, but I don't think that it has ever been my favorite song on this album. This song does have this 50's honky tonk dance feel to it. I don't know if that was the correct term to use, but that's what I think. This is defiantly a song that I could see people dancing to. It is also a cover.
  6. Sweet Emotion: This song has a super well known bass intro to the song. I remember being obsessed with this song. I love the bass part of the song. It is like the build up to the song. The way they sing the long held out "Sweet Emotion" in the beginning of the song gives me chills. The crunch of the guitar makes me crazy. I honestly think that this is their best written song on this album. It's not my favorite, one of them, but I think it's their best. The one thing that I am not a crazy about, but it also might have ruined the song, is that it is hard to hear the drums and bass when it does the little bridge between each verse. The verse before the solo has triangle in it. And it sounds really good. How cool is that. The solo on this song has tons of wah-wah on it. That makes it sound really cool and I love the way it sounds. And it has the solo to the fade
  7. No More No More: This is a nice peaceful song to be a bridge between the awesome Sweet Emotion and the scary Round And Round. This sounds like it could be a song at a wedding. In a way, if you think about it for a little bit. This is probably one of the prettiest and upbeat songs on the album. There is a lot more piano in this song than some others. This song actually kind of reminds me a little of the 1977 title track off Draw the Line.
  8. Round And Round: This is easily the heaviest song on the album and the way the vocals are distorted could almost be scary. The way they say round and round and round give you a feel of going around in a circle. The solo also continues the feel of that idea. Jack Douglas did a good job at giving it that feeling. This song also seems like more compressed in a way. It is one of the scarcest Aerosmith songs that I have ever heard. But if you think about it Brad had a way of writing some of the more dark sounding Aerosmith songs. This song is still fading up until the next song starts.
  9. You See Me Crying: This is the ballad on the album. Like Seasons of Wither, Home Tonight, and Mia. This is more like Mia in the fact that it is more piano based. This is a pretty positive song, but it is also more sad. The chrous on this song is actually pretty sad. It bugs me that they don't have the personal who did the string on the album. The strings are very pretty on this song and it would be nice to see who did them. This is a good feel of a classic ballad by this band. I love this song and this whole entire album.
This is overall a kick ass album. This is a fucking 9/10. I love this thing and I know you will to. A ton of Aerosmith classics are on this album. I love this thing, there is a lot of good song writing on this. I definatly agree that this is a classic album, and that it is also an album that helped shape rock n roll. One thing that does piss me off though is that they didn't credit the people who played horns. But besides that I think that you should check this out if you haven't already. Trust me, it's worth it.

