HITNRUN Phase Two - Prince

A surprise release, dropped the 12th of December, this follows HITNRUN Phase One released earlier in 2015 (September). If you read that review, I kind of didn't really like that he did what he did there. There were previously released songs, some he remixed that led to results lesser than the original. Overall it was just kind of uninteresting. For all the interesting parts, there weren't as interesting by the end of the song. So here is Phase Two, a sequel and looking from the track listing you can tell. At least going in I know there are a few songs I like. I downloaded the album, and to be honest I didn't expect much from this.

1. Baltimore: A song that I was bummed out wasn't on Phase One. It dropped as a single around the time you'd drop a single from the album for the last one. Like this dropped in May 2015, and the first Phase dropped in September. This song is pretty slick sounding. This is honestly how I feel The Purple One'd sound today. While I'm not crazy about some parts of what he's saying, I do think the sentiment is meant for the right reasons. Getting rid of guns all together solves nothing, bad guys will still get them. If that wirks, how come they found child pornography on Jared's computer? The track seems to be about the shootings and what not as of late. You know that Police bullshit. I'm not saying that the Police are in the right, I think if they were wrong let them hang. I meant it as its bullshit its happening. This is a very well put together song, and is probably how his last three should have sounded. I love those strings at the ending. Great, great, great, great song that melts my fears away. This is easily his best song in the last decade, better than FallInLove2Nite. For whatever reason, I get a Philly Soul feeling to this track. I should note, the original relase didn't have horns or strings. It was re-relased with added strings and horns. I've heard both versions, and this is the superior.
2. RocknRoll Loveaffair: A solid track released as a single in November 2012. This version is the same as that single, well with the exception of added horns. I remembered why I never revisited this track, it sounds like a Revolution track. I mean I could swear that Lisa & Wendy or maybe Susan, spoke something on this track. The horns and strings remind me somewhat of that Under The Cherry Moon soundtrack. I don't think this is a terrific song, not as good as the last, but I do think it's a bit of nostalgia that would be nice to have. It isn't to the point of overkill, but it's nice you know.
3. 2 Y. 2 D.: Not a fan of the title. Why not do it in the fashion of a Prince song and drop the 2-Y-2-D part and just what it stands for, with the obvious 2's. These horns in the beginning are pretty awesome, and that flute. Damn, this reminded me a bit of Roland Kirk or Dolph with that flute. But this song overall would be another snug addition to Parade. This almost reminds me of Boys & Girls. While I do like this, I could totally see me getting bothered by this in years to come.
4. Look At Me, Look At U: This reminds me a ton of 70's soul. There was this record I was listening to and it sounded similar to this, 70's or 80's. I like the woodwinds on this tune and love that piano. The vocals are pretty solid and I think the bass here is nice too. This also has a nice solo in it as it's a very peaceful song. I could see this being on a contemporary Lets Get It On. 
5. Stare: Another single that seemed to drop and was an outtake. It was almost for no reason. It's also one of the few Prince songs still on Spotify.  When I looked into it I guess it was Spotify exclusive until this album. Nice slap bass starting the track out, and this is pretty funky. The horns remind me of some other song a bit. And the horn solo section, or fill rather, remind me of the "solo" in Macho Man.
6. Xtralovable: I had to check one this one. I was not sure if it was a single or not. And guess what, it's from 2011. If you are a nerd and care, this dates back to Vanity 6, written back in 1982 and demoed but scrapped. It was later rerecorded by Andy Allo to promote a tour for Prince. That version had a rap and was recorded and released in 2011, this version present here is from the 2013 release on the 3rdEyeGirl website (they dropped Andy's rap, and added horns). I'd assume with all that background info, I like the track. Why would I go through that for nothing right?
7. Groovy Potential: I believe this was dropped as a free download, if I'm correct, and I think I had it before the release of the record. I'm glad I finally get a chance to hear it. This beginning makes the think of a lullaby. With the soft guitar, and "star dust effects" make me think of that more. I mean this is a solid tune, it's just I don't feel magic. I don't want him to do what he was doing, I just want to feel the magic I felt on album like 1999, Dirty Mind, Purple Rain even Sign "o" the Times. I mean this is pretty nice and good, I just..... I don't know. I do like the jazzy, real horns here. It's like a updated Prince.
8. When She Comes: This title reminds me of The Velvet Underground's 1968 ballad Here She Comes Now. That's neither here nor there, damn I should review that record. Maybe this year... why not. Don't get me wrong, I love jazz.... but at this point..... the appeal this had has now gone.
9. Screwdriver: The last song to be released prior, this is a February 2013 single. Oh, by the way, I'm not really feeling this one. Also I want to hear another copy of this, because it sounds like it was mixed horribly. Like the mixing from the other one. There isn't really much to say, this is rather straight forward. 
10. Black Muse: This is kind of nice, but again, I mean..... I'm not ecstatic about this track. If you want it straight, my favorite part about this is it reminds me of the title Muse 2 the Pharaoh. Also there is hints of songs like Playing in the Sunshine's joy in this tune, but 7 minutes is a bit long for this. I'm completely honest, not digging this.
11. Revelation: At this point, I want to make it 4 times to listen to the entire album. I mean I get this, but this isn't interesting. Part of this reminds me of Blackstar, and I'd much rather listen to that. It would play with sort of smooth jazz vibe. I can't stand smooth jazz. What's with this month. I wanted to finish up some reviews, and most of these have disappointed me. Seriously, I can barley listen to this. I just so badly want to skip................
12. Big City: You really think this is going to fix the album...... make up for this disapoint ment. I'm sorry. It's just, the thing I love about The Purple One is he's fun... this is not.

