Expensive Shit - Fela Ransome Kuti & Africa 70

This happens to be studio album number 12 by Fela Kuti, backed by his Afrika 70. This is among a string of albums during the 70's where, essentially, he could do not wrong. Yes there are ones I prefer, but this might be his best album. I've already reviewed Zombie and I plan to review some of his other albums from his discography, but I know how I feel about this (I've heard it a number of times) and cus its a quickie. I still have three more reviews to do before December so I can post this Chicago '78.

1. Expensive Shit: This opens the album, hahahaha its only two tracks. This track opens with clapping of what i think is like a castanet or something and a guitar setting up a grove. Then we get some tasty electric piano that propels the track forward, with drums keeping it sort of grounded. Bass comes in and the grove is set for a solo on the, I wanna say Rhodes. Tension builds until the horns come and and fucking take you there. The horns are truly something else, and the alto sax plays a solo building up this groove with the other horns backing it put. Damn is Fela good at setting up interesting music. The horns stop, and let the alto play a bit of the solo alone (with the groove still in place. Then we get a sort of call back to the head. I also wanna say the percussion on this track is out of this world. I hope I can build something a quarter as good as this. Its very dancable and very rhythmic. Once the vocals come in you get some pidgen where it talks about shit not smelling. This was inspired after he was arrested for drugs, you know just read the album covers sticker. Its a neat story. Once the vocals are over with the call and response the sort of refrain comes in and the instruments come to the for front again. The piano plays for the last three minutes or so and the groove still goes and is going strong. 
2. Water No Get Enemy: The horns start right out of the gate for this darker sounding track. Its more laid back and kinda makes you think. There is a sort of sadness in this track. It isn't as exciting as the title track. The vocals that sing with the horns almost make this sort of Ennio Morricone feeling. I like the solos and the groove here is also great. I really love the textures on this track. This is a solid track. Once Fela comes in it almost feels like he's mournful. I think this did what Mr Follow Follow did wrong. This might be a change of pace, but its still one if the best mellow songs his ever done. Its also one of the best songs his ever done. Its a shame the second side if Zombie want better. I really like the piano at the ending of this track and I don't really know how describe this except a nice ending and darker. He would continue with this type of track, before this album and after it too.

Overall I have to give this album a 8/10. The reason I would go as far as saying this could be his best is usually the records are split into side A track and side B track. This is the only one, in my recollection, that has a solid A and B track. I mean I could be stupid and recalling falsely or lacking something I remember. But from the top of my head this is the most consistent album of his. At least of the 20 or so I've heard. I think next will be either Teacher No Teach Nonsense and Beasts of No Nation.

The Sinking Of The Titanic - Gavin Bryars

This is the 1975 album by Gavin Bryars. It's very out of print, thanks for Spotify I was able to find it. Both pieces on this record happen to be his best know works , and they are for a reason. This also happens to be his debut album, one which I have to say is a pretty great one at that. Considering how Easter is today I decided to publish a review with some religious tones or themes in the album. Why not, I decide if I want to or not. So without further a due I give you the review for the album aforementioned in the title of this post.

1. The Sinking Of The Titanic: While I didn't enjoy this as much as the next track I can none the less say its impact on me. The theme in the song is fricken great. One thing i should point out is I've also heard the hour long version from the 90's or 2000's. There is a beauty to the swells in this track. It moves slowly, but has a feeling of, to be honest, death. Like I know that the title might help set up what's happening, but there is a feeling that this would be perfect at the sinking of the Titanic in Titanic. This almost sounds like a variation of Amazing Grace (at parts). Through it's 24 minute run time, it feels like it's..... I feel like it's like, I fell like this kind of is what it'd be like to know your going to die. This was inspired by the fact the band supposedly played until they sunk, they knew they wouldn't make it out. So it's like they are playing to the end.There is a moment in there where it sounds like they went under water, about 8 minutes in, but then the strings come back again. There is a muffled sort of ambiance surrounding the piece. Kind of like your underwater, or the adrenaline (like in movies) is "slowing time down". I don't think it's as good as the next piece, but it's still worth the listen.
2. Jesus' Blood Never Failed Me Yet: This song is famous for it's title and story. A homeless man on the street said this and they recorded it and looped it. But his voice makes it so touching, and when the strings come it it sounds like something that I could see being in a Disney movie. It's a very pretty simple arrangement, but the feeling of the slowly moving orchestra makes it get louder and more intense. Not in the way that it's angry, but in the way that it's touching. when the acoustic guitar (played by my boy Derek Bailey) comes in the background it's great and adds to it even more. There are numerous versions, the original 25 minutes LP version (because of limitations), but it was in it's entirety 40 minutes. Then he made a 60 and 74 minutes version. For some reason, though I doubt I'd listen to it one an endless loop, it isn't that bad of a 25 minutes to spend on a song. It's very simplistic an pretty. Sometimes the prettiest stuff is the simplest. This this is slow it's definitely worth the listen.

Overall I have to give this album a 8/10. While I prefer the second track, I can't deny this album has had an influence on me. This thing is actually a pretty solid listen and it doesn't feel like the songs drag on much, or at all. The songs build and don't over stay their welcome. This isn't Einstein on the Beach. I actually prefer this to Ambient 3 (even though there were some interesting sounds on it). 

Aladdin Sane - David Bowie

The last memorial album I did didn't go over so well, so why not review an album that I consider one of my all time favorites. It is in, some what, continuous play on my iPod/Spotify/iTunes/Anything Really. And as much as it sucks he's gone, let's hope this review is positive enough, though I'm not going to lie to you, I know it'll be a fitting goodbye to one of my heroes. In past reviews I've mentioned how much he means to me as a musican/writer and there is no way I'd ever be able to pay him back, and since I need more time to dissect Blackstar, Aladdin Sane is the natural choice for this (if not counting the ones I've done and not Lodger). But anyway, here are the facts, this is album number six. This was the first of two albums released in 1973, the other the covers album Pin Ups. This was released in April of 1973 and was mainly written while David was on his American tour for Ziggy. This is looked at as Ziggy in America, and that's a great way to look at it.

