Tug of War - Paul McCartney

Considering the 2015 reissue of this and Pipes of Peace, I decided to review this. Though that was months ago, I still think I should do this. I deserve this, and besides why not review this album. Also hopefully I'll finish the Sticky Fingers review too, soon (it also had a deluxe reissue this last summer). Now back to business, this is the third solo album credited to Paul McCartney. I'm talking non-Wings and Post-Beatles (if you include Thrillington) its the 5th but its technically only number 3 (1970-McCartney, 1980-McCartney II, 1982-this). This particular album is actually quite good, and is one of my favorites of his career. Information wise,  I'll try to do this off the top of my head, I wanna see what I remember. This is his first solo album produced by George Martin, though Live and Let Die the track was produced by Martin. This is also from 1982, and was his first Post-Lennon's Murder album. Since I could only remember 7 track (8 if you consider I couldn't remember the name but what it was) I decided to look some stuff up and I need to say it. This album is all star studded with the likes of Steve Gadd, Stanley Clarke and even George Martin plays the old electric piano. The others who played will be listed in their individual tracks. Also for the review I'm using my preferred mix, the 1993 CD version. I will also list, as a special little thing, at the bottom a few tracks from the 2015 reissue I think are worth listening to.

1. Tug of War: This is very easy to listen to, its very radio friendly. This opens with what sounds like, honestly, audio from the scene in Titanic when they are boarding and you hear the men working. Like in real life though. I know its not that, but it sounds like a factory or an old timey labor force struggling. It works for the title. Then the acoustic guitar and vocals enter with the titular phrase. It's pretty pleasent sounding to be honest. This is followed by strings and some horns and harmony vocals. This is still very nice and I just love this tune. There is a bit of a Yesterday feeling to this. Like a bigger version of the song, maybe with the other members singing on this and playing too. Once the band comes in it sort of looses that Yesterday feeling and have a Wings vibe reminiscent of Mull of Kintytre. This is a nice opening and sort of sets a mood for the record. Also great fade into the next tune. 
2. Take It Away: This is an instant favorite track. It's super damn catchy. There is the classic Macca hook that is just an earworm. It has this sort of pop reggae vibe to it. Maybe not reggae, but an island vibe. The chorus has some great harmonies and is followed by some solid horns. I love how the tune gets larger and larger with each passing verse. Oh, I have something I'd like to add, Richard Starkey drums on it. I forgot that, Damn me! And George Martin plays Electric Piano.
3. Somebody Who Cares: Digging this acoustic guitar and woodwind a intro. This is reminiscent of Wings again, but you know I like them. The highlight of the song is the chorus. I enjoy hearing it, even though I never can remember this song. Also that woodwind, not sure if organic or synthesized. The solo on this is pretty nice and that woodwind adds a texture. This is at the very least a 7. This is another song that I wasn't super familiar with, I forgot about it, but you know.... It's pretty damn solid. I really dig this.
4. What's That Your Doing: Co-written and performed with Steve Wonder. This is one of two tracks that features him. I like this track, but I'm not huge on the title. It's like having two songs, your bandmembers wrote and released on albums, titled Angel. *Cough* Christie *couch*. The intro made me laugh, this is so 80's. I'm seriously waiting for MTV to have a video going on while I listen. The vocals in the beginning can be called if Paul made Temporary Secretary a pop song. This is pretty funky, and I'm pretty sure that's a drum machine. This is a bit dated now, but it's still a nice touch. But again, I don't think this would have been made in any decade besides the 80's. I do like this tune though, and their vocals sound good together. Also it's kind of a good change of pace. Though it might run a bit long, and might quote more Beatle songs lyrics that I would have wanted. 