Thursday, March 8, 2012

The Dark Side Of The Moon - Pink Floyd

This is one year shy of 40 years old. This is one of my favorite albums and one of the most important albums I've ever heard in my life. I love this album because of how it has "progressively" helped, after listening to it and putting it away for a while and now coming back to it, realize how amazing it still is. This concept of this album or the overall theme has so heavily influenced my desire to make concept albums (along with some examples which include Tommy, The Wall, Sgt. Pepper's Lonely Hearts Club Band, and even as current as Lou Reed & Metallica album titled Lulu). Now I can go on forever on how this is a an awesome album, but I need to review this be-och before I ruin my schedule of an album a day for March, and maybe April.
  1. Speak To Me: I love that this songs starts to continuity of the heartbeat that is pretty much heard through out the whole entire album. And how can you not agree that the ending is pretty funny. Ah ah ah ah. This song and Breathe In The Air are completed with you listen to them together as ''one song''.
  2. Breathe In The Air: The flow of Speak To Me/Breathe In The Air is awesome. This song is very mellow and is a good example of a classic. The way this song is reminds me of taking deep breaths. I could imagine hearing the sound of someone talking deep breaths. 
  3. On The Run: This song is a good example of how the album drives and flows. The first time I heard this it was out of order. After hearing it in context it was so much better. With the intercom sounding voice and the guy running and the atmosphere, you feel like your running. The drum beat and the constant synthesizers make it sound sick. It also gives it this star wars outer space sci-fi feeling to the guy running.
  4. Time: I love the fact that they got all those clocks to sound in the beginning of the track. This song almost has an African feel to it with the bongos but also a kind of James Bond thing with the bass, until the vocals come in. The vocals take this song to a new level with the accompaniment of the guitar, bass, drums, and keys. The solo is so cool sounding, it sounds like it was double tracked but very closely, or they used reverb or something. This song wouldn't be as great as it is if it weren't for the keys in the song. That is the driving force of the song, along with the drums. The keys add the sound of funky reggae feel to the song. The song slows down, which I don't really like that part, but the best part is the driven energy from the drums and keys. The more I listen to the album, the better each song gets. I love the entire thing. And God Damn David's voice.
  5. Great Gig In The Sky: The woman who does vocals on this track kills it. I love doing a really bad falsetto, cuz I can't sing, along with her. I love this track so much. The music and the feelings that you get from this are amazing. I can't explain how fun of a song this is to listen to unless you've already watched it. The piano in the beginning makes my ears perk up to know that it is this song. The piano in this song is beautiful. When the girl comes in with her screams, right after the instrumentation for most of the song come in. Amazing. This song slows down and goes back to the beginning  but with her gospel vocals singing over it. 
  6. Money: Supposedly the money track in the beginning of the song was the same "sample" used in The Beatles legendary Yellow Submarine. I'm not sure if that is true, but if so that's awesome. Now to the song. I love the bass riff in this song. The bass is what grabs your attention, and Roger's vocals on this are also great. The saxophone solo on this song is complemented with all the other instruments in the song. I think the sax solo is a good build up or prep for the guitar solo. The guitar solo sounds like it was double tracked. This song is just so great there is little I can say. And you can probably review this song yourself. Your Know? Oh one last things, I think that the voices at the fade are pretty funny if you actually listen to them. This song, I love how the tempo changed and it just UGH! An amazing song that was a hit. I can't say that all hits are amazing, but this song is.
  7. Us And Them: This song picks up right after Money. This songs synths in the beginning are something that I was reminded of when I was listening to 7 Skies H3 by The Flaming Lips. You know, the 24 hour song, well I only made it through 12... but I am determined to finish the songs from 0:00:00-23:56:53. I think that is is a pretty chill track. It has a very laid back feel to it. The background instruments can almost be looped. Now when the choir sounding chorus comes in... it can almost make you cry. It is very pretty sounding and they did a good job at making it emotional. The guitar and the instrumentation in this sound like I could listen to this looped for a good long while. The piano solo in the song adds to this chill/lounge/gospel/jazz sounding vibe I get from the song. I don't LOVE it but I think its defiantly a {9/10)
  8. Any Colour You Like: The synths in the beginning of the are cool. The thing is that I really can't say much of this except that it's a filler? I think that it is just there as a kind of filler or a solo to the last song to lead up to Brain Damage. The flow at the end who the song picks up perfectly is just great. 
  9. Brain Damage: Even though I've heard this song 1 million times on the radio there is some reason I still like it. Whether it be because of how weird the lyrics are, or the music, it drags me in. The flow from this song to Eclipse and having these two tracks as the last two is nothing short of genius. The vibe that I get from this song is just one that is completed when you hear Eclipse. The lyrics to this give it this eerie feel to it, add the little guitar in the background, and you have a scary song. I don't think it's scary but I think is good. The chorus is kind of a preview to what is to come in Eclipse. Speak To Me/Breathe In The Air and Brain Damage/Eclipse are pretty much two different song and makes this song. Like the whole perfect feel to the song is there when you hear Brain Damage/Eclipse together. The same is true of Speak To Me/Breathe In The Air
  10. Eclipse: This song is probably part of the reason that this is one of my favorite albums ever. I love how this album just ends on the highest note and the most powerful track on the album. This song proves that the album just continually builds progressively gets more power until now. This is my favorite Pink Floyd song just because of the energy you get from this. I mean the flow of the keys and the instruments. And the vocals are so simple and yet they are delivered into making them very strong and emotionally appealing. And to wrap up the album we heard that heartbeat one last time. Just the production on this song pumps me up. It probably does that to anyone. The way this album ends makes you want to buy the next album by Pink Floyd. {11/10)
Over all I give this album a 10/10. I don't think that any album could ever be like this one, or even come close to sounding like this one. Pink Floyd did have a certain style but certain  sounds were preserved on this album. This was also one of the greatest albums of all time, and I agree with Rolling Stone Magazine... for once. This album is awesome, if you haven't heard it go and listen to it on YouTube, I don't really care how you do just find someway to listen to the album. This is defiantly on albums to hear before you die. This bitch's reverb helps give it that outer space vibe. This is truly a masterpiece.