1. Watch That Man: maybe not the best song here but damn is it a solid glam rocker. From the hard rock guitar and the piano and the nice ass drum beat. This song is a terrific opener. Like I said this is pretty straight forward tine, one listen basically gives you everything there. You might pick up on that piano later, but it's still a nice rocker.  Actually the backing vocals are awesome and that piano reminds me a bit of that live performance of Search and Destroy on the Legacy Edition of Raw Power. 
2. Aladdin Sane (1917-1939-197?): So we opened with a rocker, a straight forward tune. The following track couldn't be more different. With a title that hints WWIII could happen sometime in the 70's this odd European tune is one of the things I love about this album. It kind of throws left hooks. This song has some gorgeous piano from one Mike Garrison. The chorus here is as catchy as any of his other, more poppy songs. That guitar riff, and that tone (esp. During the verses, Damn!). I love the sort of freak out with the saxophone backing up the insane, almost mad man playing of the piano. I mean yes there is logic to it, but to a regular person.... WTF. I'm serious if I played the solo section for someone out of context they'd most likely be confused. This song is great and I couldn't ask for something else for this spot here. And that ending :)
3. Drive-In Saturday: A classic, and by that I'm serious. I guess this is about people in post apocalyptic.... just look it up. It's kind of interesting. Plot aside, this has a doo-wop sort of vibe to it. It isn't straight doo-wop though, like some of his best tunes.... It has this weird atmosphere to it. Seriously, I mean it almost makes no sense, but it's a solid ass fucking song. I love every second from the sax to the vocals to those backing harmonies. Plus the lyrics are pretty funny, in a kooky way. 
4. Panic In Detroit: Another rocker, though this is more of a hard rocker. I can't recall if this is about anything, like a real riot in Detroit, or whatever but I honestly don't care at the moment. This song is much better than the meaning and it doesn't need a meaning to make it good. There's a reason he played this live in the years to follow. It's a great rocker that is probably the closest The Spiders would get to TMWSTW. There are actually riffs where it sounds like it could go into the extended solos on that record. Even the opening just shouts rock and roll. I mean really. Also I should mention, this sonically sounds different from the other tracks, but not enough to not fit on this mixed bag of rock and roll tunes. I love the backing singers here too and we get to hear Mick just rip.
5. Cracked Actor: This is the only song I can say that I don't either Love. I mean it isn't bad, but compared to the other tracks I don't think it's as strong. You can almost look at this as a rewrite of Jean Genie. I mean this is a good glam rock tune, I just don't Love it you know. 
6. Time: This song starts out with a piano that is avant-gardeish. There is this vaudeville feeling to this track. I feel like this could be a cabaret number. It's very odd, there is a type of closure you get with this song.... now at least. It's got everything here that makes this album great, vocals, I love the guitar when the song gets more intense. I love how it goes back to the beginning and just feels like odd, even thought in reality it isn't the odd. Mick has some great guitar parts here that just add and, he's fucking an amazing arranger period Those backing vocals are great. I mean in reality most of what makes these songs great is on each song. The only thing is they all are different enough, to where you could call this a mixed bag of songs.
7. The Prettiest Star: A rerecorded version of the 1969 single, written about Angie Bowie. On the original Marc Bolan played lead, and Mick tried to replicate that guitar on this recording. This is a happy song, and I mean I feel like it's sort of heartfelt. It sort of reminds me a bit of Kooks or Soul Love or just a number that may not necessarily be the "insane genius theorist" he is elsewhere. I like songs that show another side to a guy, this is one of those. Nice saxophones by the way :)
8. Let's Spend The Night Together: The only cover on this album, it was originally released as a single by The Rolling Stones in 1967. Opening with a sort of weird heavy psych, feed back and then what I can describe as atonal piano hits. The songs rushes into a performance, and damn this thing fly's by. To be honest, the best performance of the song. This almost sounds like the original, but better heavier and more rockin'. 
9. The Jean Genie: What can I say about this track. It feels like a pirate is playing this. Seriously, I much prefer to think the Rebel Rebel video Bowie is singing this. This riff is just one of those, and yes you can hear it towards the ending of Width of a Circle, but here it's just so oddly perfect. I can kind of imagine people in the 70's going... what the fuck, this is really good, but still what is this. There is a reason this is as famous a song as it is. It's classic. Go Mickey Go!
10. Lady Grinning Soul: Argue with me all you will, but I believe this to be the most romantic track to ever be written... ever. You can't top this, not Marvin not Smokey, not Ole Blue Eyes nor anyone else. Keep on listing songs, you'll never change my mind. From Mr. Garrison's opening piano rolls, to David's sole vocal introduction. Listen to this thing, I mean really. Everything here sounds so damn good, and just the playing is so tight. I really can't find anything wrong here. I love the saxophones, I love the Spanish solo. The piano and guitar duet, Mick you are a genius. This word is almost too good for words, every time I listen to this I cry a bit. This song is perfect.

Overall I have to give this a 9/10. This s very much an Americanized version of Ziggy. On top of that its a great fucking album, there isn't much to complain about here. I mean really, every songs is unique, and they are all solid performances. I guess you could complain there's a cover, but that's just nit picking. Bowie my friend, you may be gone, but I know you're one of the few people to make a string, constantly great to amazing albums, from 1969 to 1980. Though I may never be able to tell you, or thank you for everything you done for me I also don't think I'd be able to either. Sometimes, actions speak louder than words. I'm gonna miss you.

Hey America - James Brown

To celebrate the month that brings us the day we celebrate the birth of Jesus Christ, I decided to make December permanently Christmas month. That doesn't mean I'm going to do tons every year, but they have to be related to the holiday to be reviewed. This album, a pseudo-holiday record by James Brown, follows last years Santa Dog. This also happens to be studio record number 34, if math is correct, and was released during a period where some of his best material (IMO) was being recorded and released. This isn't a new record to me, i actually heard this thing last October. After being blown away by how, not a piece of complete shit it was, I knew I must review and spread it. Most Holiday albums are horse shit, no really they are. They are the same 12 or 15 songs and they are boring as shit. Seriously, I can't stand Christmas music. In fact the songs I like are Auld Lang Syne, What Child is This and Oh Come Emmanuel. I might be forgetting some, but my point is very few songs I like. I mean I tolerate some tracks, but tolerate and enjoy are two different things. Maybe this'll become a new holiday classic, after my amazing review. Also January will be mostly reviews I did this month but put off because of the theme.

1. Hello America: Opening the album we get this, a very funky and pretty intense song for a Christmas album. Like really, this is a solid song, in it's own right. That is a reoccurring theme on this album, songs that are genuinely good songs. Like I'd totally dig this if it was on another album, it's a solid track that's pretty tight. Nice string, that part when they crescendos makes this song so much tougher. The horns here are also pretty great, and that funky drummer.... damn what an opening. This is one of those, not you lame ass covers album feeling. I love how it just takes you there, it doesn't hid anything. This actually could be a blacksplotation theme, but the movie might have to take place at Christmas. And I don't think I need to comment on the Godfather of Funk. He's great as usual.
2. A Lonely Little Boy Around One Little Christmas Toy:  That sure paints a picture. For me I imagine the boy comes from a poor family, why the could only afford one toy. Maybe he's an orphan and at the orphanage he only gets a small toy. Regardless of the story in the song, that title is a very powerful title. There is a really Christmas, jazz feeling to the organ here. The atmosphere really feels like a Christmas LP. Like I feel like if Brown wasn't singing, and the strings were out then Jimmy Smith might come in and start playing God Rest Yet Merry Men. I also feel like this song, if a little more intense would just fucking rip your heart out. While I like the kind of subdued feeling of this track, that track would be up there with Feed The Birds for most tear jerking songs but it is not quite there. I could totally see this being there though. This is another really solid track, though I wish it was more emotional. It's almost as if the album was recorded in one day, one long day, and this was the last song. That may not be true, but I kind of feel like this song should hit me harder.
3. Go Power At Christmas Time: Finally, a good action sequence for us this Christmas. If you stripped this song of the extra instruments I could see this being an Aerosmith track. Maybe like a James Brown cover. This is a nice rocking track, thought I don't think the vibes/xylo/whatever-ophone isn't really necessary. The ending really reminds me of a better Blues Brothers.
4. Christmas is Love: I thought Real is Love? That way Love Is Real? So Christmas must be Real, and Real must be is Christmas. The feeling of this song is one that you could talk over, or rap rather. I mean there is just something that I feel like I could tell a story over this rhythm. Maybe something along the lines of what he did on My Rapp. This song is really alive and it feels tight, thought the transition on the version I heard isn't that great. I mean the flow of the song was kind of chopped off. There is a very rushed feeling to the horns in this section. I feel like this song would be far better if it was written tighter, or with better resolution (?). The section changes are too abrupt, they don't just flow into each other. This is a good song outside of that, but for me personally it kind of puts the rest of the track out of wack. I do still like the song thought, just a little hard to "grasp", because of the in ability to really focus on the music. The reason is the one I said earlier.
5. Santa Clause is Definitely Here to Stay: Opening side 2 we get the very heartwarming tale of Santa, becoming all our regular Saturday night things. There is something that really does melt my heart, even though the lyrics may not be the greatest. The music is so damn good, it's almost impossible to be cynical towards. There is no fabricated truths to what I said. This really does just get me on that gut feeling. This is the feeling I wanted to get from track 2.
6. My Rapp: This is a pretty solid track, that really just consists of 6 minutes of just rambling, there is barley any singing. Just a few bursts here and there. But still, this is really a load more entertaining than say any Christmas record. The only complaint is, it goes a little long.
7. I'm Your Christmas Friend, Don't Be Hungry: I don't really get this one. For the rest I can at least picture something or imagine the logic..... But this one. I can probably do a reviews length description of what I think this title could mean. I can only gather he's giving to the less fortunate, which helps them to eat. That's the only one that makes sense. This feels like a subdued version of Sex Machine or I Feel Good. I mean it's still exciting, I think the thing is he wasn't to see sincere. But I feel like he should be getting up and jumping around. Here he feels like he's barley moving. This 
8. Merry Christmas My Baby and a Very, Very Happy New Year: This is the last track on James' third (if I counted right) Christmas record. This was also his last he released, and its a shame. But closing this we get one of the closer. This have a very vocal jazz feeling to the song. I close my eyes and see thing being played in a bar, with the subtraction of the strings. It's an appropriate ending to the album.