5. Here Today: A very touching song that feels right. For the two people reading this Paul & John had a very strong friendship and songwriting partner ship in their Beatles days. Even though they wrote the songs themselves, and would only really on occasion post-1963 write together, they still credited the songs to each other. Now around 1966 when Yoko (she wasn't the complete reason) came into the fold they had already begin to grow as musicians and artists. By the Pepper sessions their relationships were strained. It lead to people quitting, rejoining and so on until September (if I'm remembering correctly, the month) 1969. John officially left, without announcing it. Paul was the first to officially announce his leaving in early 1970. Thought 1970-1972 or 73, they'd take shots at each other in different ways, mostly songs. John retired in 1975 and then came back in 1980, shortly before his passing. It's funny how time heals all wounds, Paul talked to John before he died and they were on good terms. I believe them being on good terms may have helped, but regardless, the situation must have hurt. And this song is a very touching, not to sappy not to bitter, song about a friend who passed and can only be written when you look past all the bullshit and just look at the good times. This might be more deserving of that Yesterday comparison. 
6. Ballroom Dancing: Lyrically look at this as Paul's take on the idea of Come Dancing. You know, just a song about memories of a ballroom. Both are fun and silly, though CD has some serious parts. You know, for a title like this this sure have a big Rockabilly vibe going one. That's not a complaint, pretty solid track this is, but I just.... I just laugh. I mean I can't really describe this, it's fun and just don't take it that serious. Nice solo, of sorts, or breakdown rather. Also I love that musical breakdown. This tracks pretty cool, and fun and make me wonder if Gilmore made an uncredited appearance :). 
7. The Pound is Sinking: It took a while to realize what this song is about. Based of the title I couldn't piece it together till I remembered Pounds is currency. So, the Money is Sinking? So this has to be about money in some way, like a political track, be it satire or straight. Now it's been a longb time since I heard this track, but I think it's pretty damn solid. It has these changing sections that reminds me of Uncle Albert, but this could be the masterpiece (in terms of structure) on this record. Most are rather straight, this has changes. That whole part where he talks with an accent, I love it. The guitar here is great, and this song could be a favorite of mine. There song has a personality that for whatever reason, I love in a McCartney song. This is really a great track. All the other songs I could honest review in one listen, I know them so well and they are pretty simple, this would take multiple.
8. Wanderlust: One of my all time favorites, and still is. This song has such an epic feeling to it. I love how this follows that last track. It's just so comforting, I feel like this could just be an ending but not the end. Like a sort of floating away to go on a trip. Great example, when Rey heads out at the end of Force Awakens... If she doesnt get to her destination in the film and it ends on her just leaving and going and heading out that would be a great thing for this song. I mean, not perfect, but it feels pretty satisfying. I just love this tune, I don't know why, but I just do.
9. Get It: This track features one Carl Perkins on guitar and vocals. For those unaware The Beatles covered Perkin's on multiple occasions. Before I listen to it for the review I want to note I remember not loving this track, and it being a weaker track. Now let's see if I remembered correctly. This actually sounds like it's fit on that Russian rock and roll covers record, Снова в СССР,  or the 1999 Run Devil Run record. It isn't straight rockabilly, but there is hints and Carl sounds snug as a glove on this duet with Pauly. It's not half bad, though I prefer the other tracks. O
10. Be What You See (Link): Opening up with a Carl Perkin's laugh, this is actually a nice little link. Ah a Vocooded James Paul that sounds like he's singing Jesu. That's all I honestly have to say, but I think it's a good link. The transitions pretty solid. 
11. Dress Me Up As A Robber: I haven't heard this song in years and I can still play the titular line in my head. And it makes me wanna dance. From the falsetto to the percussion and Spanish guitar. This is a Spanish song, even if it may sound a bit robotic. This is one of the best songs here and really this is awesome. I love how you pick little things up here and there with each listen. While nothing crazy it's nice. Also the main riff that's very distorted could sound just as nice if played on horns. 
12. Ebony and Ivory: Closing the album is one of the best sings about togetherness. Featuring Stevie Wonder this song, while still a good song..... It's kinda hilarious. Also the demo is much sadder in nature. I love this song, maybe more for its cheese.... But this is the good shit. I bet in the 80's this was a solid song and the songs just so happy and harmless ..... The only reason you can hate it is if you over heard it on the radio back in the day. But honestly, this is just to damn innocent. Really, there isn't any depth beyond "Ebony" (black) and "Ivory" (white) "live together". Why don't we live together "side by side". Also I'm a sucker for the "living in perfect harmony" pun. 

