Outlandos d'Amour - The Police

Today I have a very easy, simple review to do here. This is the 1978 debut album by The Police, the UK's best at mixing Reggae and Punk and also new wave. This cover I have is the original UK version, and while I prefer the US version, it is what it is. For the longest time, I've considered to one of my favorite albums of all time. I actually don't have much to say about this album other than I hold it dear to my heart and it has memories for me. Now not all memories are good, and can often be debunked. That made no sense, point is let's see if this holds up.

1. Next to You: Opening we get a solid number with some nice drums. This is a punky feeling song and has such a catchy chorus its so good. I love the drums in this track and think everything about this track is a great opening to get you excited for this record. It sticks with you and the track slows down a bit for the solo, which sounds out of the Joe Perry playbook on like Draw the Line. The transition back into the drums and the sing works very well and the song goes by quite fast. Great opener. 
2. So Lonely: Great great tune and a favorite of mine. I love the guitar tine and can inky imagine how it sounds in vinyl. The drums are solid and the sort of ska feeling is great. I fucking love this chorus and I can't tell you how engraved in my memory this song is. The second it started I was like fuck yes. I love the little touches and the lead during the verses. The harmonies are great on this and so far there batting 2 for 2. Another great solo. While maybe not as good as the last, there are parts that are great in this one. And once it picks up and is in the feeling it works and the bass you hear. Also I wanna say that two seconds of harmonica actually is a nice touch. I know its super short but I think it works. The breakdown is very nice and I love how Gordon is joined by other members. It feel like an angry teenager who is lonely and mad because of it. 
3. Roxanne: The, some could say, over played hit by the group. I myself have over played it, and haven't actually listened to it for a very long time. I mean I still love this and it is also engraved in my consciousness but I think the reggae beat and the laugh at the beginning works very well. The lyrics to me work very well and I almost picture someone playing on the streets singing to or about his lover who works the streets. The baseline in this is also freaking great and I love how its on their two 8ths on the first two of the 1. Does that make sense. I hope its in four four and NY math is correct. I don't know and don't care. I fucking give this song. 
4. Hole in My Life: This song may not be as good in my opinion as the others but us a great change of pace. I love the vocals on this and they works very well. The reggae beat and the punk vibe to the drums. Is this actually ska, correct? I really like the chorus and I love that bass tone. This actually kind if reminds me a but if The Beatles on say...... Revolver. I don't know why, or exactly what song but if you read this and hear The Beatles in this track let me know. This is a very well constructed song and I live the piano in the track. I am glad it want just done straight you know, they add to the sings and have it grow. The bass reminds me a but of Zappa's 80's bands but also Macca on a later Beatles record. I ale love the ending a great thing I didn't expect. 
5. Peanuts: This always made me laugh a bit. Like what the fuck. I actually really dig this drum beat and I like the sort if proto-Synchronicity feeling to this. This is also one of my favorite songs by the band. I love how everything sounds together and it is like a sped up version or a faster version if the track mentioned. I also love the noise that is the solo. Honestly, its freaking great. I wonder if Frank came in and played the solo for this. Kinda reminds me of Zomby Woof a bit. Its pure emotion. The electric piano/synth on the track is something I forgot about but I'm glad its there and I really like that part, though it doesn't do much. And I love how I get exactly what I wanted at the ending. Chaos, though is wished they guitar came back. 
6. Can't Stand Loosing You: This is another song I've listened to so many times I might do legit review without even listening to it while I do it. Originally I dug the song, but now looking back i find a humor to it. Where it was once, kind of dark I have grown to have a dark sense of humor since those initial listens. I really like the sharp guitar on this track and find the lyrics to be humorous. I also love the catchy chorus and it comes and goes quite fast. 
7. Truth Hits Everbody: I really dig the riff to this song and this this is a nice change of pace. While its nothing completely different it kinda has a different vibe than the other tracks. I really like the harmonies on this and love the new wave feeling. Its a rocker. 
8. Born in the 50's: This is another rocker, but more of a rocker. This has a bit of nostalgic I'd assume for the band. The song its self is just okay, one of the weaker songs. I do think again though its welcome as a change if pace. Its a lighter type of track without such sharp guitar. It isn't that different than Can't Stand Loosing You, with that in mind. 
9. Be My Girl - Sally: I like this song and it kind makes up for the last track. The guitar intro is awesome and the bass accompanying it works very well. The vocals in the beginning are okay and it isn't anything on here you haven't heard really. But what I like about this track id the weird as spoken word thing that I wanna say comes out of nowhere. I like that piano in there, and it takes you by surprise. Its got this weird ass feeling to it, but I won't say who sally is. Then the sing fades back in and you just laugh now that you know the who Sally is. This ends with a weird shriek and is fitting to come before the instrumental track. 
10. Masoko Tango: Closing is an instrumental that time has only done this in its favor for me(?). That's not proper English, but who fucking cares. While there are vocals I don't know if its actually anything. The bass on here is phenomenal and the drums keep the beat very well. I really like the guitar on here and this has a odd feeling to it. There's also these swipes of effects that come and go in different places. Almost like sped up/reversed feedback. I like how it kind of gets drowned in the effects almost as the song progresses. The effects wouldn't sound out of place in Revolver. I really dig this track and live the drums and that weird ending that fades out. 