Overall I have to give this album a 7.7/10. All joking aside, check this out. This could be my favorite Christmas related music thing I've ever heard. This is fairly funky, and really easy to take. You don't have to like funk, or really even James Brown to like this. I think it's also kind of a novelty to it with Brown doing all original Christmas tunes. I know I'll play these JB Christmas records for my kids when they are growing up, as I will play them Yellow Submarine. Plus..... what's not to love about a soul-filled funky Christmas. You celebrates it your way, I celebrate it in my way. That's the beauty of the holidays, it's not one of those "My Way or the Highway" type deals. So Let's All Have A James Brown Christmas this year, by listening to this under-appreciated little record. 

Not Available - The Residents

Today is my birthday, in honor of that i decided to do whatever I want. Since no one can lock me up for reviews, i decided to do one of my favorite albums.... EVER!!!! This is the 1978 (their second recorded, it's from 1974) studio album by Louisiana's The Residents. This album is known as The Residents living embodiment of the Theory of Obscurity. Look it up, its an  interesting concept that needs the back story, so look on their website if you care. This album also, allegedly has much personal drama on it and is an opera, of sorts. This is gonna take some multiple listens to review, but I'm not complaining. Note: I'm using the 2010 most current version for this review.

1. Part One: Edweena: Now this album starts off with something that sounds kind of cheap. I know that intro, upon first listen isn't that much of a draw in. But trust me, sit through it and it will pay off. The intro reminds me and sound a little of When We Were Young off 1980's Commercial Album, but with more instrumentation. The drums are kind of primal sounding and remind me of Fingerprince. Then these voices that sound like possessed chipmunks, or at least ones who hit puberty come in. After that for awhile it changes vibes and it's hypnotic. The vocals that come in sound almost robotic or like aliens from outer space. The vocals, the effect and the feeling I get in my gut, reminds me a little of Simple Song. Then the flute sounds speed up and a piano that sounds like it's off Meet The Residents comes in. The lyrics on this album, and song, are vary minimal, but this is kind of like a future calling to what they'd do on Commercial Album. The female vocalist's (known as Edweena) part reminds me a little of the Forbidden Zone. Also the drums sound almost analogue-esque. The possessed alien choir comes back and continues the story. And this is only 7 minutes into the 10 minute song. After that a guy, Uncle Remus (a mentor), talks and the choir comes in again, later followed by a fade in of the music. Really this is possibly best ever described as The Abbey Road Medley if it was on Sgt. Pepper and they were either taking a little too much acid, or they were genuinely bizarre people. Also if it took up the entire album.
2. Part Two: The Making of a Soul: This intro sounds similar to the first track. It's not even close, but the atmosphere is definitely continued. It sounds cohesive, the only real difference is the sax lead parts and it's a little louder overall. This track introduces the Porcupine. This part is followed by my favorite melody that now makes me cry when I hear it. It's like a demented Moonlight Sonata, or more avant-garde Because. The vocals just come in and sound so desperate. I honestly don't think that you can't be touched in some way by this guys voice. It's very much in the vein of Daniel Johnson, who didn't even come till years later. After it speeds up a little, the aliens return. They are almost like Omnipotent beings. Then the next section is a kind of reprise of the intro to this track. But the desperate love stricken Porcupine returns. And before he starts singing, quick note, a hammer comes in (another Abbey Road comparison, just saying). For those of you who don't know I think in every aspect of the word Abbey Road is the greatest album of all time. After the then the old guy, Uncle Remus, comes back.
3. Part Three: Ship's a'Going Down: The song starts calm, and is, then followed by a shriek and the singer literally Freaks Out along with the music. After the freak out, it goes back to another hypnotic felling before freaking out again. This is mainly told between "The Catbird" (the screamed vocals), "Uncle Remus", and the "Enigmatic Foe". The following part just makes me honestly say that this is truly the predecessor to Commercial Album, but with a story rather than a concept. This part contains the part where the singer is basically crying and the other voices are sings the title of this track. There is a lot of repeated musical motifs in this album, but damn they don't ever get old. This is followed by a reprise of, basically, the intro to track two, and the sad piano part. Followed by another reprise of another part. This should have, in any logical thinking person's mind gotten old by now, but it doesn't. Not even in the slightest. The part that follows this up reminds me of their 90's output and possibly The Ughs! track In The Dark. And outside the music is a beautiful melody that I wont describe. I wan't you to find it.
4. Part Four: Never Known Questions: This sounds like it's the ending of the story, and it properly is, well with the exception of an epilogue. The melody reminds me a little of Sympathy For The Devil. This is followed by "spot the rot" part. It's great! really it is. Followed by what I can only describe as Porcupine's Sonata. Followed by the "realization" in him. When everything clicks with him, he is truly happy and his first time a grand, happy upbeat part plays for his part.
5. Epilogue: This is kind of a final call back to the intro of the album. With the according to the site "chorus" giving the final benedictions and wrapping up the story. This is followed by a final call back to Porcupine's Sonata. Well with the exception of the Son is singing this. The boys voice makes it all the more touching and sad and really.... IDK? If you are confused by the lyrics study them and piece this album together, or at least try. You can get a clearer picture and when it's clearer this track really expalins the whole trauma and calls back to the first few lines in the album.

Overall I have to give this album a 100/10. This album is a trip, in the best way possible. I can't believe this album has the honor of being the first album I've listened to 3 times in a row front to back. With each listen I find it harder and harder to say what I don't like. Why, because its like it melts away. There is just something that's so touching and just indescribably. If you've ever seen any review of this they all say it's "indescribable" but it truly is. I've tried my best, but even my descriptions can't help truly give justice to this masterpiece. Forester should have played this album a few times for the SOL, eventually they'd be brainwashed by the album into loving it. If you want to make a good album, check this one out. This ranks up there with Freak Out!, Abbey Road, In The Court Of The Crimson King, Commercial Album. Go to their website for a heart breaking review, in a good way. Upon visiting the lyrics, there are easy connections to every single human's life, and upon revisiting this it is all the more enlightening.

Kill 'Em All - Metallica

This is the debut by the Big Four's most popular and successful band Metallica. Now my favorite, musically, is Metallica, but their personalities are pretty much shit. Well not all of them, more Lars than anyone else. But personal problems aside I will review their first album. This was released in 1983 and really is a prime example of a debut, I'll explain. Oh yeah I'm not gonna dwell so much on Mustaine's contributions to the LPs writing, except in track 2.