Overall I have to give this album a 8/10. And early 80s record that holds up, and while not as experimental as the McCartney albums this is still a great release. I'm serious, this is probably the best solo record and maybe the last great record by the guy. That doesn't mean he didn't have anything worth listening to after this, but honestly Pipes of Peace and the following records just kind of...... this is the end of an era where Macca did no wrong (so to say). He'd never reach this high quality again after this, that's probably more accurate. Also don't frett, I have another Memorial review coming out tomorrow. 

Now here are the deluxe edition track to check out: (this is just a bonus and in no way effects the score). Dress Me Up As A Robber/Robber Riff (Demo), You Don't Know Where She Came From (Demo), 

Rio - Duran Duran

This is the second album by the UK's Duran Duran. I first got into these guys via A View to a Kill. Then got more into their other stuff, until actually liking them a lot. I plan on reviewing all their studio and live albums. Yes, from 1981's Self Titled to 2012's A Diamond In The Mind. And also the Arcadia album too, fyi. These guys got their name from one of my favorite movies Barbarella. I don't really want to get to into the logistics with this album, I just want to review it. It's a very fun album and I look forward to this :)

1. Rio: This opens the album with a punch. Simon's vocals are great. And the lyrics really paint a picture. It is a perfect song for summer. It's also so bad ass. The bass riff kicks the shit out of most bass lines. The sound in the beginning is piano strings being hit and played in reverse. The drums in this track are sick too. It's a very tight pop song. I've tried to play the bass, it's kind of hard. It's not easy like most pop songs. The chorus of this song is about as sweet as sugar, but it's the kind of sugar that's laced. The kind that people get addicted to. It's actually hard to describe this song, I'm forcing my self to listen and not jam along. The breakdown with the sax solo. The sax solo it top notch, it is played by a session guy but still. I am seriously surprised to see that these guy's didn't really go to school. This is pretty great playing. I the random arpeggios were created by them playing a C minor chord through a arpeggiator. They just all click on this track. This is one of the funnest song ever written to do anything to. It just cheers you up. I also really like the lyrics that paint a picture, and are kind of abstract. {10/10}
2. My Own Way: This track kind of continues that energy from the last track, but conserves it. They keep it conservative. It doesn't reach the same height, but it still goes pretty high. Another great bass line. It's funky, and this song has a funk flavor to it. Thought this is another solid track, I could see why the band don't love this track. I like the guitar strumming on this song. And the instrumental part leading to the solo, is great. It's like a new wave influenced Young Americans. It is a little redundant, but not to the point of it ruining the album.
3. Lonely In Your Nightmare: This is the albums first "ballad". It's much slower than the two prior tracks and reminds me a little of The Cure. This song is pretty, but it doesn't reach "it" until the chorus. I can't believe how pretty, and dreamy, the harmonies sound there. This is the type of song where I am patiently waiting for the chorus. It has grown on me overtime, but the best part is still the chorus. It is just under the sweetness of Rio's chorus. I like the the other things going on over the final chorus, the acoustic guitars, and the keys.
4. Hungry Like The Wolf: The lamest song on the album. I have to be honest, and serious. I'm not a big fan of this track. This track reminds me of the jungle, because of the synths. There isn't really anything about this track that I can say amazes me.
5. Hold Back The Rain: This is the best track to follow up Hungry Like The Wolf. This isn't exactly like the prior track, but it's defiantly in the same vein. That and maybe My Own Way's chorus. Unfortunately I can't really say much about this track. Usually I skip it, or don't play it. I do think it's better than a lot of other songs by other artists thought. {6/10}