Overall I have to give this classic at 8.5/10.  I think this holds up and is a really fun and simple record that is worth checking out if you haven't heard it before. Solid record and really good.

Oingo Boingo EP

This is their self titled Ep released in 1980. It was produced by Michael Boshears and Jo Julian and released on I.R.S. Records. And thought this isn't from 2014 I am going to use this as a building block for my next album.... kinda. Well I thought I should do this before I do Only A Lad and you know that's their debut album.

1. Only A Lad: I'm going to be honest right now, I think that I prefer this verison of the title track from the 1981 Debut album. The production on this I think may not nessicarly be better I enjoy the sounds here. It also reminds me a little of The Forbidden Zone soundtrack. That and Edward Scissorhands is my two favorite things Danny Elfman's composed, you know like the score and stuff. This is so quick and  actually longer than the album version. I also love the guitar tones here. The "choir" part you know the "Society has made him go astray" sounds way cooler robotically than it does on the album. This sounds very clowny and just the tones on this track are beautiful.
2. Violent Love: This song, thought a cover, is one of my favorite songs ever. There isn't any other version, other than possibly their rerecorded 1988 Boingo Alive version of the song, that can even stand up next to this bad boy. This is a cover of a song that Willie Dixon wrote and was actually recorded at one point by Muddy Waters. The voices in the intro sound like Iggy Pop, and this is like a song that should make Ska a genre taken more seriously. I mean, yeah the lyrics are hilarious, but everything about this track from the vocals, to the guitar tones, to the production to the horn solo just make this song a prefect candidate for my favorite songs of all time. This reminds me of Good Lovin' in a way by Grateful Dead, but it's much better and not as boring upon repeated listens.
3. Ain't This The Life - 10" EP: If I'm correct the difference between the 10" and 12" is the drummer and the length. Not a big time difference, but still. This track.......... the harmony and the vocals and the every which way about this song screams to me. I'm infatuated with this track. And the fact that on their debut release, not the Demo EP or the 1976 single You Got You Baby Back (they were The Mystical Knights of The Oingo Boingo) this is great and makes anything after this live up to it. I still love the debut, but this is tough competition.
4. I'm So Bad: This sounds like an outtake from the Forbidden Zone, well it doesn't have a bunch of different singers, but Squeezit The Moucher doesn't either. While I don't think this track is as good as some of the others here, I still like that it's dark in contrast to the other tracks. I mean they all were, but this is darker sounding and more moody than the others. This also appears on the Demo EP from 1979.
5. Ain't This The Life - 12" EP: This sound quality is a little more foggy here, it's also 9 seconds shorter. The feeling on the 10" is what I perfer, but this is also crazy and probably more silly sounding. This is only included on the 12" and cassette version of the EP.

Overall I have to give this EP a 9/10. The Ep is a great beginning for a great band, and I just love this. I'd pay how ever much to get my hands on this vinyl copy.

Vacation - Bomb The Music Industry!