1. Hit The Lights: Fade in drums guitar and bass. Then a drum roll and some more feeling of a build. Here comes the riff, what a beautifully distorted riff. Then a scream, and then lyrics. This song is such a statement. Think about it, a bands first impression is their first album/ep release track. Back in the day, and when you listen to a while album you start with track one. This gets you pumped for whats to come and I can't wait to see, though I already know. The playing here is tight, like a machine and to think Kirk has only been with them for a short time. They sound well tuned and ready to shred. The solo is fricken great and he kills it. 
2. The Four Horsemen: Slightly slowed down and an added verse an bridge this was originally Mechanix. After they kicked Dave they took the song and fleshed it out. They matured it from a car to the Apocalypse. This is a scary song and it think it fits the theme. I I we're to make a movie about the end I would try to get this song to make an appearance if possible. Maybe a clip of the solo or something, but a part. This is an epic and it really is a well put together song. Sings like this with different tempos and time signatures make Metallica stand above Slayer, Megadeth, and even Anthrax and on their first album. This solo is so epic I don't think I can begin to explain the influence it's had on me. This is truly one of y favorite solos ever, up there with Hell Bent For Leather and Buried Alive. There are others too but just to wanted to mention. This is a strong and aggressive song to. You wouldn't wanna mess with this band. Te second solos sicker, but that's not really needed to be said. It's shouldn't change any aspect of the song, just I like the second more.
3. Motorbreath: I wonder if the title is a nod to Motörhead or if its a coincidence? You know, as much as I live this album it has some weaker songs. By that I mean they are songs I don't listen to by themselves. The solo here is another great solo by Kirk, maybe a little abruptly cut, but still great. I'm glad this is on the album, but it's hard to live up to the last two tracks you know. The solo is really whats the best part of this track. And the post solo power chords at the end. That's interesting. 
4. Jump In The Fire: This is an epic riff that I wish I could replicate. Not the greatest on this album, but it still tops most other bands. The chorus is so damn catchy, if after 1 or 2 at most listens your not singing along your a tool. Either that or your a parent who doesn't get with fun music. The pre-solo things is neat and I like the solo in the song. The vamp for the solo is cool too. The second solo is awesome here too and it really could listen to this albums solos alone. If only they released this albums solos on an album like Shut Up N Play Yer Guitar.
5. (Anesthesia) Pulling Teeth: Cliff gets to shine too. This is an interesting choice I think to have here. It's obviously to show off the bassist and his skill. The only complaint is his mistake before the change. It also like how're tempo changes and its like Free form. It's nice to leave that metal world and take a second to hear a bass solo. And also the title fits the song to a t, in the best fucking way possible. I think it's cool the band comes in later but still damn, listen to them jam. Cliff your sorely missed. 
6. Whiplash: This song brings us back to a more non instrumental world. This song honestly does take you back and makes me want to head bang. What keeps me from doing it is fear of "whiplash". Fuck it! Seriously this is a great track and kicks ass. Play this for any Mötley Crüe fags in the 80's and they'll melt. No offense to glam metal, but this is Metallica and were here to "Kill You All!". Another killer solo from Kirk and it is kind of a credo song. This is kind of like their own Motherly Love because it talks about going to towns and doing stuff. It's neat, just a though. 
7. Phantom Lord: This is the song I've honestly heard the least on the album. I honesty couldn't remember this riff. I only heard it a few times. Part of the reason is because its a little underwhelming compared to the other tracks. But this most resembles a song of Show No Mercy. That album came out in December of that same year. The solo here is pretty cool sounding and reminds me of Hell Bent a little. The post solo vamp thing reminds me a little of Fade to Black. I wonder if they reused that for said track. The chorus is cool, but just not really Metallica.
8. No Remorse: This has that punk attitude. The solo in the beginning before the lyrics is a fricken great idea and damn, those only thing better is a solo at the start (ie Eternal Rest). This is another great riff and there isn't much to say here that hasn't been said earlier on the review. That crunch, Damn! I also like that swoosh sound. Each solo uses the same distortion but different enough to stick out. Those harmonies, damn! I also love the double time and the singing in the double time. Great end, reminds me of the intro to the album. 
9. Seek & Destroy: Possibly the best riff on the album, and probably most memorable. This thing honestly just could put fear down your spine. If I wast a Metallica fan I could very much see this being the theme song of the devil and his minions. This song is evil enough to be a Mercyful Fate song. That's saying a lot. Whiplash maybe the bands credo song, but this is Lucifer's credo song. The solo is an 10 in my book and really need I say more. This fricken song is a 10 in my book. This is a 10 in any logical persons book. The riff is from a guitar player stand point something to aspire to creating your own of. From my musical trained ear, I'm no expert yet, but the sequences and the whole way this song is and the harmonies and everything theory wise in this song rocks me socks off. I love the tones as the pitches and probably why I love parallel 5ths.
10. Metal Militia: This is more the tempo of Mexhanix. Talking about your army on your first release, that gutsy and kind of like, we are hereto take over. So close to 1984 people were probably scared shitless. The intensity that started this mother ends the mother on the same not and energy and just mid blowing fun. This has some of my favorite singing by James. Its not my only, but i think its perfect for this song as kind of like an evil hypnotist. Join in on the way of the future, the "metal militia" are here to win. Propaganda if I can think of anything else. One last great solo, kinda. The marching makes this a much more anxiety filled wait for me to do Ride The Lightning. I can't wait, seriously. 

Overall I have to give this album a 8.8/10. This is the debut album and its hard for a band to have it all together for their first album. This band somehow makes it sound like they've all been playing together for years. Thrash is Punk meets Metal or vice versa. This album embraces all the aspects of thrash and probably helped progress the popularity of the genre, so Fuck Master of Puppets, the frost two are way better. I don't think the vocals need much description other than they work as are sometimes awesome. He sounds like a screaming banshee going to attack you. The shredding on this LP is hard to both reconstruct and beat. But over all an extremely consistent record and solid. 

I'll highlight my picks tomorrow because this is on my iPod. 

God's Father - Lil B

This is the 22nd, or so, mixtape release by rapper Lil B. I reviewed his albums 6 Kiss from 2009, and 2011's I'm Gay (I'm Happy). I have, before reviewing this, listened to it now 3 times. The reason is because I liked I'm Gay until the third listen to it. Because it got boring, but I don't think this one will be the case. Quick note, Brandon has said that everything except Choices and Flowers under the name The Based God is a mixtape. Finally I get to upload this, it's done, it's really done! The next Lil B review I'm gonna do is probably Trapped In The Basedworld, aka this ones follow up.