Sunday, March 4, 2012

We're Only In It For The Money - The Mothers Of Invention

This album is SUPER important and I'm honored that this is my first Zappa album review. This is the 44th anniversary of this huge album. This is even more important musically to me than Dark Side Of The Moon and The Valley combine. This was the first Zappa album I heard in it's entirety, along with Sheik Yerbouti and Freak Out! Those are three of my favorite albums but three of the most important musically to me. Now I can go on forever about how this is an amazing album but, well I'm gonna break it down track by track. The original intended album cover for this was a parody of Sgt. Pepper's Lonely Hearts Club Band. I don't really like that album cover much, but because of legal stuff that was on the inside instead of the outside.
  1. Are You Hung Up?: This is a sound there is is a person talking and whispering. It is kind of eerie. And there is a little guitar riff in there and it is cut off by a someone making a horse sound. If I am not mistake, Eric Clapton's voice is on this song. It's either that track or Telephone Conversation.
  2. Who Needs the Peace Corps?: This song is funny. I like how he brought up the problems and the foolishness of the whole hippie movement in something a hippie would probably listen to. That is the thing about Frank, he had this thing where he could make appealing songs that make fun of the people who it appeals to. Another example is Dancing Fool. I also like how the instrumentation is in the background to him talking about instructions of what he will do as a hippie. There is just something about the way they do that part of the song that is so neat. I really think it is cool that they not only do that, they also make it work. The part in the song where it says "I love the police as they beat the shit out of me" well, that is something I included in a sophomore year speech  I did on censorship. Which I bombed, why well I did pretty much everything they said no to. So I went down like a man.
  3. Concentration Moon: This song is "cute". I don't know what people could have a problem with this. This is one of my first favorite songs by Zappa. I really like how the song ended and it has a couple seconds in between of sound collages, then starts over. The line where it say "American way, how did it start" is one of the coolest sounding things I've heard. The part just hits me like a rock. If you make music or even enjoy music there has to be some types of music that hit you like that. Well this is one of the many that hit me. Hard!
  4. Mom & Dad: This song is so pretty. The lyrics are also very touching, if you listen to then and think about them. The lyrics talk about someone telling their parents people are getting shot by the cops. and ultimately he was shot. This song has a build at "Ever take a minute to show a real emotion" which leads into just this perfectly built up part and the song just. This song hits hardest of all the songs. This is a song that I could cry to. It is just so pretty and touching. This shows that he is himself. I don't see any other way to say that. This song makes me tear up, maybe it will make you to.
  5. Telephone Conversation: I like how this flows in the album in between tracks. This is just how this album is. I kind of think of it in a way as a big commercial.
  6. Bow Tie Daddy: This was also another instant classic for me. I really like this one because it is different. And this is also a cute song but if you listen to it. It will catch your attention because of its cartoon sounding to it. But it is making fun of the parents of the hippies. This is defiantly a song I could see on the radio.
  7. Harry, You're a Beast: This flow to this song is great. The vocals on this track are really good. I like the instrumentation on this to. Then there is Dick Barber doing that signature growl on this track. Then it goes back to the normal part. The track gets played backwards. This mentions someone saying "Don't come inside me", but is is all sped weird so it would be censored. This song appears to be about a guy who is a beast, sexually. This song is just so great. It grabs your attention and it is super catchy. I love this, and it is one of my favorite 
  8. What's the Ugliest Part of Your Body?: This song is very funny. I think this applies to everyone, the way this song is you think it's about a penis or a vagina but it states that :"Its your mind". I love at about 30 seconds it picks up and sounds pretty cool. I think that this also hit me like a rock. The way his vocals are and the drums and guitar. Perfect
  9. Absolutely Free: The piano intro to this song is just cool. I also like how he took a shot at. I also think that it's funny how they had to censor the line "Flower Power Sucks!". This album in general is a masterpiece. There is are parts in this song where it remind me of a odd type of waltz. The drum roll on the chorus is how my favorite type of sounding drums are. I like the compression on them.
  10. Flower Punk: There is a cut where it sounds like they are changing the channel. Then this song starts immediately after. This has a very distorted wah-wah guitar sound to it. The vocals are sped up, a technique Frank often did on songs, especially on stuff with The Mothers of Invention. The song kind of ends the starts up and has static noises and people running around in the background and in one speaker there is one person talking to you and the other speaker has someone else talking to you at the same time.
  11. Hot Poop: This is another sound collage song that has a funny title. It is only 26 seconds but it has part of the song Mother People which is on this album, played backwards.
  12. Nasal Retentive Calliope Music: This is a classic sounding sound collage. It sounds like someone was recording stuff and sped it up extremely fast. At the last 20 seconds of the song there is a surf rock sounding song that plays with waves in the background. That whole surf rock part is awesome. It reminded me of a more surf rock version of Lumpy Gravy the theme song. This track is cut off by other sound collage stuff and ends with a fart sound. 
  13. Let's Make The Water Turn Black: This song is on of the instants. The fart sound from the track before is hilarious, especially since this track is about someone trying to start a fire with a lighter and their farts. Supposedly this was based of a real event in Frank's life. I'm not positive but I think I read somewhere that that is the inspiration. There is just something about the way this song is performed that is so embedded in my head forever, that I don't exactly know for sure.
  14. The Idiot Bastard Son: This song is a song that is only like 45 seconds. After the 45 second mark it has people talking about a bunch of different stuff. At about 1:21 the song starts up again. This song is a little different and there are different lyrics and guitar parts. The drums and bass are the same. Then there is a type of part where it has a piano part with vocals and guitar. After that they have the whispering spoken words again until it leads up into the next track.
  15. Lonely Little Girl: This is my least favorite song on the album. I'm not saying it is bad, I just don't LOVE it. There is parts in this song where it sounds like there is a sitar in it, which is at the end of the song. This has part of How Could I Be Such A Fool? and What's The Ugliest Part Of Your Body in it. I just never really got into this track that much.
  16. Take Your Clothes Off When You Dance: This song is also pretty. The thing about this is that it is just funny. With the instrumentation on it sounding cartoonish and cartoonish vocals on the track singing about lonely people gathering together and peace. Along with that peace you can take your clothes off when you dance. That is the last line of the song so you get the impression of them talking about "All the evils know to man, will be an evil we can rise above" is not as important as being able to run around naked.
  17. What's the Ugliest Part of Your Body? (Reprise): This is just a shorter version of the track of the same name. It isn't all that different from the other version. The only major difference is it appears to fall apart towards the end. And after the music is done there is voices that talk and just say random stuff.
  18. Mother People: This song is also very important to my Zappa music appreciation. This is part of my favorite songs by him. This song is funny and it is very catchy. It gets stuck in your head, very easily.  It starts out with an orchestral feeling to it. This reminds me of Lumpy Gravy. But then after that part it goes back to the normal song and ends. This song is a good song to start off listening to The Mothers with.
  19. The Chrome Plated Megaphone Of Destiny: If not for Revolution 9 then it would of been harder to fall for this album. This song is and avantgarde, noise collage, tape loop track. The first ever tape loop song I liked was Revolution 9 by The Beatles off their 1968 self titled album. The beginning of this has some type of motor sounding thing to it. Then this evolves into piano, which evolves into a bunch of random instruments together. This sounds like Frank's take on his type of Edgar Varese composition. This also somewhat reminds me of a not so distant cousin of the second half of The Return of the Son of Monster Magnet which is off 1966's Freak Out! album. There are also cartoonish vocals laughing like they are evil or they are high. This track is 6:25 and by far the longest track on the album. The second longest track on this album is 3:24. That over 3 minutes longer that any the second longest track. There is a part where it sounds like they were just running around hitting stuff in this big empty room.
Over all this is a 10/10. I love this album. Its just so perfect and just works. I literally could of reviewed this album with out even re-listening to all but 3 songs. The rest are permanently engraved in my skull musically. I think that this should be on a list of top 50 albums ever. This is just such a perfect piece of musical history for me and it is also touching to me and has meaning. If not for this I probably wouldn't like Frank. The way this album was mixed and edited is perfection. This isn't amazing quality but it gets the job done. I think that the quality works and is perfect for what it needed on this album. Some albums need to be low quality to sound good and then the same is true of the opposite. Long story short I love this album and can't wait till March 22nd cuz then I'd doing Apostrophe and March 26th Just Another Band From L.A. check out my page at the top where it says release dates.

