Young And Rich - The Tubes

This follows the classic 1975 Self Titled debut album by The Tubes. Instead of Al Kooper on production, they got Ken Scott to produce. This album is the first to feature Re Styles, the girl who's hand is on the covers of the first two albums, and also that's really the only difference between the first and second I know of. You know there isn't even that much info about this album on the web either.

1. Tubes World Tour: This opens the album with an explosive track. It kind of is like a world tour recollection by way of Aerosmith's 1979 song No Suprise. Well with an percussion heavy chorus, and song Utopia keys. And a really funky solo. While not as explosive as the debut it's still pretty great. This is one for the few moments on this album that has this much excitement, or at least pulls me in this much. It's very fun to hear and kinda of makes you want to love this album. It might not be the same pull the previous album had, but it comes pretty damn close. During right before the solo there are sounds that remind me a ton of Space Baby. Then after the solo I had to laugh when I heard the accordion. Which works very well here. I also like the little touches and changes in this song. This really is a Tubes tune.
2. Brighter Day: I heard this about five times now and I can't remember a single second other than its softer than the intro. Upon listening to this for the review, like in the moment, it's very Thin Lizzy sounding. At the very least in terms of Fee. The backing vocals, at parts remind me of Bowie's backing vocals on some songs. I think the best part is the classical guitar in the song and the solo. It's nothing that crazy or mind blowing, but it keeps the mood of a slower song and doesn't blow the steam away by the end. Upon revisiting this, it isn't terrible, it's just a bit different. I guess should also mention, those dual guitars (or what sounds like it) do pull on my heartstrings a bit. I mean still this isn't a 10 or anything more of a 7 or 8.
3. Pimp: This is the type of track that I see The Tubes covering, but they cover it so unenthusiastic. I mean it's tracks like this that beckon the question, did they really want to be there. Well at least they didn't really go full out funk. There are some parts that sound like they added funk instrumentation, strings, bass heavy, and a harpsichord or a clavi. But the string swells are gorgeous. This song, if it was more alive would probably be as good as a song off the last album. Actually this sounds like it could have been an outtake from the last album. Earlier I said it was unenthusiastic, yes it's very much so. Like this song could have been epic, but they went the subdued way... but not to it's real benefit. I mean yes I have Morricone flashbacks (good thing), but it's just his music punches me in the heart sometimes.... this makes me kind of feel something, but not the brought to tears emotions that Ennio can.
4. Stand Up and Shout: This is a rocker. The thing is this isn't really anything special. Ok maybe the piano rolls are kinda cool, but still. This isn't anything you can't really hear on any other album that has a rocker. There is a similar-Tubes World Tour feeling to this tune, but it's not as exciting. This also sort of reminds me of maybe the cover of Let's Spend The Night Together off Aladdin Sane. Just not as...... engaging. Even that little talking thing Fee does reminds me of the sort of breakdown in the cover.
5. Don't Touch Me There: This is my favorite tracks here. Not that there is a ton to work with, so to say, this still stands out as a great. This is supposedly a "send up" of Phil Spector's wall of sound production. I can see that, but this is still my favorite track. I think the reason it is is because it's very doowop/brill pop influenced. The biggest problem is probably the "wall of sound" that I didn't realize was there. For whatever reason I don't care for the type of production. Now sometimes it is perfect, and awesome River Deep, Mountain High, other times it gives me a headache after multiple listens, Long And Winding Road. But its fitting seeing how it's a tribute to it. I don't know, I'd love to hear another version of this song because it'd be a 10 if it wasn't for that production. Seriously. This song is also very reminiscent, with the vocals and what not, of a Ronettes track. Hell Shirley (Re Styles real name) even vaguely reminds me of Ronnie or Veronica Bennett when she sings. Also this needs to be said, two people who are not in the Tubes, wrote this track.
6. Slipped My Disco: Dancin' Fool and Disco Boy did it better. Also this song isn't really anything that I remember after hearing it. It's kinda like Brighter Day. There is this weird sort of reggae thing they do in the chorus, I think this is an interesting song, that I feel like if I went into actually what was going on (notes) it'd like it more. But audibly, I feel like there is something missing. I do laugh at the slickness of the way he says the title. And the ending gets pretty solid, but yeah. I just don't think it's as funny as a tune off the prior album.
7. Proud to Be An American: "Were at least i know I'm free." This basically a lesser sequel of the What Do You Want From Life? track off their debut. This is done in a very Elvis rockabilly feeling. It's harmless. Oh, I figured it out, this would totally appeal to a Rockabilly or it's a pretty solid tune. Also if you care, you should look into those lyrics. There are a giggle or two given.
8. Poland Whole / Madam I'm Adam: At 6:31 this is the longest track here. The second longest being 5:03 on the next track, nothing after that is longer than 4:42. So while not super long, it's quite a bit longer than most of the songs. It starts very, I feel like this is an epic tune but I also feel like it's trying to recapture moments that open the debut. The tune is still pretty solid in it's own right, it's just I feel like it's trying to redo it a bit. I think it's pretty hard rockin', but yeah. It does make me smile though to hear Fee go "crazy". He sounds like a crazy person a bit. Oh one last thing, I like those little touches to the song.
9. Young and Rich: Closing the album we get a lounge acoustic track. And honestly, this is a fitting end. I feel satisfied when I hear this close the album. There is a chill feeling to this that I think fits considering it was chill on other tunes. Also really diging that organ/keyboard/synth what ever it may be. That solo melody is really nice, and the drums sound awesome here. And I love that build and all the little details that are happening here. Great great ending.