1. The BasedGod's Layer: This is the introduction to the mixtape. This has like an angelic feeling to it. I heard this song a bunch of times before I listened to the rest of it. I think that this is a really good intro. And I like how the style switches from this and the next track. This is a pretty neat intro for the trip to come. Sit down, put head phones on, relax, and listen.
2. I Own Swag: He raps like Danny Brown on this song. For some reason I sing along with this song, just like I would to a Danny Brown song. Even the terribly sung chorus part of the song is sick. I don't know why, but it just works for me. The beat is trap, but there is a type of thing that makes me sounding industrial. It is like a robot charging up, and computing. The beginning continues the epicness of the prior track. I also laugh at the "faggot" and "fatty" insults. He also does a Jamaican thing that's funny too. 
3. Fuck Ya Money: This is a pretty song more in line with R&B. He's actually staying on beat, which yes it is pretty slow, but still Bs doing it. He's doing it, this 
4. Febuarys Confessions: Another great sample and R&B flavored. He's sing talking/rapping here, but the whole aura of this song makes you believe he is trying to say something. Some lyrics don't 100% make sense but that's ok because it's joyous. It's a happy song, touching. 
5. Buss Em 4 Points: This has awesome strings on this song. Another joy, but instead of pretty joy it's happy joy. Upbeat joy, and the sample, 5 for 5 so far. I want to know these song in the background they are great. 
6. Tropics: The intro is great and a continuation of the joy from the previous track. 
7. Real Hip Hop 2012: This could be a Wu-Tang Clan beat. Now, me saying that sets a bar. By saying that that means you need to flow to kill this beat, and DAMN! He is living up to it. I don't ever recall him doing this good. It's suprising, and this beat is so solid. I'm running out of things to say about this other than this is great and the beat is like Asian sounding. {8/10}
8. Keep It 100: This song reminds me a little of The Lonely Island. The beat is great and part reminds me of the interludes between "The Kardashian" Show or other E! Reality Shows. The strings are pretty great, and I like the digital analog drums sounds. 
9. Fonk Ain't Dead: If the bass drum was slightly different this would remind me of old school hip-hop. This beat reminds me a little, only the atmosphere and female voices and reverb, of Outkast's 1994 debut album. 
10. Feds At My Doh: This is a pretty "gay" beat, but Lil B makes it fun. The 80's sound quality vibe of it is why people make fun of that and the following decade. This is a solid track though and I'm suprised it as enjoyable as it is. It's relatively simplistic and that's probably it's apeal. And there's one of my favorite rappers again. The ending is kind of funny sounding, and I like the added "pinball machine racking up points, arcade" sounds. 
11. Remy: it sounds like an R&B sample with a computer booting up and shutting down. The guitar in here sounds great, it's pretty seductive. I wonder what the original track it's off. 
12. Flowers Rise: This has a little flute thing in it. I could see the being on the bedroom escapades comps. I could also see it being the music to a Super Nintendo Game or Pokemon waiting music in the one for Wii. 
13. God Help Me: This starts with him giving condolences to the ones who've passed. The drums on this are ok, but the sample gives it an intresting feel. It makes me think the woman's calling through the jungle. It's a nice track, a pretty track, a touching one.
14. Breath Slow: The piano on this reminds me a little of X-Men off his 2009 6 Kiss, which I reviewed in the past. This is a trap song, but that piano still makes me think if it. This is one of the weaker songs in my opinion. The reverb on the vocals at the end remind me of The Holy Filament off 1999's California album by Mr. Bungle.
15. I Ain't Neva Won: this song I feel is a little weaker than the prior track. Trust me, the album is 100fold better when you sit the two hours through. 
16. Let It Drop: This actually reminds me more of older hop hop. The beat ad the "wind" sound and guitar sample reminds me a little of Wu-Tang or one of the solo projects. This is a pretty song, that also doubles as good too. 
17. God's Father: This has a mellow kind of sample in the chorus/hook. I feel like the sample during the verses reminds me of something like Mr. Rogers. I don't know why, but I mean that in the best way possible. I think that it has this child feeling to it. And Who doesn't like children. I like the Eminem references to.
18. Be A Star: This sample reminds me of What's Going On, the feeling of warmth  you get from it, or at least a similar one. The title track on that album has this type of introduction where it has the instrumentation come in as there are people talking. Then the strings through out the track reminds me of a song on that album. I'm not exactly sure if it's a certain track, but the style more so. This has pretty arpeggios in it. 
19. Deep Ass Thoughts: The guitar sampled here is pretty, and the theme is neat here. I don't know why, but I feel Brandon isn't lying, or bending the truth. The chorus is kind of funny here. 
20. Go Dumb Tonight: This song samples a soul song that reminds me of Motown. The way it is though   Is pretty glamorous. He is also rapping here at a pace and is doing an accent, a funny one, at party. He sounds Jamacian kinda. This is a funny song and a great sample. The horns on this sound great. 
21. Bitch I'm Bussin: I like the ambience to the sample. The beat isn't so ambient, but I think the combination of the two kind of work. It kind of sounds like underwater parts in "Donkey Kong Jr Country" or whatever it's called. You know, for Super Nintendo.
22. Glourious BasedGod: The great electronic discharges in the intro rock. I enjoy the sound of it and like the way the he's rapping on the track. This is a solid track. 
23. See Ya: This song has the type of beat that I would imagine on a Basket Ball game. Like Holy Calamity by that one Handsome Boy Modeling School. I like this and think its funny.
24. Flash: This is probably the most A$AP he gets here, even dropping his name. Except the bass might not be in an Rocky song, you know the underwater bass. Pretty epic sounding. 
25. The Deal: this intro reminded me a little of Death Grips with more minimal beats. This is very minimal, but B isn't scaring me. That doesn't mean he's doing a bad job though. 
26. Pain: This has another guitar in it. There are also doorbells, or shall I say some M3 intervals..... hahahaha. This is another good song, like I said earlier I can't find any bad tracks. 
27. Secrete Obsession: This song features an upbeat 80's sample. This song kind of talks about when he first started rapping. When he was in PE in 6th grade and they wanted to see who was better. This song is actually, though I can't relate because of the rap part, it is pretty cool that's the way it happened. Better than Last Call. 
28. Turned Me Cold: This is another fanominal Track all around and just pumps me up. In this song he samples the 2011 track Man Down by Rihanna and lowers it. I really enjoy this track and think it's pretty great. I like how it alternates between funny, kind of serious, then at the end funny again.
29. Sf Mission Music: The piano in it reminds me a little of TC. I actually really like this track a lot. This also has some pretty electronics in there.
30. I'm Just Livin: I like the fun feeling to this song, and also the welcome vibe of it. I also like that percussion sample in there, it's very pretty sounding. This is another very fun song.
31. Words Not Spoken: This track reminds me of The Real Slim Shady by Eminem. I actually wouldn't be suprised if he sampled that song in this track. This is a pretty solid track.
32. Wake Up Mr Flowers 3mix: This song has a jazzy intro, then it goes into a hip hop thing. The sample in this song is pretty cool, and I like the instrumentation there, especially the way the keys sound. This is kind of like BadBadNotGood, well at least more or less.
33. Water Is Dmg: I really think the strings on this are pretty cool sounding, and they make this epic book closer effect to the next track when heard front to back. This is the perfect way to kind of sum up the mixtape. I like that he starts the mixtape out with a dreamy song, and ends it with a louder dreamy track.
34. I Love You: This is the outro. I don't know if he is singing on this, or if he is just talking. The thing is that this is a touching song. It kind of reminds me of the ending of Sesame Street. It is just pretty relaxing, even though he can't sing very good. I can't really explain this unless you hear it. It is the, no exaggeration, best possible way he could have ended this 1 hour and 56 minute long mixtape. I was surprised to see this sampled a Final Fantasy song.

Overall I think this thing is really good. I think it's a 9/10. Part of the reason I like this so much, probably, is because I'm Gay didn't really change style. This changed styles like it was various artists. By that I mean that this seems like a 34 track record label sampler, but some artists appear on this more than once. The thing too about Lil B is that he is so fricken happy. How, I want to know your secret. Not literally, but seriously who doesn't want to love life. This thing is good because you can tell he put his heart into the more touching songs. He didn't just bs and make stuff up. One more thing, though it's two hours long, it's best when you hear it front to back. It kind stinks about it being two hours, but it is well worth it and after time 2 it went by faster each time. I have to also apologize for the 3/10 rating on I'm Gay, I took him a little too serious and wasn't as open minded and didn't know Brandon as much as I do now. But this shows that confidence is the key to making people believe in you. There isn't a single track on here where he isn't completely confident in what he's saying that. I applaud you Brandon. I want him to release an instrumental version of this, I'd like to listen to that too. But in all honesty, I can't stress the front to back aspect of it for me. It's way better that way. 

Rio - Duran Duran

This is the second album by the UK's Duran Duran. I first got into these guys via A View to a Kill. Then got more into their other stuff, until actually liking them a lot. I plan on reviewing all their studio and live albums. Yes, from 1981's Self Titled to 2012's A Diamond In The Mind. And also the Arcadia album too, fyi. These guys got their name from one of my favorite movies Barbarella. I don't really want to get to into the logistics with this album, I just want to review it. It's a very fun album and I look forward to this :)

1. Rio: This opens the album with a punch. Simon's vocals are great. And the lyrics really paint a picture. It is a perfect song for summer. It's also so bad ass. The bass riff kicks the shit out of most bass lines. The sound in the beginning is piano strings being hit and played in reverse. The drums in this track are sick too. It's a very tight pop song. I've tried to play the bass, it's kind of hard. It's not easy like most pop songs. The chorus of this song is about as sweet as sugar, but it's the kind of sugar that's laced. The kind that people get addicted to. It's actually hard to describe this song, I'm forcing my self to listen and not jam along. The breakdown with the sax solo. The sax solo it top notch, it is played by a session guy but still. I am seriously surprised to see that these guy's didn't really go to school. This is pretty great playing. I the random arpeggios were created by them playing a C minor chord through a arpeggiator. They just all click on this track. This is one of the funnest song ever written to do anything to. It just cheers you up. I also really like the lyrics that paint a picture, and are kind of abstract. {10/10}
2. My Own Way: This track kind of continues that energy from the last track, but conserves it. They keep it conservative. It doesn't reach the same height, but it still goes pretty high. Another great bass line. It's funky, and this song has a funk flavor to it. Thought this is another solid track, I could see why the band don't love this track. I like the guitar strumming on this song. And the instrumental part leading to the solo, is great. It's like a new wave influenced Young Americans. It is a little redundant, but not to the point of it ruining the album.
3. Lonely In Your Nightmare: This is the albums first "ballad". It's much slower than the two prior tracks and reminds me a little of The Cure. This song is pretty, but it doesn't reach "it" until the chorus. I can't believe how pretty, and dreamy, the harmonies sound there. This is the type of song where I am patiently waiting for the chorus. It has grown on me overtime, but the best part is still the chorus. It is just under the sweetness of Rio's chorus. I like the the other things going on over the final chorus, the acoustic guitars, and the keys.
4. Hungry Like The Wolf: The lamest song on the album. I have to be honest, and serious. I'm not a big fan of this track. This track reminds me of the jungle, because of the synths. There isn't really anything about this track that I can say amazes me.
5. Hold Back The Rain: This is the best track to follow up Hungry Like The Wolf. This isn't exactly like the prior track, but it's defiantly in the same vein. That and maybe My Own Way's chorus. Unfortunately I can't really say much about this track. Usually I skip it, or don't play it. I do think it's better than a lot of other songs by other artists thought. {6/10}
6. New Religion: This is where the album picks up again. This song starts out pretty cool then goes into a bass, drum, guitar riff thingy. It's a solid groove. It's pretty minimal, well for most of the song. The part where the two vocals are singing is awesome and I love how they have the harmonies in the chorus. I love the distortion on the guitars. The ending where they have the two vocals going, one singing and the other talk-singing. That's awesome how they did that.
7. Last Chance On The Stairway: This song has a solid rhythm track. You could easily dance to this, like the rest of the album, but this song doesn't really get it's due respect. I think the weakest part is probably the chorus. I wish that it was as good as the rest of this song. It's not that it ruins it, but it just hurts it. The energy in this song is the energy that we felt earlier on the album. It love the whole vibes solo thing, and album that breakdown. It's great, and the best part of the song. I also enjoy listening to the guitar solo. It's not that long, but it's defiantly my favorite part of the song. Like my favorite part of Rosalita "Someday well look back on this, and it'll all seem funny". It's only a few seconds long, this is longer then Rosie, but you get the point. {9/10}
8. Save A Prayer: This song is very pretty. Not quiet as pretty as the next track, but it's defiantly beautiful. It's very laid back, compared to the rest of the album. These harmonies are tight and this track is just dreamy. It almost always brings a tear to my eye. It's a love song, but not really. It's kind of like "we fell in love, but it didn't work out". It's very touching and just sad. It accomplishes everything it sets out to. This track is a "last dance" type of song. To close out prom or something like that. And this is followed by the kicker {10/10}
9. The Chauffeur: This track closes this album. Damn, this is completely different than Rio. It defiantly has a book closer ending. This is abstract and the lyrics rock. The music video rocks, and the whole vibe rocks. I honestly can't find one problem with this song. It's so pretty and the way he sings it, with soul. I can proudly say this is the best song on the album. Simon plays an Ocarina solo on this track, which I have to say makes it that much more of a sweet moody piece. I mean I could easily spend hours listening to this track on repeat. And the way Rio starts the album, the way an album should start, The Chauffeur ends it the way an album should end. I can tell this will have a huge impact on a future album I have planned. At the end of the day everything on this track works. This is a "last dance" type of song, more so than the prior track. If life was a movie, and you're love ended then I'd be honored to have this be the song playing when me and her realize "this is it, goodbye". {11/10}