Thursday, March 1, 2012

The Valley - Eisley

Alright You guys I flippin' pushed The Dark Side Of The Moon's upload date in order to make space for this amazing super meaning full album to me up. This is Eisley's third studio album. This is also their first full lenght after leaving that, well I don't know how to put this any nicer, HELL of a record label Warner Bros. Those guys are crooks. Well anyway, I fell in love with Eisley after I saw them live at Lincoln Hall, Chicago on either 2/11/11 or 2/14/11. I don't remember the exact date. I do no that I was super excited to see these guys. My cousin Stevie and Mike told me they were going to see some band called Eisley in like October or November of 2010. Then Stevie kept talking about them, so I eventually started listening to them. The first songs I heard were I Wasn't Prepared and also Plenty of Paper off their full length album from 2005 Room Noises. I didn't really like it. It took me a couple listens to like it, this was in January of 2011. Then I heard Combinations which made me excited for seeing them live. I eventually became in love with Combinations and then I heard the song Ambulance. That quickly became my favorite song by them. For some reason it had some type of emotional effect on me. There is a certain thing about that song that just hit me. So that song made me even more pumped to see them. After the show we met them. It was really never racking, especially saying "hi" to the sisters. They are pretty and they are well.... Eisley. After that concert ask anyone at school who remembers when I saw them. I was a die hard fan and couldn't wait for this album to come. Well the day of I asked my mom to pick up the album before I get home and asap. Well I went to school, and I had one of those craps where it hurts you scrotum. Well I lasted until 4th hour, where I went home. My uncle picked me up and I asked him if he heard it. He said it was really good and told me all about it. When I got home my mom didn't have bought the Cd so I sat on the shittier with nothing alone and in pain. I called her and she told me she didn't get it yet. So when I was done I waited another 3 hours watching Conan reruns and when she got home she gave me the CD. I ran in the basement and listened to it. There was a girl I had a crush on when I got this, and It reminds me of here, in a way. There were certain songs that remind me of her still. And I see her around school, but what ever. This album also still has an emotional feel to it through all the songs on it and the feeling is just. It is very important to me. Oh one last note, these guys did production for the album Gary Leach, Austin Deptula.
  1. The Valley: This was a song that wasn't my favorite at first. Then this eventually became an important song to me. I picked this song as a song for the main track to the Othello soundtrack that we had to make for sophomore year English. This has an awesome beginning string section with her vocals sound like the best way to start an album. This song is just so pretty and upbeat. This song has such strange lyrics and metaphors in it. It is very figurative in what it is supposed to be meaning and showing. The verses and pretty but then the kick comes in, after a slight instrumental break (just enough to say three words), with the guitar riff with the chorus. The harmony vocals throughout is pretty and there isn't really anything that I can say is wrong with this song.
  2. Smarter: This is one of the angry songs by Eisley. I remeber seeing them play this song live. I didn't think much of it until I heard the actual album. The guitar has a riff and this music video is pretty cool. Now this isn't my favorite song but I do like it and will listen to it on the album. I don't really listen to this outside or alone but I do listen to this with the album and it adds to the mix of angry and sad. Which is a certain feel I have gotten from this.
  3. Watch It Die: The first time I heard this song it sounded like they were saying "Fucking In the morning". I found that very odd. I kept hearing that until I actually read the lyrics in the booklet that came with the CD. And the song seems to start suddenly. I don't really think that it is timed right. It is all correct but i feel like it is off beat? Even though it all works and is on the same beat of the song. Whatever that's just one of my weird ideas. But the verses in this song are cool. During the chorus there is song type of banjo sounding thing in the background. I think that that's the electric guitar because after all there are two guitar players. And also it's always nice to hear Chauntelle sing.
  4. Sad: Stacy plays like a G. Sherri is singing this one and it feels aggressive. For some reason or other I think this fits perfect on track 4. There is a cool riff to get people who like heavier music a glimpse of a heavier Eisley. The whole overall album is somewhat angry and you can tell. And this is a perfect example. Now the pre-solo is a perfect example of one of my favorite parts of Eisley songs. And the solo none the less is just right on. I feel what they do. This also has some figurative language in it's lyrics.
  5. Oxygen Mask: This is another favorite by Eisley of mine. I just love this song. The piano is awesome and Stacy is nailing it with her vocals. The strings make me want to cry along with them. Sherri and Stacy's double harmony at the second verse remind me of something MGMT would do vocally and that is aided with the bass in the back. I love the strings and the other instrumentation over this whole thing. The ''pre-solo'' to this song is an sick sounding piano fill. And the solo is right on to. There is something about this song to where when I think about it and listen to it at the same time it makes me cry. It is an emotional song for me. I'm not quite sure of how this is remains relevant to me but this feelings still are. This song is just one big way to lighten up the tension, so to say