6. New Religion: This is where the album picks up again. This song starts out pretty cool then goes into a bass, drum, guitar riff thingy. It's a solid groove. It's pretty minimal, well for most of the song. The part where the two vocals are singing is awesome and I love how they have the harmonies in the chorus. I love the distortion on the guitars. The ending where they have the two vocals going, one singing and the other talk-singing. That's awesome how they did that.
7. Last Chance On The Stairway: This song has a solid rhythm track. You could easily dance to this, like the rest of the album, but this song doesn't really get it's due respect. I think the weakest part is probably the chorus. I wish that it was as good as the rest of this song. It's not that it ruins it, but it just hurts it. The energy in this song is the energy that we felt earlier on the album. It love the whole vibes solo thing, and album that breakdown. It's great, and the best part of the song. I also enjoy listening to the guitar solo. It's not that long, but it's defiantly my favorite part of the song. Like my favorite part of Rosalita "Someday well look back on this, and it'll all seem funny". It's only a few seconds long, this is longer then Rosie, but you get the point. {9/10}
8. Save A Prayer: This song is very pretty. Not quiet as pretty as the next track, but it's defiantly beautiful. It's very laid back, compared to the rest of the album. These harmonies are tight and this track is just dreamy. It almost always brings a tear to my eye. It's a love song, but not really. It's kind of like "we fell in love, but it didn't work out". It's very touching and just sad. It accomplishes everything it sets out to. This track is a "last dance" type of song. To close out prom or something like that. And this is followed by the kicker {10/10}
9. The Chauffeur: This track closes this album. Damn, this is completely different than Rio. It defiantly has a book closer ending. This is abstract and the lyrics rock. The music video rocks, and the whole vibe rocks. I honestly can't find one problem with this song. It's so pretty and the way he sings it, with soul. I can proudly say this is the best song on the album. Simon plays an Ocarina solo on this track, which I have to say makes it that much more of a sweet moody piece. I mean I could easily spend hours listening to this track on repeat. And the way Rio starts the album, the way an album should start, The Chauffeur ends it the way an album should end. I can tell this will have a huge impact on a future album I have planned. At the end of the day everything on this track works. This is a "last dance" type of song, more so than the prior track. If life was a movie, and you're love ended then I'd be honored to have this be the song playing when me and her realize "this is it, goodbye". {11/10}

Overall I have to give this album a 8/10. The Duran Duran magic just clicks here. They have other awesome amazing song too, but not like this. Some of the songs on the album just set such high standards. The strong tracks are all 10s and the weaker tracks are like 7's or 8's so yeah. The album was well put together and I can't really complain about production.

1999 - Prince

Hey, are you ready to party like its was 1999. Cuz I sure know I'm ready to give this album a try. I got this on vinyl from my moms cousins husband. So I decided to give it a listen. This is the fifth studio album by Prince and it was released in October, 1982. This is also the first album to have the name The Revolution on it. I am aware that this is one of the "greatest albums of all time". So when I am listening to this I have to put that little fact into consideration. This is the first Prince album I have listened to in it's entirety. I also listened to this on vinyl for the review, One Side at a time. I didn't listen to the whole thing front to back on the vinyl. I didn't realize this at first but Mike G mentions Purple Rain on the song Forrest Green off the new Odd Future album The OF Tapes Vol. 2. And yes I did listen to this album 3 times on vinyl and one time on digital. But also a bunch of the songs alone multiple more times.