Overall I have to give this a 7/10. While its enjoyable it has its problems. What's wrong here only continues on to the next album. There are great tracks here, and then there are ok tracks. I assume Al didn't produce this either because of them not wanting it to sound like the last or because he was busy. I understand both cases, but still. When I hear the first album it makes me pine for singers and groups to gain an ounce of the personality that Fee has, but here it sounds like he's devolved into an everyday guy trying to be eccentric. And the group and recording doesn't seem as fun either. I should note the addition to the group didn't mess anything up. The song she sings is one of the best, if not the best.

Aladdin Sane - David Bowie

The last memorial album I did didn't go over so well, so why not review an album that I consider one of my all time favorites. It is in, some what, continuous play on my iPod/Spotify/iTunes/Anything Really. And as much as it sucks he's gone, let's hope this review is positive enough, though I'm not going to lie to you, I know it'll be a fitting goodbye to one of my heroes. In past reviews I've mentioned how much he means to me as a musican/writer and there is no way I'd ever be able to pay him back, and since I need more time to dissect Blackstar, Aladdin Sane is the natural choice for this (if not counting the ones I've done and not Lodger). But anyway, here are the facts, this is album number six. This was the first of two albums released in 1973, the other the covers album Pin Ups. This was released in April of 1973 and was mainly written while David was on his American tour for Ziggy. This is looked at as Ziggy in America, and that's a great way to look at it.