  6. Better Love: Better Love is where the tension starts up again. With its aggressive drums, bass and guitar riffs. There is something about the guitar distortion and the bass that just work with me. The piano also in the chorus is pretty cool and works even better and isn't just there to be there.This is defiantly of of Eisley's more BA songs. This shows you that well... ''DuPree Family Ain't Nuthin' Ta Fuck Wit''. I love this solo and how the drums end the track and that same beat goes into the next refrain. That's part is my favorite part of the song and I love it just so much.
  7. I Wish: This is probably my least favorite song on the album. I still like it but it is my least favorite. Well The song has progressively grown on me in a very good way. The live versions of this song, the ones they do live, is much better. I don't like the way it's just set up. The chorus isn't that mind blowing, for me. The best part of Eisley songs, for me, is like the bridge or refrain of whatever you way to call it. Well that refrain in this song isn't even that mind blowing for me.
  8. Kind: This song can make me cry. There is some type of feel that I get from this song that makes me sad, in a good way. This song is one that reminds me of emotions and love and that whole entire thing that I love this reason because it reminds me so much of. The fact of the matter is that the most emotional tracks for me are Mr. Moon, Ambulance, Kind, and Oxygen Mask. There is something about the DuPree family that makes songs that can make me cry. I know that the emotions that I feel through the songs are there. The piano in the beginning and the chorus adds guitar in the mix along with the post chorus strings. And all this stays together and gets more grand as the song progresses. Then comes the refrain... #the tear jerker. And then the part with the two singing harmony and sole acoustic guitar. This is my friend what you call perfect
  9. Mr. Moon: No tears are saved for this track either. This is one of the biggest most important songs I've ever heard by any band. I still remember when we saw Eisley live, Stevie told me that this next song sick. And Mike told me to listen to the drums. So when it started it was ok. Then the drums kicked in. I was obsessed with how Weston pulled that off for a good 2 months and used guitar hero drums to try to play along. The intro keys are just like a build up and the more and more you get into it you can see and feel the rush. The vocals on this track are beautiful and the instrumentation on this track is beautiful. I think the part where the harmony vocals kinda sound like they are being talked over the phone is funny and, for lack of better word, cute. This song's chorus just hits.... Like a rock. Then with the piano solo and the "uhhhh, uhhhh" harmony part,  just goes into the part where it is the 1st verse again into the best part of the song. The like extended version of the chorus during the "Bridge" I guess. This song is just so amazing I really don't have much I can't say about it but I need to move on to other tracks
  10. Please: This is an mixed. I wouldn't probably listen to this on its own. But with the whole album it's perfect. This song also can make me cry. Though I don't think it is a Mr. Moon I don't think it's not a Kind. This song is very good, no exaggeration, but it is no amazing ground breaker/emotional breaker for me. That me personally. But when ever I hear this this gives me the feeling of a final word before the ending Ambulance which is the eplouge.
  11. Ambulance: This song is super meaningful to me. This reminded me of someone that I held dear to myself. There is very much emotion that I've had over this and yeah. I am over her now and glad. When I listen to this it brings me back to winter going into spring and all the best feelings of the spring of Sophmore year of High School. You know the feeling of being in love, it being spring. I was just talking to my mom and I realized that this album is like an over all story about low points in their love lives, which I've known, but also that this is where it ends up. They need someone to take and care for them. This song starts out sad. Then it comes in with so much momentum and ends with the same power it started with. This song is prof that you can keep the same power through an entire song. There aren't very many songs that I know that do that for me. This song just has so much power and feeling to it. The strings come in in the beginning and keep adding up to the top and it with 3 high hat taps and the song comes in. The acoustic guitar adds as much power to the song as the electric and all the other instruments in this song. I cry at this song because of the emotional to it takes on me. But at the end it makes me stronger and better and more confident and 
Overall I give this album a 100/10. This album is so important to me. It has held an important part of my life and soul. I don't exactly know how to explain it. This album I know is heavier and darker for Eisley. Now they are no Burzum or Eminem but this lyrically and melodically is more mature than their other stuff up to this point. I like it and respect that they have grown over the past 12 years as a band, now 13 years. I just hope that they make another album that will mean this much to me x amount of years later. And I hope this one does to.

