Revolver - The Beatles

Fifty years ago today, the seventh Beatle studio album was released in the UK. This is the often looked at as the sequel, or part two, of Rubber Soul. While I can sort of see that now, I still think it's great in its own right. None the less this was the last album they toured for, and only played I believe one song or two off the record (the rest required too much studio trickery to do live). I can't really think of much more to say about the record, other than lets review this thing.

1. Taxman: Opening the album, we get George's ode to Tax Collectors. A pretty  funny song, and I love the guitar and beat to the song.  I love the little double time parts Ringo plays and I love the backing "oh Mr heath" (or whatever they say). The vocals on this are great, and I think this a pretty strong track that packs a punch. This has a tasty solo and I still like it quite a bit. 
2. Eleanor Rigby: When I first heard 1, the compilation that introduced me to the band after Across the Universe, I skipped this song. The reason was because I was seriously afraid of it. Now when I listen to it I think if all the times I heard it playing video games, bit I also hear a song that has some gorgeous string arrangements. It's a very sad and lonely sing, for a very sad and lonely woman. If my ears are correct there's viola, violin, cello and maybe contrabass (could be wrong, but hopefully my ears are right). While it's kinda repetitive, I still think it's a really cool idea for a really cool song. #ExperimentationIsKey
3. I'm Only Sleeping: This has a very dream like quality to it, very laid back and stream of consciousness feeling. By that I feel like, even with the backmasking (used correctly this time) add to the dream quality. I also love that acoustic guitar in the track, I also love the bass pops. This is a solid tune and one of my favorites off the record. I also love the weird noises, which were backmasked as mentioned earlier. 
4. Love You To: The second song on the record to be written by George. This song has a very raga influenced sound to it. It opens with some sitar and could actually add to the dream like feeling from the last track. I really like the rhythms on this track a lot, and like the vocal effects on this track. I doubt its only sitar, but there is some great sounds on this track. I'd love to hear a isolated version of each instrument for this track. I know sitars can have that sustain, or are supposed to rather. I also love the percussion on this. I also dig the double time at the ending g, or at least the pick up in tenpo at the ending. 
5. Here, There and Everywhere: This is a sweet Paul McCartney tune. You can tell because its very pop like, and he's singing it. The guitar on this is so sweet and the harmonies are so fucking great. There's a dream like quality to this, but its more of a romantic dream feeling. Like what it's like to be in love and I love the arrangement here. I could easily see this being played on strings and horns but work quite well without them. Finger snaps a plus. 
6. Yellow Submarine: I don't really feel I need to talk about this song, but I will. I really like the acoustic guitar on this track. It was written by Macca for Ringo and I love the sound effects. While I feel like, oh its this song, I still get kicks on the occasional listen. Plus, damn they really did a great job with all the effects on this thing. Honestly, listen to the non guitar, bass, drums or vocals (Ringo/harmonies) in the track. I wonder how long that took to do. 
7. She Said She Said: This song has a bit of a punch off the bat and it has some nice acid rock guitar on it. I also really like the bands tone on the track, we get some great sounds that make it a bit more trippy, and the bass sounds great. Plus that's some solid drumming from Ringo. The vocals work well here, and I like the part that changes. I like this but I have to be in the mood for it I guess. Also the ending where it kinda speeds up a bit, I really dig that. 
8. Good Day Sunshine: This is sunshine pop, I guess. I like the upbeat feeling of this, but for whatever reason it isn't as sunny as I feel it should be. Like if its sunshine shouldn't it be super bubble gummy. All though I love the piano work on this track. I like how the drums add a bit more punctuation to the vocals. I also really like the harmonies especially at the ending and I like the hand claps. And I appreciate that sort of loop at the end, that's really short. 
9. And Your Bird Can Sing: This is another track in the vein of She Said She Said, all though it's more fun to listen to. Again a killer bass line and some great drums. Though in the mix they seem to be a bit more buried. I like the hand claps, they are a nice touch. And I love the riff to the track a lot. I love the bass tone though, its like an electrified upright bass without the finger hits as audible. It's nice and fast and works quite well here. 
10. For No One: This is a bit of a baroque pop number. I really like the harpsichord on the track and its a gorgeous song that I could very easily cry to. I have heard this song a million times but that trumpet still gets me, I know its coming but I still love it. Paul feels very much like he's singing a Paul song. I think the only thing that could have made this possibly better is maybe strings towards the ending. It's still a solid track though. 
11. Doctor Robert: I like this song, but I also feel like its kinda filler. I mean there are a number of songs that give you what this song gives you on the album. I still like the whole Beach Boys thing in the middle, but I don't fully see the point of it I guess. But what that said its still a solid acid rock tune. And I do dig the bass and organ during that one part. I also want to point out, that guitar is weird. I mean throughout but still. Kudos for getting that in a pop record. 
12. I Want to Tell You: Another George tune, but I still dig it. This is more in the vein of say Good Day Sunshine. It's a pleasant track. I like the ending fade out, but I've kind of described what I like about it elsewhere. It's a fun song
13. Got to Get You Into My Life: This is a great time, great bass line and great horn section featured. I could almost see this, if done slightly differently, being on a Motown album. Maybe something like Away We A Go-Go. This has a fun feeling and while it's kinda bare for how large it could be, I think it works. I also love the guitar tone on this thing. It's great. The ending is also great. 
14. Tomorrow Never Knows: opening with a sitar drone, followed by what sounds like a drum loop with some snare. I really like the drums on this, but I'm pretty sure it's a loop. Like outside of the vocals, I'm pretty sure everything is tape manipulations. Now that's not bad, there's a great solo that is backmasked and the song keeps you interested. I mean some sounds do repeat, but I'd still pick this any day over.... Well a lot of stuff to be honest. I also bet this was fun to do when recording it, considering how this was the first time they played with tape really. I also like the thumb tack/honky rink piano at the ending. I never heard, or remember hearing, that before. Great ending and great prelude for what was to come next. 