1. Watch That Man: maybe not the best song here but damn is it a solid glam rocker. From the hard rock guitar and the piano and the nice ass drum beat. This song is a terrific opener. Like I said this is pretty straight forward tine, one listen basically gives you everything there. You might pick up on that piano later, but it's still a nice rocker.  Actually the backing vocals are awesome and that piano reminds me a bit of that live performance of Search and Destroy on the Legacy Edition of Raw Power. 
2. Aladdin Sane (1917-1939-197?): So we opened with a rocker, a straight forward tune. The following track couldn't be more different. With a title that hints WWIII could happen sometime in the 70's this odd European tune is one of the things I love about this album. It kind of throws left hooks. This song has some gorgeous piano from one Mike Garrison. The chorus here is as catchy as any of his other, more poppy songs. That guitar riff, and that tone (esp. During the verses, Damn!). I love the sort of freak out with the saxophone backing up the insane, almost mad man playing of the piano. I mean yes there is logic to it, but to a regular person.... WTF. I'm serious if I played the solo section for someone out of context they'd most likely be confused. This song is great and I couldn't ask for something else for this spot here. And that ending :)
3. Drive-In Saturday: A classic, and by that I'm serious. I guess this is about people in post apocalyptic.... just look it up. It's kind of interesting. Plot aside, this has a doo-wop sort of vibe to it. It isn't straight doo-wop though, like some of his best tunes.... It has this weird atmosphere to it. Seriously, I mean it almost makes no sense, but it's a solid ass fucking song. I love every second from the sax to the vocals to those backing harmonies. Plus the lyrics are pretty funny, in a kooky way. 
4. Panic In Detroit: Another rocker, though this is more of a hard rocker. I can't recall if this is about anything, like a real riot in Detroit, or whatever but I honestly don't care at the moment. This song is much better than the meaning and it doesn't need a meaning to make it good. There's a reason he played this live in the years to follow. It's a great rocker that is probably the closest The Spiders would get to TMWSTW. There are actually riffs where it sounds like it could go into the extended solos on that record. Even the opening just shouts rock and roll. I mean really. Also I should mention, this sonically sounds different from the other tracks, but not enough to not fit on this mixed bag of rock and roll tunes. I love the backing singers here too and we get to hear Mick just rip.
5. Cracked Actor: This is the only song I can say that I don't either Love. I mean it isn't bad, but compared to the other tracks I don't think it's as strong. You can almost look at this as a rewrite of Jean Genie. I mean this is a good glam rock tune, I just don't Love it you know. 
6. Time: This song starts out with a piano that is avant-gardeish. There is this vaudeville feeling to this track. I feel like this could be a cabaret number. It's very odd, there is a type of closure you get with this song.... now at least. It's got everything here that makes this album great, vocals, I love the guitar when the song gets more intense. I love how it goes back to the beginning and just feels like odd, even thought in reality it isn't the odd. Mick has some great guitar parts here that just add and, he's fucking an amazing arranger period Those backing vocals are great. I mean in reality most of what makes these songs great is on each song. The only thing is they all are different enough, to where you could call this a mixed bag of songs.
7. The Prettiest Star: A rerecorded version of the 1969 single, written about Angie Bowie. On the original Marc Bolan played lead, and Mick tried to replicate that guitar on this recording. This is a happy song, and I mean I feel like it's sort of heartfelt. It sort of reminds me a bit of Kooks or Soul Love or just a number that may not necessarily be the "insane genius theorist" he is elsewhere. I like songs that show another side to a guy, this is one of those. Nice saxophones by the way :)
8. Let's Spend The Night Together: The only cover on this album, it was originally released as a single by The Rolling Stones in 1967. Opening with a sort of weird heavy psych, feed back and then what I can describe as atonal piano hits. The songs rushes into a performance, and damn this thing fly's by. To be honest, the best performance of the song. This almost sounds like the original, but better heavier and more rockin'. 
9. The Jean Genie: What can I say about this track. It feels like a pirate is playing this. Seriously, I much prefer to think the Rebel Rebel video Bowie is singing this. This riff is just one of those, and yes you can hear it towards the ending of Width of a Circle, but here it's just so oddly perfect. I can kind of imagine people in the 70's going... what the fuck, this is really good, but still what is this. There is a reason this is as famous a song as it is. It's classic. Go Mickey Go!
10. Lady Grinning Soul: Argue with me all you will, but I believe this to be the most romantic track to ever be written... ever. You can't top this, not Marvin not Smokey, not Ole Blue Eyes nor anyone else. Keep on listing songs, you'll never change my mind. From Mr. Garrison's opening piano rolls, to David's sole vocal introduction. Listen to this thing, I mean really. Everything here sounds so damn good, and just the playing is so tight. I really can't find anything wrong here. I love the saxophones, I love the Spanish solo. The piano and guitar duet, Mick you are a genius. This word is almost too good for words, every time I listen to this I cry a bit. This song is perfect.

Overall I have to give this a 9/10. This s very much an Americanized version of Ziggy. On top of that its a great fucking album, there isn't much to complain about here. I mean really, every songs is unique, and they are all solid performances. I guess you could complain there's a cover, but that's just nit picking. Bowie my friend, you may be gone, but I know you're one of the few people to make a string, constantly great to amazing albums, from 1969 to 1980. Though I may never be able to tell you, or thank you for everything you done for me I also don't think I'd be able to either. Sometimes, actions speak louder than words. I'm gonna miss you.

The Rise and Fall Of Ziggy Stardust and The Spiders From Mars - David Bowie

This is, though it came out in June, my review for this album. I figure with The Next Day on the trail only 3 days away why the fuck not review one of my Favorite albums ever. I could go on forever about Bowie and how him, and this album especially, helped influence my taste and songwriting. I wrote out an album, that was scraped, but was heavily Ziggy-era Bowie influenced. Frankly I want to start this review, so here is a quick factual bio. Released June 6th, 1972. First to feature Ziggy persona. Album number 5. Possibly his most famous album.