Thursday, February 23, 2012

House of Balloons - The Weeknd

This album is crazy. I first listened to the whole entire thing through, except track 7-9 last night while I was laying in bed. This morning I was playing those songs while I was getting dressed for school. I was going to listen to it front to back while I walked home but my mom picked me up and I was mad. That completely defeated the purpose of that. But this is my review for it. I hope you listen to it and or like my review.
  1. High For This: I don't usually like this type of music but there is something about this. His voice is very pretty. I think that the sample in this song adds to it. The backing drum machine or sample makes it seem like its his heartbeat . At about 2:30 he begins to go into like a bridge, so to say, and It is my favorite part of the entire song. This is my favorite song on the album and I love this song
  2. What You Need: The way this song is set up is something I could picture Marvin Gaye having made this song. The vocals somewhat remind me of a higher pitched Marvin. I love that this song has a head bop beat to it. This is defiantly a really good song. The lyrics are a little more as
  3. House Of Balloons/Glass Table Girls: This song is another good one.  the second part of this song has a type of dub step backing to it. That still is awesome but the flow between the transition between the two is pretty cool. Lyrically as part of the second part of the songs makes me think that he is at a party and they are all doing substances.
  4. The Morning: There is a pretty, what seems to be, guitar solo in the beginning. It sounds like something that would be in a song like this. This song makes me feel like you would get laid to this song. And the lyrics mention money and like in the morning after a big party. This for some reason has a feel of one that relaxes. It almost makes me fall asleep, in a good way. The melody and beat are that chill that it sets that feel of this song. This is another song that would get you laid if you were having a baby.
  5. Wicked Games: I like the beginning of this song. It has a guitar part, but everything stops. And then the entire song. This song talks about strippers/prostitutes and drugs. The feel of this song is so sweet. I want this to be like a song to play for your girl but when it comes to lines like the chorus, its hard for it to still be a love song. This entire song though is mind blowing. I love this song so much I don't know how to explain it. After hearing this song, I have grown to love it even more. This song is amazing, and better than any other song on the album. When I make that first baby this will be the song that will be playing, on a loop if needed.
  6. The Party & The After Party: Lots of the songs sound the same to an extent. But they don't after you listen to the album more than twice. The more you listen to them you learn that. This song is the one where I originally began ''doubting'' that this would be an amazing album. I love how in this song  there is an inhale sound instead of actually saying that they do the drugs, That just emplies it. And also what's with the organ type sounding instrument through the first part of this song. At about 3:20 everything except the vocals and guitar are silent for about 20 seconds. This song has a certain atmosphere to it, along with the rest of the songs. This song is very good to. I kind of think the part at around 5:15 where he says you weird makes me laugh. The ending of the song has a train sound or something that segues into the next track.
  7. Coming Down: This is the track where he like talks about how money is gonna change him or vice versa. The thing that sucked about this song it that it took me 3 listens to figure out what to say about this song. This song continues the flow of the smooth and sweet, just like before. I think this song could be a MTV music video for this.
  8. Loft Music: This song's samples are a lot different that the rest of the album. His voices are a lot more blunt and you hear it more that before. This song is like what seems to be the climax of this partying that has been going on throughout this whole entire album. That sounds weird for me to say but that's what I picture in my head. I like how this song has a looped sounding ending to it.
  9. The Knowing: This song makes me feel like this is a new beginning to the album. or the new beginning to the sunny day. This is obviously supposed to be like a morning after type track. I really think that this is a good ending to the mix tape. I feel like it is bitter sweet in that fact that it isn't really sweet but it somewhat feels it. There is like a backing vocals that make this feel like it is the end. And the way this track ends with a fade of a sound makes it sound pretty cool and gives it a done effect.
Overall I give this an 9/10. I liked this a lot and it only was more and more as I listened to it. The lyrics to this album are very dirty and he swears constantly. I think that kind of adds to the songs, in a way. It's very odd to think that he could swear so much and make that sound romantic. This album has parts that remind me of Michael Jackson and also Marvin Gaye. I can't stand the Man in the Mirror but Marvin is someone who I can handle. I changed it to a 10/10 on March 6th, 2012. The original rating was 9.5. I changed the score in 2015 to a 9. That's proably what I"m feeling now. The extra names over there in the link thing are people who contributed to production Doc McKinney, Illangelo, ZodiacCirkut.