1. 1999: This is the first song that I liked by Prince. This is a fun song, and a good way to start off an album. This song is very catchy, and it is kind of hard to not like. Though they talk about nuclear warfare in the song, which you would never guess by the way it sounds. But they also talk about partying like it's 1999, because "2000 zero zero, Party over lose, outta time". The six minutes go by fast, the more you listen to it the better it becomes more of a classic song.
2. Little Red Corvette: I realized that I knew this song at the chorus. This is a pretty "interesting song". Like I wanted to listen to this song. It kind of builds up to the chorus. I don't know if that's the right way to say that, but I do know that I don't if that's the right term. But that song is really cool. I like how it is a singable song. Like the chorus gets stuck in your head 
3. Delirious: This song sounds a little bit like Little Red Corvette, but not so "build". It's kind of like a dance song. I could see this being in Footloose. This sounds like a songs that my parents would listen to when I was like really little. Probably like when I was 4 or 5, so around 1999-2000
4. Let's Pretend We're Married: He says the fuck word pretty, like serious sounding, but for sex. This is a bizarre song to be made by, what I though Prince was capable of. I have a new found respect for him after listening to this album a couple times and listening to 1980's Dirty Mind and 1981's Controversy a couple of times to.
5. D.M.S.R.:  I don't care much for this song really. I don't think that it's that good. It's one of my less favorite tracks. D.M.S.R. stands for (Dance Music Sex Romance). I don't really think that this is that good though. I don't find the sounds that appealing from this song. This song is at 8:44 and I kind of wish that it wasn't so long.

Now this is the 2nd vinyl on the album, or you can say it's sides 3 & 4. I think that it's funny how 11 songs can take up two vinyl records. Well whatever here we go

1. Automatic: I do like this song, but it is kind of repetitive at parts. But for the most part, this is an ok song. I don't like this song as much as some of the others, but I don't hate this song. The biggest problem though it that it's 9 minutes long. That's a long song for so much repetition.
2. Something in the Water (Does Not Compute): This song has this robotic sound that is kind of funny. The nice thing about this song is that it's the length of a normal song. I like the screech. I think it's actually kind of sick that he can go so high.
3. Free: This is, possibly, the best song on this thing. This is a very pretty song, and it is kind of a ballad. This song is actually like one, it's not one where it's pretty and it's like sex sex sex. I really like the piano in the song and I honestly think it's a swell song. I like the singing and I also like the whole vibe from the song. {8/10}
4. Lady Cab Driver: This is surprisingly one of my favorites on this album. This is 8 minutes long and it's pretty good. This song has a funky thing going for it. This song could be kind of Disco, in a way. By that I mean I could see people dancing to the song. I think that the synths in the song help give it that feeling. And the last like 4 minutes is him talking while there is a girl moaning in the background, while the music is still going. Well not the entire 4 minutes, but that's what I assume is happening in the song, they are having sex, there is a big instrumental break. And the two songs flow.
5. All the Critics Love U in New York: There are parts on this song where it reminds me of, what I picture in my head, aandrogynymen playing songs. Kind of like the song Fashion is Danger by Flight of the Conchords I want to say this song has a "faggy" feel to it. Don't get me wrong, this is one of my favorite songs on the album. He also says Masterbate in this song. I had to do a double take in my head when I heard him say that on the vinyl.
6. International Lover: This song has a country vibe that I got in the beginning of it. I don't think I could say that this is a country song, but in the beginning that's the vibe I got. I really like that this is the ending of the album. This is also a really good song. This is also more of a ballad on the album. This is sweet song and I love it. I could see someone making love to it.

Over all I have to say that this, Prince's 1982 album titled 1999, deserves a 8.5/10. I did this review over an long period of time. I started the review April 6th, and just listened to side one. The one thing about this is that this is a long album, it's 70:33 minutes, Sign o' the Times, which is also another double album by Prince, is 79:58. I feel like I have to say that I love the crap out of Dirty Mind. That is definitely my favorite Prince album. Like that's going on the Hall of Fame vinyls shelf in my house whenever I end up buying it. Part of the reason for that is just because it gives me this Beatles vibe to it. I'll explain it better in a review I'll do for it after I get the vinyl copy. One last thing too, there are points in this album were it kind of drags, and part of that reason is because of repetition. But if you can look past that, the songs are pretty good.