1. Five Years: This song starts out with a fade in of drums. Then guitar and Davie and piano comes in. This song is an awesome tone setter for the rest of the album. The chorus on this song, and the entire album, are so damn amazing. The piano in this song is very pretty. And when the strings come in and get louder. This song kind of "fades in" throughout the entire song. As the song progressively gets louder and everything comes in for the chorus.
2. Soul Love: I like the way this song starts out kind of slower. There is sax in the song. I like that this is different than the last song. It isn't completely repetitive like other albums by some bands. I'll leave that up for your interpretation. I like the way that David sings this one. The sax in this song is kind of "sexy"? I hope that makes sense. I could see someone dancing to this at a wedding. "Sexy" might not be the right word, but I still think that is could be considered "Romantic" sounding. I love the moans in the background. Then I love it how the song goes into more of a Ziggy sound. This song is a pretty cool, sick, smooth second track.
3. Moonage Daydream: I was reading that this is, story line wise, one of the most important songs. The guitar in this song is sick and the drum fills in between the "Moonage Daydream". UGH! The woodwind solo there is awesome. I think that the strings too. There is also a sick echo in this song. The solo pretty much blows my mind. The way the guitar in the solo is, it reminds me of something Pink Floyd might have done for the song Comfortably Numb or any song post Dark Side.
4. Starman: This song is more of an eargasm. Now I don't really know if I can tell you how much I love this song. The song is such a build up. This is one epic song. The guitar right after the chorus is awesome. I also think the chorus in the song is so..... YES!. The piano in between the verses and chrous that gives you a little suspense right before the chorus begins.
5. It Ain't Easy: It kind of bugs me when people cover songs for a concept album. Ah-la Eyesight To The Blind on the 1969 Who classic Tommy. It's a good song, but that's just my view on it. None the less, this is an awesome song. This song, along with the other songs, has such an epic chorus. The harpsichord in the verses and the stringsplosion that shows up in the chorus. Damn! 
6. Lady Stardust: Now, this is the only spot on the album where, in the beginning, kind of has a little dent. I think that this song is pretty sick, but it's probably my least favorite song. I know this sounds bad, but this is probably my only problem with this album. But, I don't think it would be the same without it. This song is more of a ballad and doesn't have that epicnessness to it. The piano is awesome in the song, but it doesn't really go anywhere.
7. Star: I don't know why he used the word star so many times in the tracklisting. None the less, this song is a pretty cool song. It isn't a Rock 'N' Roll Suicide but it's an awesome song. I like the instruments and the way they all play. I think the ending of the song is pretty sick, not quite "epic" but sick.
8. Hang On To Yourself: Here's an upbeat song. By that I mean it's more dance-able than the last two. This is a total song that I imagine Ziggy playing. This song is also super catchy. The bass line in this and the guitar solo that kind go hand and hand. It's sick. The band that David was using for this album is just a gift from God.
9. Ziggy Stardust: This song, instrumentally, is just so different, for me. I heard this, then was reintroduced to it in Guitar Hero. I think that this isn't quite a "ballad" but it isn't weird. It is just different type of "ballad". The refrains in this song are amazing. The slight "uh" during the refrains are pretty funny, but I think add to the song. The ending of this song is an awesome finish and perfect.
10. Suffragette City: I could kind of see T. Rex playing this song. They style, not the specific song. This song is a fun song. You can dance to this. The guitars tone in the solo is awesome. I love it so much. The piano in the background is pretty cool to. I love it so much.
11. Rock 'N' Roll Suicide: I don't know why, but I never really thought about this song being this song. I knew this song and thought it was awesome, but didn't realize it was Rock 'N' Roll Suicide. You know what I mean. This song is so epic. The way it starts out very calm and quiet after the last song, which was a pretty fast "exciting" song. The build in this song is just like, for me, Life On Mars? off 1971's Hunky Dory. The strings, by Mick Ronson?, are so Damn beautiful for both songs. I love the way the bass sounds in the 2012 Remaster. And the strings at the end. I would make love to this song playing in the background. This song is truly "Wonderful". 

Overall I have to give this album a 9.7/10. I love it. This has, not just memories, but an awe to it. I don't know how to explain it enough unless you experience this album. Damn, this 2012 Remaster is better than the dumb 'ole 1999 Version I got off iTunes 4 years ago. Part of what I think makes this album so awesome is every song on the album is epic. From the build ups to the strings to the choruses. I tip my hat to you Bowie in making one damn amazing album. I don't know enough descriptive words to explain how awesome this is. That's part of the reason I don't review Jazz, sorry Miles. If you want to make a decent album or make a decent song visit this album a few times first.