Wednesday, February 1, 2012

Rubber Soul - The Beatles


This album is very meaning full to me. I originally bought it just to have it. It was the fourth Beatles CD I bought. I still wasn't a huge fan. This album eventually grew on me and is now one of my favorite albums. The feel that I get from this album is one of warm, loving, comfortable winter. The kind that is what makes you feel like what it is like inside and bundled up and warm. There are many, I mean many, factors that led to this being one of my favorite albums. One being that, it reminds me of 9th grade when I bought this. During winter and listened to it like crazy. I was in love with this along with all the other Beatles albums. This album has some of my favorite songs and memories built on to this so... here we go
  1. Drive My Car: The introduction riff to this song grabs my attention. The use of the piano in the chorus and the use of cowbell is perfect. The dual vocal harmony is tight, and the solo. The sound they guitar makes during the solo is one of my favorite distortions to a guitar. The feel I get from this is... yeah
  2. Norwegian Wood (This Bird Has Flown): This song is completely different. This is, from my understanding, the first commercial pop song to feature a sitar. The Acoustic Guitar/Sitar playing at the same time makes this perfectly emotional, and makes it seem more impact. John's vocals are good, but when he sings the chorus with Paul it fills that little gap in the vocals and makes it whole.
  3. You Won't See Me: This is an 'iffie. I like this song, but it depends on what mood I'm in. This song is a very pretty song, which as I understand again, Jane (Paul's then girlfriend) and their ''Failing?" relationship. The backing vocals give it a doo-wop feel to it.
  4. Nowhere Man: This song makes me cry. I found more respect for it after seeing the Yellow Submarine movie. The part with Jeremy, the nowhere man, realizing that he has lived a life of nothingness makes you contemplate. Though this song was about John's. And the solo what can I say beside beautiful. The Guitar distortion in the song fits perfect, and the bass adds an backup to the acoustic guitar and drums. This song helps me sometimes think about the decisions I've made and the choices I should make and if there is really a point to wasting time.
  5. Think for Yourself: George needs as much props for this song as he can get. This song is vocal harmony wise tighter than Drive My Car and also the guitar is even cooler on this than that one too. The whole atmosphere of this song, the bass, drums, guitar, tambourine, maracas. I really think that it should be on a Beatles greatest hits album. This deserves to be on my list of favorite songs
  6. The Word: The song lyrically is ok. But the instrumentation is great if you take the time to listen to it. The chorus in the song feature one of the coolest sounding guitar riffs on the album. And in the verses the little screech is awesome. The vocals on this song are another tight vocally.
  7. Michelle: This song is EXTREMELY important to me. Not because of the memories that it brings back, but the fact that this was one of the most important all around songs that helped me change my view on music as a whole. Before this I only like Metallica and other old metal. Now since this album it changed my views on that and this song helped make my favorite band The Beatles. I spent so much time trying to learn the french in the song perfect. I also tried to learn this to impress my first person I'd ever been in love with. Obviously nothing was really there, it was just my emotions running off. The vocals/lyrics make me cry. The acoustic guitar makes me cry. The very prevalent bass guitar helps the beauty of it all. Now the distortion on the guitar in this song is my favorite on the whole album as a whole.
  8. What Goes On: A ''cute'' Ringo song. It fits and sound like a fun up beat song. A perfect ''filler'' in between two of the most beautiful songs on the album, Michelle, and the most depression Girl
  9. Girl: I remember sitting in my kitchen alone in the middle of the night, during finals week freshman year, probably at like 2 or 3 am. I was listening to this song and trying to write songs based off this one. This song is an awesome Lennon ballad. Johnny's vocals and lyrics fit perfect, a word I use alot (but it works and fits, with my opinion). This song literally makes me cry when I listen to it. The chorus is, if anything, makes it harder to not let it hit. The inhales he takes it seem like he is well, he's a bum and this girl he's singing about ruined his life and his everything.
  10. I'm Looking Through You: Another cute song. Upbeat, like What Goes On. Now the added affect of its fun is added by its claps in the song. This is a fun song to listen to just for funzies, a
  11. In My Life: This song hits, not like girl, but still hits. I remember being a freshman and thinking about everyone that I'd ever met and everything that I'd ever done and if I'd ever get married, have a family, have a job. What you should be concerned about growing up. I wrote a song, which is just more like a poem. I remember calling talking to my friend Annette on the phone and asking her what rhymes with some words. And I also think of my cousin Stevie who read the lyrics to the song for a speech. So it is completely full of memories for me. This could be the same way for you to. This is another good contemplating song
  12. Wait: Fun, upbeatishly down? I like this one a lot. The vocals sound like one person. The songwriting on this song defiantly deserve a shit load of praise. The effects and overall atmosphere of this song is one of raw but not. It feels rough, but at the same time it feels clean cut and mastered and that it's shit is together.
  13. If I Needed Someone: This song is good. The chorus is very pretty. The verses are also pretty. This is an overall pretty song.
  14. Run For Your Life: This song is ok. This is probably my least favorite song on the album. I used to like it more, but there is just no real reason I don't. It's just that I lost interest in the song? What ever, it's still good, just not as good as the others. But it is a perfect closing song to this album.
Over all Rubber Soul deserves an 100/10. I love this album, it's the shit and it deserves it spot on Rolling Stones 500 greatest albums of all time - NOTE I'm gonna add stuff and fix this review. So it won't be a 10 forever, also I don't really regard most of the reviews from 2012 or possibly 2013 as really accurate anymore. Very far and few in between still work.