Overall I have to give this album a 5/10. Out of the 12 tracks, 6 dropped prior to the record. This really functions as that Circle In the Rounds comparison. While it's nice to have tracks that are hard to find in one convenient place, that doesn't make this a good record. I guess, this could also be compared to his Chocolate Invasion and Slaughterhouse albums. I thought this would be a completely different record, but thankfully it came out not as a sequel to PlectrumElectrum, but as what he really would sound like in today's day and age. There were sounds that came from the past, and the Nostalgja is probably nice from fans from when this was coming out originally. I mean I like it, but I hope he does something new I guess. Move forward from this, but it's pretty nice regardless. Also even thought I enjoyed it, I can't really say I had fun listening to it. For whatever reason, when I returned the magic was gone. I don't remember if I mentioned but this took 3 time to listen to this entire record. It wasn't because it was had to do, it was because I wanted to listen to something else...... That isn't good for a Price record.

Also, even thought it might seem inappropriate, 

HITNRUN Phase One - Prince

This is the newest album by Prince. It follows his two simultaneous albums release of last year by 3 weeks short of a year to the day, or so. Now both of those were ok/nothing special (AOA) and kinda shit/ok/boring/nothing new/shit (PE). This album, based off the art work, looked like it could be a sequel to the two, and when I saw the track listing I was indifferent. One of the best song of his I've heard of his since the 90's, Fallinlove2nite, was on this. But at the same time it pissed me off a little it was here. Not only that but 3 tracks here were released as singles, one being released prior to his last two records. Long story short based off the track listing it looks like this is a compilation put together in the style of Circle In The Rounds and Directions but in a more condensed 2 years period. Actually a better comparison might be Water Babies. Yeah I'm going with Water Babies. Well except the tracks aren't released on someone who plays on the tracks album, and they weren't written by someone other than the main artist. All though they do first appear on the artist who wrote them, their album. Whatever, I'm just passing the time. So while I type this, waiting to listen to this album, I don't have High Hopes. Also I feel I should finish the reviews for those two albums, but one is just..... I'll do this first.