This is the 7th album by indie music collective from New York. They are from NY, ie place that doesn't really bring that much musically. Well outside of maybe Zorn. But I don't really like bands like this, or music like this, so I am kind of not expecting anything huge.

1. Campaign For A Better Next Weekend: I went into this not expecting to like it. This song kind of shook my feelings, not a ton, but made me feel like I might like it. This wasn't that amazing of a song but if this was like the rest of the songs this would get a decent review score. This song gave me a feeling of Coldplay so I was kind of excited. And the song builds.
2. Vocal Coach: This song totally sounds like a Weezer song. Absolutely everything, outside maybe the vocals, sound like Weezer. They even have that little xylophone sound that reminds me of Pink Triangle off 1996's Pinkerton. I can't explain how similar it is.
3. Everybody That You Love: This sounds like a punkish song that might be in a Tony Hawk video game. And outside of the vocals I get this feeling of Christian rock, for some reason. But that Christian thing isn't through out the whole song, only the beginning of the song.
4. Sponge Board/Baby Waves: This could be a cover of Our Prayer off The Beach Boys 1969 20/20 but was intended to be on the 1967 lost album Smile. Which has been released as a boxset featuring some of the takes of the songs.
5. The Shit That You Hate:  The beginning of this song reminds me of Green Eyes off the 2003 A Rush of Blood to the Head by Coldplay. But that changes when they add electronic thing playing along with the vocals, and the feedback at that one part. Then they add strings and remove the feed back. This song is what I assume a ballad. The lyrics aren't that amazing, but I don't think that all of Weezer's lyrics "sound" that good. This song builds and is "epic?". Not for me, but maybe for you. The vocals on this just hurt it for me, a lot.
6. Hurricane Waves: This has a surf rock feeling to it. It is a typical one that I think you can tell that it doesn't sound that new.
7. Sick, Later: For some reason the like hook in this song reminds me of the theme song for that Victorious TV show on Nick. I have seen it in the past, mainly because sometime my sister has it on and I'm not doing anything. I don't watch it all the time, just on occasion, but then again who doesn't do that if they have a younger sibling. But anyway this song doesn't give me anything fresh.
8. Why, Oh WHy, Oh Why (Oh Oh Oh Oh): This song reminds me of like The Cure. I don't get exactly why, but it does. This song doesn't sound that far off from the last track.
9. Savers: As this progresses this starts to get repetitive. And it's a little too repetitive. The last 3 songs before this kind of sound the same. They add strings in this song, but it doesn't do anything at all for me.
10. Can't Complain: This has the feeling that I get from Hurts Like Heaven off 2011's Mylo Xyloto album by Coldplay. The difference, biggest, is there isn't as much electronics going on in there. I am glad that there is a little variation at this part. There is no need for swearing on this song, or on anyother songs on this album. They just put it in there for "shock value". And It isn't that sharking. The ending has this voice sample that I'm not gonna talk about cuz it's dumb, just remember that.
11. Everybody That Loves You: By this song I'm kind of looking forward for this thing to end.
12. Sunny Place Shady People:  This is like the electronic 8-bit solo for the last song, then they add in other instruments. The way this song ends sounds like they sampled Ronnie from Escape the Fate and more recently Falling in Reverse voice.
13. Felt Just Like Vacation: This is just a continuation on the last song. I think that the last three songs were supposed to be like a big melody. The ending of this album is ok, and it is a good way to sum everything up. There is like a 2 minute outro of an arpeggio that sounds like it getting out of tune. I think it sounds sweet. Nice way to end the album/vacation.

Overall I can't say I really liked this. I have to give it a 6.2/10. I think that this is something that people might like, and I kind of see it having potential, but I just don't like it. This thing is a big "Jumble Fuck" of genres, in a good way. Each song sounds different from each other. But then again, they are from New York. So, I got it free at their website/tumblr and I think you should give it a listen. I do want to review their future/past stuff to. So look forward to that. One last thing, the backing vocals kind of remind me of the choruses on a Bang Camaro song. This band also gives me this NOFX vibe, the vibe that makes me very much dislike NOFX.