Overall I have to give this album a 8/10. The Duran Duran magic just clicks here. They have other awesome amazing song too, but not like this. Some of the songs on the album just set such high standards. The strong tracks are all 10s and the weaker tracks are like 7's or 8's so yeah. The album was well put together and I can't really complain about production.

Supernature - Cerrone

This is the third album by French, I think the correct term would be, Disco teck Cerrone. I'ven't heard his first two album, but I first found out about this guy through his album covers. It's actually kind of funny; over there, in Europe, they are more open to nudity. So the whole Love in C Minor probably didn't get two thoughts over there. It might have caused problems over here, I don't know of any, but I could see it doing that. I heard this album in it's entirety yesterday, at like 2AM. And I figured, why not review this while it's fresh in my head, and while Random Access Memory is too. You know, especially since this music is what influenced that album.

1. Supernature: I saw the promo video to this, before actually listening to the whole song. And It's actually pretty sick. Other than the whole fetish masks, I think it is pretty sick. This song starts out pretty interesting and grabs your attention. This song reminds me a little of Giorgio off the new Daft Punk album. This is, musically, pretty cool. It's got a funky vibe to it that makes me want to jump and dance to it. The string arrangement during the verses is just, UGH! I don't know why, but I love the way that is. And I also really like his voice in this song. I also like the kind of driving bass at the end. This song is just a fun song musically and lyrically. This song seems to be telling a story. About science and we made chemicals and it dripped and leaked and mutated nature. Now there are mutant creatures and "even God is on their side". Thought it's kind of silly sounding and "cheesy" by today's views, I still think this song has a type of truth to it. A big part of science is tampering with things, and finding out what happens. Sometimes when we use our scientific creations it causes problems. This isn't just something that happens in movies, look at the Nukes in World War II. That destroyed the cities in Japan they were dropped on. I'm not going to go to much into it, I could go on for hours, but I just wanted to point that out. One of my favorite lines in the 10 minutes of this song is the last verse. It's kind of a warning to people. "Hey maybe nature has a plan, and in order to control mans curiosities they need to start over and stop trying to progress so fast." You know and then the ending line is the real kicker "Will there be a happy end, now that all depends on you". Damn! I love that because people probably take this song as they will. The thing though, as odd and silly and fun this song is, that doesn't mean there isn't something you can take out of it. I don't know how serious Cerrone was in this song, but I think that we can all learn a lesson from this song, don't fuck with nature too much, unless you want to screw us over. I love that idea though kind of "you don't have to believe me, but when I'm right you'll be sorry".
2. Sweet Drums: This is pretty much an instrumental drum continuation of the ending of Supernature. It's pretty sick though when you hear both of the tracks flow together. I think it a pretty decent track by it's self, but it's best as a continuation of the last. Kind of the same way I see the song Any Color You Like. It's best as a continuation of Us And Them. That doesn't make it a bad song, just more proper as a flow. Another example, The Medley off Abbey Road.
3. In The Smoke: There is this heartbeat in the beginning of the track. It also his this atmosphere to it. I could actually see the beginning of this song maybe being a song that would be on Dance Dance Revolution. This is, musically, kind of a continuation of Supernature. But it's kind of darker. The music also reminds me a little of the "Super Nintendo" game "Diddy Kong Country". That's a great game. Damn, I need to find that Super Nintendo in this house of mine.
4. Give Me Love: The song starts off with something I could see Santana doing. Kind of like Soul Sacrifice. Until, well, the other instruments come in. I like that it kind of got a New Wave vibe to it, but there is still that latin flavored beat to it. The strings are also pretty cool. The synths actually remind me of the soundtrack to "For You Eyes Only". That soundtrack was done by Billy Conti of "Rocky" soundtrack fame. Towards the end there is a very funky instrumental part, something that reminds me of Love Gun by Rick James, and because of the strings, the song Funkytown by Lipps Inc..
5. Love Is Here: Thought I don't know what to say other than this could be a continuation of the last track and that this is an awesome ending to the album, or at least intro to the ending of the album.
6. Love Is The Answer: This flows from the last. This is kind of like joyous. While the first side of the record wasn't so upbeat, this song could make up for the whole thing. This really sounds like a traditional disco song. I could see this being played on disco radio. Maybe even being played in the "amazing" movie "Disco Godfather". If you haven't watched that yet..... don't. The female backing singers in this song are pretty epic. They really sing this song with a type of soul. This is truley great! "Love Is The Answer" it will prevent people from fucking with nature.... maybe.

Overall I have to give this album a 8/10. Yes I know about the CBS logo in the corner. But it was originally released on Malligator. This is a fun record just to listen to for fun. It's also not just idiotic. This album kicks the crap out of Saturday Night Fever soundtrack. Even Staying Alive, that isn't as good as this thing. This is just a fun this to listen to and I hope you enjoy it too. Who's looking forward to my ButterFly review.

Congratulations - MGMT

#5. This is the second studio album released by one of my favorite bands MGMT. These guys are from Connecticut, forming at Wesleyan University. They came out with their first release in 2004. At that time they were known as The Management, but when they found out someone was using that name they changed it to MGMT. They released their first studio album Oracular Spectacular in October of 2007 digitally. Then in January they released the CD and LP versions. In my opinion, they haven't released anything yet that I don't like. I first got into theses guys with Oracular Spectacular in fall of 10th grade. That was the year that I really began experimenting with different types of music. The first time I heard any song on this I liked it, but it has only grown on me. Here is the review. This was supposed to go up the 13th, but I wanted to do a fucking amazing job on this review. So instead what I did was I waited until the last week of the month and uploaded the reviews that were going up. Well that was 13 months ago, but you definitely won't be disappointed, hopefully. I know I won't. I bought the CD and picked up stuff I never did before.