Tuesday, January 31, 2012

Nightmare - Avenged Sevenfold


There is a reason that I can honestly say that Avenged Sevenfold's fifth album Nightmare, is in my top 5 all time favorite albums of all time. Part of the reason is because of all the stuff that they went through with the passing of The Rev, who was their drummer, who died right before they were going to start recording the final cuts. This album has lots of memories for me. I remember the day the single Nightmare came out. I saw a ad on Facebook and then, I was a bad ass because I bought the song without even asking my parents. When I first heard the beginning of the song I was hooked on it, then I remember listening to it 3 or 4 times in the day. I left home and in the car, while my dad was picking something up, I turned on the radio and all I missed was the beginning, Now I'm no amazing album reviewer but I think it's worth a shot to voice my opinions. I saw the track listing I think the day they released it and I thought it was the most bad ass thing that they had a 11 minute song, which I know off the top of my head it's actually 10:56. I listened it the day before I left for camp on like July 23rd, but i didn't really remember anything, because I was too busy to actually pay attention, about it except some song's drums sounded like Almost Easy and some of the songs sounded cool. While I was going up to camp I watched the Welcome to the Family YouTube black ops video at least, I am defiantly not over exaggerating, 15 times. I was also bad ass for listening to God Hates Us on YouTube to. The day it came out I drove my mom, who wasn't camping, nuts and said that she had to get the Cd the day it came out. I was so in need of that Cd I almost had someone pick it up at camp for me. well after "hell" was over I got home and burned it on my iTunes. It felt so surreal touching it. I listened to it on the way to my cousins college graduation party and I was psyched when my other cousin, Stevie, was waiting to talk to me about the album.
  1. Nightmare: The intro of the song is amazing. I don't care what anyone else thinks This song still feels the same way it did the first time I heard it. I remember just being in awe at this song. I still am to this day. That all i can really say about this song.
  2. Welcome to the Family: This song is worthy of Metal royalty. The sick intro and the... I don't know exactly how to explain it. My favorite part is bridge, Avenged make a lot of amazing bridges, and the bridge makes me tear up a little. There is little at what i can say about this song to. With out over thinking the 3 minutes of the song. Save Me is nice all you have to do is listen to it two or three times to get your ideas, this not so much.
  3. Danger Line: This is the song that made me want to learn piano, fo realz. It's such a beautiful song and the way they pulled this off it, makes me tear up. yes I begin to cry at its beauty. And I get this chill that makes me cry when I listen to it. I'm crying while I'm typing this up right now. The guitar solo makes, for me a little breather from crying after hearing his vocals that are extremely touching. But that ends when I hear "the whistler", as credited in the album, whistles and the drums/piano fadeout.
  4. Buried Alive: The first time I heard this I didn't think much of it but after hearing it, and actually listening to it I love it. This songs intro gives me a chill, almost like the one from Danger Line. And the chorus makes it blood pumping. The first and second verses just "rip me apart". The violins make it all that much better and more emotional. After the second chorus at about 3:51 it holy shit. That's all I can say. at 4:14 the harmony part makes up one of  my FAVORITE guitar solos. The post solo at like 4:58 is awesome, especially live, but the rest of the song is blood pumping and aggressive. I love the way this ends on a fast beat and then stops, and the faster beat is picked up on Natural Born Killer, and the opposite for Danger Line into Buried Alive, one starts softer and the other begins softer
  5. Natural Born Killer: This song is an 'iffie. There are days I like it more than others. The drums sound too much like Almost Easy, so I really only get the whole thing out of the song when I listen to the album front to back. The 1st solo is also pretty cool
  6. So Far Away: This song is good. I feel like an asshole because this is every one's favorite song because it's about The Rev. Well FYI I remember listening to Avenged and liking them, not enough to say i was a fan, when I was in 7th grade. 2 years before he died. Now so many people love him and didn't know about the band till after he died. I honestly love this song. It makes me cry, not as much as Gunslinger, but it is still touching. The best part I think, that makes me begin to tear, is  the second acoustic solo at 3:28. That, along with the video, and also the drums make me begin to tear. I hate myself for not being a big enough fan to be affected by The Rev and I will always feel that way.
  7. God Hates Us: If you look at this album as one big picture it could be looked at as a nightmare. The beginning of title track is soft, like falling into your sleep, then it picks up, your in your nightmare, then the bad dream begins to faze as you hit Danger Line and you are at peace when Buried Alive comes along. But the nightmare picks up at the end of Buried Alive and into Natural Born Killer. This fazes off and for all of So Far Away the nightmare becomes a beautiful dream. So sound asleep right? wrong. This song has its eerie intro and is the 1st climax of your night mare. The solo the vocals the everything is terrific. Then it just cuts to the same eerie intro as the outro.
  8. Victim: This is picking up as the peaceful part of your big dream and stays this way until the end. This was a different song where I didn't appreciate it till I actually listened to the album in its whole. Which quick fact, I have played this album, looking at my iTunes play, at least 20 times. The solo is sick, one of my all time favorites EVER, and the vocals are cool. This is just a awesome song. I think the best part is after the solo from 3:54-4:54. That is my favorite minute and then goes into another awesome solo. I also love the bongos and I think the ending is better with that part, but i think it's perfect that way because it is just how it began
  9. Tonight the World Dies: This is arguably one of the most eerie songs Avenged has ever done. This song took more than one listen to appreciate it. but it is great. The solo good blues and twang. The beginning and end work perfect and it's great and the acoustic guitar makes the song all that much creepier.
  10. Fiction: This song is to king of i didn't think i would like it because of piano. That changed after I heard Danger Line finding a new love for piano. And after listening to it's beautifulness for real. It is, to me, like they are singing to each other and trying to grab out to each other but can't reach. I guess you could look at it, if you run about 100 miles with it, according to my way of the way it sounds like they are reaching out to each other. It could be like Dear God, roughly like god watch out for my girl and take care of her while I'm away and not around, combine with Afterlife, The guy dies and doesn't want to be dead and wants to return to his life back on earth and escape, concept wise if you use my take on, not fiction's story but the way the lyrics and the atmosphere from voices, strings, piano, bass and drums it's like they are singing to each other because they are brothers. but at 3:33 comes one of the most touching parts of any song, EVER, with the organ breakdown and them singing. Looking at my take on how it sounds, the are coming to grips that they won't see each other.... yet 
  11. Save Me: This song is orgasm worthy. I remember seeing this as the either worst song or the most mother fucker song I've seen by Avenged. This was before hearing it. When i listened to the album, in pieces on Soundcloud, as i said earlier. But I talked to Stevie about it and after that I tryed, this fall, to beat Save Me to school. If I moved my but it'd be a 15 minute walk but i tried to get home in under 11 minutes. Never did but that makes this song that much more meaningful to me. Ok so here is the part about the music. The intro guitar takes off, your dream is over this is a bitter sweet wrap up. So sit down bitch and take it. At 1:23 how the lead guitar picks up, that my friend is jizz your pants worthy. The great intro/build up to any song. He doesn't even start singing until 2:02. And the chorus is touching the vocals take over but if you actually listen to the instrumentation through out the album its sick. I love that they use the whisper type thing, much like Critical Acclaim and Welcome to the Family. Ok 4:49 another amazing build up to a well... amazing solo. This song gets better every time I listen to it. I seriously am having trouble sitting down and not attempting to jam along. The ''breakdown'' at 5:48 is another thing that helps this get into the next part of the song. The cowboy-ish arpeggios Syn plays at 6:08 are, I feel the best way ever to slow down and build up for another solo. At 7:35 is where it gets into full swing and back to the original verse type just wanting to get fucked in the asshole. This part makes it seem like there is going to be a big solo, the intro guitar riff even comes in but It is just as good if not better that it's the way that it is and slows down into part of what helps prove this beautiful song. Now the tearjerker in this song starts at around 9:29 where it is the GREATEST way to end a 10+ minute song.
Overall Nightmare deserves a 100/10. These guys deserve more success for their skills. Everyone thinks their cool or they are good because of 1 or 2 songs. Well they can get raped by Save Me and see if they actually only like 1 or 2 songs anymore. This album has so much more that I can offer but this is the best I ca do for now.