Overall i have to give this album a 8.8/10. This is a Beatles record, so its inherently great. Well not always, but you know what I mean. They were lucky enough to not really make a terrible record, even when people fucked with the music. But this is a great, exciting record with a lot of interesting sounds and ideas. While I don't think it's perfect or mindblowing, I do like what's on the record and recommend it along with all the other Beatle records. 

Panda Bear Meets the Grim Reaper

So, as with all the others this month I am getting rid of some old album and trying to de clutter the  drafts folder. Logically, most of these albums this month wont get super amazing scores (in part to my lack of anything to say, also because why it took so long). I already heard this album, and I liked enough of it to do a review of it. This is the fourth solo album by Panda Bear, member of Animal Collective. I have heard his Mr. Noah Ep before this review, which I might just review, and also I've heard AC's 2012 album Centipede Hz. There were enough stuff on there for me to everntually want to check out the rest of their solo and collective stuff.

1. Sequential Circuits: This opens the album, and to be honest, it's sort of heavenly. I mean not in the way that I'd want it to be (but that could be intentional). I mean this kind of has a sort of water sound, and sounds like it'd be a good intro. The only problem is it's like 3 in a half minutes long. I mean it does go by fast, but still. It isn't terrible, I just wish it was shorter maybe. But again that's a personal thing, I do think it works as is though.
2. Mr. Noah: This is a track that was released on an Ep back in November. I didn't review it because j though it was just okay. I may review the Ep but I also may not. I do think this is a good follow up, it sounds like he sampled dogs whimpering and the Pod Racers flying by. I do think that's pretty cool. I think this is kind of a bit of a mess when the song starts, but I do at least enjoy this mess. I mean I like it, but I don't think it's amazing.
3. Davy Jone's Locker: This song kind of went by I didn't even notice it the first time.
4. Crosswords: This song has a nice feeling to it. Again nothing spectacular, just kind of pleasant. 
5. Butcher Baker Candlestick Maker: Okay, at this point I've kind of lost my intrest in this overall sound
6. Boys Latin: For whatever reason, I feel this song is gay. Like really, as in homosexual. Maybe it's because of the Filmworks with the gay Latinos males, but I don't know. Also I mean, the words he's speaking could be another language, but I don't really think it's as cool as it should be. I don't know, like it said the charm of the albums gone at this point.
7. Come To Your Senses: This beat sort of reminds me of the "Oh Danny Boy, Danny Boy" section of I Get Knocked Down. Or whatever the name of the song is :) I mean not exactly, but sort of a variation maybe. Not terrible, but again sort of goes in one ear and out the other.
8. Tropic of Cancer: This is by far the best song here. It's so simple, but it's so heavenly it the way it sounds. If I'm not mistaken, this uses a I-vi-IV-V progression. I might be wrong, it might be a variation, but is sure sounds very doowop progression to me. It sounds like it's being arpeggiated on a harp and it's so gorgeous. The vocals just add to an atmosphere that makes me feel as though I'm waking though the pearly gates. This track alone is worth checking out the album for. Oh, I guess the harp is a sample of a the Nutcracker Suite Pas de Deux.
9. Shadow of Colossus: I don't really know what to say.
10. Lonely Wanderer: The beginning of this song starts out with this kind of heavenly feeling After that it goes into a sole piano. The was the piano sounds it reminds me very much so of Eisley's album Currents, the track in mind I have is Drink The Water.
11. Principe Real: Again, not half bad its just I ran out of things to say.
12. Selfish Gene: This  is a pretty fun track. I mean it's nothing but fun none the less.
13. Acid Wash: This is a great closer and just kind of feels like it completes this. I like the swirl, I just wish that would have ended the song, like the first one.