1. It's Working: This is an amazing opener to this album. It is a very fun feeling song and it is upbeat and cool. It also has a fun music video. This is already much different for their last album. This is a fun song. Like I said earlier, it's kind of cartoony. You can really get into this song, and it sets up the rest of the album so well. The harmony vocals are dreamy and it's just so like great.
2. Song For Dan Tracey: This is a song that was one of my favorites the first time I heard it. It was a really cool song to listen to and it is fun. It is upbeat and exciting to listen to. This song also has a cartoony feeling to it. But after the verse it goes into a nightmarish cartoon. This song has a jungle vibe.  Part due to the instrumentation, but also the mentioning of the jungle in the song. This song is another song that could get you set up for the rest of the album. The ending is a buildup and it only gets more exciting.
3. Someone's Missing: This is one of my favorite song of all time. I love the way this song builds. This is the most tame song in the beginning, thus far on the album. Because of that fact, it's one of my favorite tracks on the album. This song is too short to be a single, but I wouldn't want it any other way. The whole. I love the way, though it's "hidden", you can hear the bass. If you listen, and the psychedelic sounds there. I love the guitars distortion on this track and it makes me get pumped for what to come next. I've heard this song about a million times and I still get pumped each time I hear it. The outro to the song almost comes in beautifully. ORGASM!!!
4. Flash Delirium: I love the bass on this track. This is a single, but its such a weird song. I don't really see how a normal person, unless you're high, or you're me, would understand this song. Now I'm not going "You just don't get art". No, I'm going, "You don't appreciate it". There's a difference. The lyrics to this song are somewhat sadistic. I'm not 100% sure if this is about the same thing, for the most part, as the line "stab you're FaceBook", and "vanity", like Andrew said how he felt about. This song has a nervous breakdown at the ending of it. This song is kind of like a painting. The same way Life On Mars? is by David Bowie. This song is overwhelming at the ending. And it progressively gets more overwhelming. More and more and more and more and more and more gets built on to it. Then it has little bits where it cools down, but not very much. The music also paints a picture too. It's just so magical. It's almost "the prefect song". The music video is something else too. Check it out, and tell me if you get it.... I did. {10/10}
5. I Found A Whistle: This song reminds me of Christmas. The synthesizers give me that same feeling, not sound but feeling, that I get from Wonderful Christmastime by Paul McCartney & Wings. But you know, it's kind of a twisted one, with a noose. I love the white noise sounds in there. It kind of sounds like snow in the wind. This is a very sweet song to continue after the last "meltdown". 
6. Siberian Breaks: This is the longest song on the album, and it is also the best. It isn't my favorite, because I don't have a one certain favorite on this album, but it is the most well composed and put together song on the album. Ok, it may be my favorite. I'm not sure, but this song is like Flash Delirium but if that song was older and "better", and a more mature version of Metanoia (though it's shorter by around 1:30). It's hard to imagine, especially since I praised that song too. This song is just a trip from the beginning. I love the jazz chords and the whole psychedelic vibe to the acoustic part. It reminds me a little of Jugband Blues. Because it could still be psychedelic and there be an acoustic guitar. And his Rickenbacker... DAMN! The melody of this song and the "second part" where they start singing with the echo. I know it's about surfing in the arctic, and it's a great song. It song is more of a painting than Flash. The part where it sounds like a jumpy part or a skip, reminds me of Syd's Floyd. And the "Old Mary Ann" line, I believe that's an Alice in Wonderland reference to the rabbit. I might be wrong, but I think that's what it is. The next part with the echos and the "flares".... YES! Then there is the part where it kind of goes into a normal song, before going into the acoustic melody of the beginning, and then outro flares of electronic sound, it's beautiful. {12/10}
7. Brian Eno: This song is named after the producer of the same name. This song returns to the fun that was on the songs like Dan Tracey and It's Working. After buying the CD I was able to pick up on the different layers on this song. The little tiny things. Which is something he'd do. Listen to the little details on The Warm Jets and you'll understand. An example in this song is right before the last chorus the "what does he know" that's hard to understand. There is also little Enoesque layers throughout. I love how this song pretty much falls apart. With the sirens in the background. The very ending literally falls apart, kind of like And All Things Will End by A7X. There are things that I probably won't pick up on yet, since I'm getting into Eno now, but in the future it might be fun to see if there's any references that I'ven't picked up. Like how they say his whole name, that he chose Brian Peter George St. John le Baptiste de la Salle Eno.
8. Lady Dada's Nightmare: This is a avant-garde song that could be fit under dada. Hence "Lady Dada's Nightmare". It is also a point to Gaga because I guess Andrew, the singer, likes her music and had a new found appreciation for it. Whatever, I still don't care for Gaga, but this song. This is a great track to go before the ending. Craziness right before a beautiful ending. ITs actually pretty beautiful. Its kind of like the ending of Siberian Breaks. This sounds like it was composed. Then screams in the background make it awesome. My cousin said that when he saw them live this year they cameout to this song playing. And it was extremely loud.
9. Congratulations: This is the best ending for the album. It is such a pretty song. It gives this album a Congrats, you guys did it, you made an amazing album and did it how you wanted to. The applause at the end of the song is so fitting because this album does deserve a round of applause. The keyboards solo brings a tear to my eye. The video is also pretty beautiful. The acoustic guitar in this song is sick, and when I learned it I was so proud. This song is a true gem,

Overall I give this a 10/10. You have to give these guys props. They made it big using commercial electronic sounds and could of continued doing that and making tons of more money, but they didn't want to make that music anymore. To think that they killed it, in a good way, doing the electronic pop stuff, and then killing it doing the neo-psychedelic/prog style. You could trip on this at the same time as this being the soundtrack for a cartoon. The album cover helps set the tone. These guys are very good at song writing. And if you like it or not there is no denying it. There are so many moments on that I still get into with each listen. When I listen to an album and there is songs that progressively grow on me. Oh, real fast, this is better than the Laming Fips. Like say Brian Eno is the only song you like, well once you have established that as a sick song, not to the point of you being bored of the song, but you want to search more. Then your new favorite songs is Song For Dan Tracey then this happens until you like every song. I call this, at least for myself, a standard. I doubt that's the right term, but that's what I refer to stuff like that. Example Nightmare or House of Balloons or Mr. Bungle self titled album or even You Are What You Is. How about Joe's Garage Vol. I or Joe's Garage Vol. II & III. These are examples of albums for me where I progressively fall for another song each listen or so. One last thing, if you want you could play this for kids and they'll probably love it, and people who love psychedelic music too. Most of the lyrics on this album paint a picture too. Hell, this album  is a great big picture. Can't wait to hear MGMT since hearing Alien Days.

Their Satanic Majesty's Request - The Rolling Stones

#4: I have my problems with The Rolling Stones. For one, I think a lot of their songs are too similar. I do think there are some good songs/albums, but I don't think they are amazing. Along with all their praised albums, 1968's Beggars Banquet, 1969's Let It Bleed, 1971's Sticky Fingers, 1972's Exile on Main Street (which I'm if-ee on). I think this should be among those. This is really the only time, though they basically copied Pepper, they really left the realm of blues. For God's sake, listen to Sing This All Together (See What Happens), there is no argument that this is the weirdest song in their catalogue. EVER!!!! That's part of why I like this album so much, and the good songs too. One last fact, this is the first LP, to my knowledge, that Nicky Hopkin's was on that was by the Stones.

1. Sing This All Together: This song. This one. The horns in the beginning of this song grab my attention. Then the singing, it actually sounds.... wait for it..... GOOD!. By good I mean actually pretty. This is such a fun song. I could see this being their All You Need Is Love. There is some experimentation that goes on in the "solo". I think it's actually really interesting. And I love how the horns bring the song into focus again. This isn't as good as some of the others, but it's still a good intro to the album. Also, this proves experimentation could work. 
2. Citadel: This song isn't the best song on this. But it actually kind of does remind me of some of their olderstuff. Until the chorus. Which I think it intresting. I don't really know what to say about this track. It's kind of, for the most part, more of a normal song.
3. In Another Land: The harmonies in this song. The can make me have an eargasm. They are beautiful. Instead of the usual, "ugly" and "bluesy" backing vocals, this is actually "harmony" vocals. They could bring a tear to any man, with a sense of decency, eyes. The harpsichord in the beginning of the song is just, I can't believe The Stones pulled this off. My hat goes off to Bill Wyanman. I love the vocal distortion echo the did during the verses. I think the snore at the end is pretty funny.
4. 2000 Man: This kind of reminds me of the next album. The more country feeling to it. It also kind of reminds me of a more upbeat version of Dead Flowers or a demo version of the song 39 by Queen. I also like how it changes. It's almost more of a composition rather then a blues/counrty song by Mick and Keith. I also like the little organ fill towards the end.
5. Sing This All Together (See What Happens): This is All You  Need Is Love 9. If you don't know what  I mean, Revolution 1 was a normal song Revolution 9 was complete musique-concrete. This is a total experimental track. If you guys like there guys at their normal tomfoolery, then you'll hate this song. I don't think I've ever heard another song remotely close to this one by this band. Now, for most people, they would say that the Stones experimented and it didn't work. They could say this track is a key example. I really like this track, but if you're one of those "artsy" people who "Knows what their talking about", then most every other song on this is normal. I don't want to ruin it for you if you haven't ever heard this before. But remember, it's different than any other song by these guys PERIOD!
6. She's A Rainbow: I don't understand if you don't like this song. It's super catchy and so fun to sing. This song can make you get pumped up and just run around. Ole' John Paul Jones, you know of Zeppelin, did string arrangement for this song. This was before he was in Zeppelin though. I also think it's kind of cool that there is talking in the beginning, then the piano plays. The strings in this song could almost make you cry. The "toy piano" sounds, beautiful.
7. The Lantern: This is a pretty cool sing. I really like the way the chorus is played along with the voice. It sounds pretty cool. This is a solid song, not together wise, but good/decent wise.
8. Gomper: This almost sounds like an indian song. Actually you could say that this is the weirdest song by the Stones. It's pretty much just noise. With bongos and desert sounds and just drone. I almost wish there weren't any vocals though. The keys are awesome sounding.
9. 2000 Light Years From Home: They really like the number 2000. The beginning of this song is kind of "scary". Like I think they are using cluster notes. This song has a lot going on. I don't really think a normal Stones fan could comprehend. I'm just kidding B-Dowg.
10. On With The Show: This is supposed to be the closer to the album. Supposedly this was inspired by Absolutely Free's last track America Goes Home & Drinks. Which you can kind of tell it's similar to that track. This is a really good way to end. The microphone effect on the voice reminds me of Magical Mystery Tour. Like they are on a bus that takes you around and you see this "show". The music going on in the background has beautiful strings and almost makes you wanna cry to it. The voice effect also reminds me a little of Uncle Albert.

Overall I have to give this, extremely underrated, Rolling Stones album a 7.8/10. This is the only album that was produced by them alone. Because their producer left because he was fed up with their drug problems. So, I guess something, beside Pepper, comes good out of drugs. You could almost argue that they, though they didn't (I know they didn't I read about it), were composing songs rather than jamming  They weren't going, "Lets do this fast, play this album in Open G". They did rush this at the ending for the release date, but still. They almost just made an mature album, leaving their normal style. They did make some changes on the next few release, but still. This is the most different, and in a good way. The next review will be of another favorite of mine. This album came out in 2010. I know, up to this point, the albums have been pre-1980. But well, I want to mix things up. I might also have two more post 2000 album's too. But this is a pretty psychedelic album. They just released a new single on Record Store Day, and their new album should be released sometime this year.

Apostrophe (') - Frank Zappa

This is one of the first Frank Zappa albums I ever heard. At first I thought it was OK  but it grew on me. The thing about it is that I wasn't huge on it at first. It was kind of like, my now favorite album I've ever heard, Abbey Road. At first I didn't like all the songs on that album at first. But when I actually listened to it I liked it more. That's how a lot of albums are, and songs. I remember watching the Classic Albums movie about Over-Nite Sensation/Apostrophe (') one. I thought that it was one of the coolest documentary I'd ever seen. My friend Jason was sleeping over and I was watching that while he was busy doing something in the basement at my house. I couldn't not watch it, and be impressed. To this day, he still blows my mind with his compositions and skill. I pushed this back a while because I wanted to get a lot of info to make this accurate  I'm doing the review of the 2012 UMe Remaster.

1. Don't Eat The Yellow Snow: I love the beginning of this song. With the wind sounds and the guitar. I love the guitar's tone throughout this entire album. I love the drums and the song is catchy. This song is very bass driven. The "Watch Out Where The Huskies Go" can't not get stuck in your head.
2. Nanook Rubs It: This is where the Fur Trapper who is "Strictly Commercial" comes and steps on his favorite baby seal. With a "Lead filled Snowshoe". There is some parts where the vocals go back and forth in the speakers. This song is more "funky"? than the last one. This is an awesome example of Frank's story telling. I love how he does this for some of his songs. There is a part where, if you listen, you can hear him say "here fido" which is a reference to Dirty Love.
3. St. Alfonzo's Pancake Breakfast: I was in awe of the percussion parts. I love how this songs intro is a sick percussion riff. This is the part right before my favorite part of the suite. the Rollo Interior is also awesome. "Hurt Me, hurt me" is something I reference a lot. Usually making fun of some of my friends. The drums in this song as so sick and I love the lead into the next track. 
4. Father O'Blivion: This is such a funky song. I love the way the guitar sounds and the "wah". You probably could do the "Funky Alphonzo" to this song. I couldn't get this song out of my head for the longest time. It's also a pretty fast track. The bass in here and the synthesizers. UGH!. And the Spanish march part or "Domonuss Vum Bizcum" (I know it's spelled wrong. But I tried phonetically) is fucking sick.
5. Cosmik Debris: For the longest time this, and Stink-Foot I didn't care for. I don't know why, but Stink-Foot grew on me. I was almost obsessed with this song. I love the violin in this song. Its sick. And I like the little motifs for the different parts. I think that's the right word. And I love this entire story. I would constantly reference this song, just about every chance I could. I would suggest listening to this song, and listening to this lyrics too. It's kind of a funny story about a drug dealer trying to sell Frank drugs and he says no and then pretty much outsmarts and tricks the drug dealer. "I had the sucker hypnotized".
6. Excentrifugal Forz: I didn't know what to think about this song. That was until I dissected it, so to say. Or maybe I should say I better listened to it. I also think this is a good way to start off side two. And it's kind of the prelude to Apostrophe. I like the part where it says "Pup Tentacle  and him re-reference in Cheepnis in the follow up Roxy & Elsewhere. This song kind of has a futuristic feeling to it. I don't know, maybe I'm just crazy, but that's how I feel.
7. Apostrophe ('): I could probably say that this is my least favorite track. I don't know why, but it's my least favorite. This is a jam between Frank, Jack Bruce and Jim Gordon. And I also guess Tony Duran does rhythm guitar on this song. This song is kind of cool, but It's probably my least favorite on the album. It is a pretty cool song though.
8. Uncle Remus: This was probably my first favorite song by Zappa. I love the piano in the song and I didn't even realize what it was about until I looked at the lyrics. It was written by Frank and George Duke. This song is actually pretty epic. This is probably the only real serious song on this album. Most of the songs on this are pretty humours and silly, but this song is kind of meaning ful. It brings up some of the topics that were brought up in Trouble Every Day off his June 1966 Freak Out! debut
9. Stink-Foot: I wasn't very huge on this song, until the 2012 UMe Remaster. I feel like I'm jumping on the band wagon, but this is a really cool song. This song was written after seeing a a foot deodorant commercial where the dog passes out from the guys feet. I don't really know if that would make you like this song or not. This song is super catchy though. The instruments only make it that much more catchy. I FUCKING love this! This is the songs where the term Conceptual Continuity is from. There are also other references in this song "Here Fido", "Imaginary Diseases", "Poodle Bites, Poodle Chews It". It's just a "sick" ending for an awesome album. Not to mention the solo in the song is also pretty sick too.

Overall I have no choice but to give this album a 10/10. This is one of the first albums that got me into Frank. If I'd have never heard this album then I'd be so fucked. This album has played such a part in everything. The 2012 UMe Remaster is how the Vinyl sounds, minus the ''Farts'' in the songs as mentioned above. Another thing is that this album isn't really one to get boring. Some albums have "drags" this one doesn't really have any. And I obviously can't do this album any justice, so just listen to it, the Vinyl or 2012 UMe Remaster version (that's the one that's on iTunes & Spotify).