Overall I have to give this album a 5/10. While this album starts just ok for me it eventually picks up steam and has some great tracks I really like. Do I think it's steam continues for the rest of the album? No. Do I feel that this album is worth buying a CD of? Possibly. One thing I know for sure is i still need to check Merriweather Post Pavillion.  But really I mean, this isn't half bad. It's just not mind blowing or amazing really to me. To be honest, I'd play this as background music. 

Surrealistic Pillow - Jefferson Airplane

This is the sophmore album by psychedelic rock band Jefferson Airplane. I love this album cover. I think it's cooler in person seeing it on vinyl. Obviously the beautiful Grace Slicks is on the cover. I think that this is a good. And from what I've already heard, this is a good album. I haven't heard the whole thing, but what I have, I think is pretty solid.

1. She Has Funny Cars: I am kind of wondering if this song title was conceived from a "trip". This is a slow song. Not like slow slow, more like a trippy song. It actually reminds me of Simon & Garfunkel 1966 album Sound of Silence. The fact seems more trying with just about everything going on in the song. Minus the psych vibe.
2. Somebody to Love: This is probably, most likely, their best known song. I really like this song and think that it's pretty catchy. I like the way it sounds on vinyl than on that damn Forrest Gump soundtrack. I don't know how old this is, there isn't a bar code on the cover, but it's probably at least 30 years old. It sounds damn good. I think that the solo sounds really sick and a lot better with the vinyl crackles.
3. My Best Friend: This seems like any old 60's "summer of love" love song. I don't think this is that special. Like Herman and The Hermits or Simon & Garfunkel. I do like like Simon & Garfunkel though. I don't get anything special from this song.
4. Today: The beginning of this song reminds me of the beginning of the 1971 song Bargin off the classic Who's Next album by one of my favorites The Who. But the it goes into more of a harmony voice. One of the vocalist really sounds like Paul Simon. Idk. It's got a mellow folky feeling to it.
5. Comin' Back To Me: This is the longest song on the album and has an intro that could be somewhat compared to Stairway. The fact that there is an acoustic guitar arpeggios and a recorder. That the beginning of that sing. The one thing is that It also reminds me of Parsley, Sage, Rosemary and Thyme album. This is a mellow song that I think you have to be in the mood for.
6. 3/5 of a Mile in 10 Seconds: This is what I needed to keep my interest. The album was kind of putting me to sleep before this. This has more of an up beat feeling that the last sing in side 1. This is a good way to start side 2. It has a psychedelic feeling I've been dying to hear from this bitch. I think if you like psychedelic music you'll like this song.
7. D.C.B.A. - 25: The bass in the beginning brought my hopes up, but then the song came in. I don't know why but I don't care for this that much.
8. How Do You Feel: This beginning reminded me if The Stones for some reason. It only lasted so long. But now that's over and I can't pay much attention.
9. Embryonic Journey: This could be a Simon & Garfunkel cover almost. I do like that it's instrumental. A good break from everyone's voice. I only like Grace's voice.
10. White Rabbit: The last song was a good interlude to this song. I like how it's kind of a break and then it comes back to this song. I love this song. This is a good song. I like how there are Alice in Wonderland references. I really think this sounds cool and so does the singer.
11. Plastic Fantastic Lover: this song is ok but. Here is the thing. Damn, Grace please sing lead. Please... PLEASE!

Overall I have to give this a 6.4/10. It's got it's moments, some more quiet than others. I did not expect this much quietness to it. I think that it was ok, but wished for more moments like Somebody to Love or White Rabbit. If I was younger and more close minded musically then I'd be in love with these songs. I'm not even that old. But thats how I feel now. Even the beautiful Grace couldn't make me love this album.