1. Million $ Show: This track features Judith Hill. This song opens with something that I'm pretty sure is taken from Darlin Nikki, the back-masked part. Then it pays a clip from 1999 (the intro) before playing a clip from Let's Go Crazy and then the song starts. This sonically would be snug on Art Official Age. The best part is probably the strings, which I'm sure is sampled from Purple Rain. Though I did watch a video of them recording strings for the album, which did sound neat. They could have just rerecorded the string part. 
2. Shut This Down: While this song sounds like a hip-hop song from the 2000's, I have to give it to him. I loved that segue. It reminds me of the segue on Sign O The Times from the title track to Playing In The Sunshine. This also sounds like Lap Dance, or TC's Cherry Bomb. This isn't really that good, but it's not terrible. I do like the electro sounds here, just. This is probably best described as a new updated version/sequel to Housequake. The ending isn't anything spectacular. It's a voice transition. Sorry the segue I was thinking of is Playin In The Sunshine into Housequake.
3. Ain't About To Stop: Feat. Rita Ora. Now I don't care for Rita and the only reason I anticipated listening to her second album was for the Prince collab. Seriously, and I guess this is the track. I previewed the track and upon first browse the thing that stuck out like a store thumb was the vocal contribution for the Purple One. Serious, he didn't sound that good in his co-lead with Ora. Now this sounds like it'd be better fit here, because Rita barley is audible on the copy I am listening to. I like the whole eastern sounds, but at the same times I'm not huge on the whole ETF self titled electronic stuff. Or the sounds that would fit better on a Disturbed album than on a Prince album. Now I give him props, and remember hearing a preview in the "Album Release Party" from last September, but you know. I didn't even really retain anything form that. Now the best part is something that sounds like it's playing a variation of Lady Cab Driver or maybe.... I'll go with LCD.
4. Like A Mack: This track features Curly Fryz. This has more of a hip-hop feeling, but I don't.... I kinda feel like Nicki Minaj would be good on this track. Yeah I just said that, Nicki would sound "good" on a Prince track. The best part is another part that sounds like it is sampled from something else. It's pissing me off that the highlight of tracks are the parts that almost don't fit the rest of the atmosphere. When The Purple One is sing/raping it reminds me of Flight of the Conchords. And even Curly's second rap reminded me, the music, of Prince of Parties. This seriously could be a remix of Sugar Lumps and Prince of Parties in one. Plus saxophones, because everyone know the 80's is hot now.
5. This Could B Us: This is also, like what they did for FunknRoll, a remix of the track off AOA. I really don't even think I should count this towards the score. Really, I'm being serious. It was cool on the two albums at once, two different version of the same track. Kinda like a Japanese Bonus track, or remix exclusive. But it's with every copy of the album. This on the other hand, I didn't even remember caring for this song in the first place. The remix, I care even less about.
6. Fallinlove2nite: I can't hate this song. It appeals to my weakness of 90's pop. I don't know why but if done right, and 90's.... I love it. The cheesier the better, but this.. this isn't cheesy. I kinda feel like this is what this whole album is supposed to be sonic ally, just different experiments. And this is the best song he's done since at least The Rainbow Children. I love the atmosphere, the feeling, the only difference here is I don't here Zoey on this track vs the single. Which I prefer her on the track. The single edit is one of my favorite songs of all time, sadly the lack of Zoe surprisingly hurts the track. 
7. X's Face: Another chopped and screwed feeling song. Which I haven't heard him do this that good. I like it on some A$AP Rocky track but usually I don't like it. I really, there's a rap, then monkey sounds. I would feel better if I just left this as this. No more to be said here. Also it sounds like Left Brain produced this on the older OF stuff.
8. HardRockLover: A single I never heard, not wanted to. But the intro to this, it got my attention. While not the best track, this reminds me a lot of FunknRoll when it picks up. There are also parts that remind me of When Doves Cry in his delivery.
9. Mr. Nelson: This technically could be a left over from AOA. This features Lianna La Havas. From the beginning of this track is sounds like a remix of Clouds. This isn't that bad of a remix if it is, and I loved that whole eastern scale. But I mean, I'd prefer this released as a stand alone single, or on a remix album.
10. 1000 X's & 0's: Recordings of this exist, with Rosie Gaines from 1992 and then with Nona Gaye (Marvin's daughter) from 1993. While neither were released, it still is a left over form the 90's. Honestly, again another song that'd be a snug fit on the last album. Almost sounds like it's a leftover.
11. June: A decent closer. But again, it really amounts to nothing special.

Overall I have to give this album a 6/10. I get the call backs to previous music, but The Resident's 2008 album Bunny Boy had the music much better integrated into it than this. And he literally samples the tracks. The Next Day also, recalling old songs and styles, is a better example of what he should have done vs remixing and sampling past material. I know its not a huge part of the album, just pisses me off. I know im dwelling on that, but I feel... Ill explain why later. In reality I'm not buying this on CD the 15th, not until it's like 5 dollars. And it'd just be to have it for my collection of Prince album's not because I like it. Did I enjoy it more than PlectrumElectrum, yes, did I enjoy it more than Art Official Age..... No, but its only short behind in terms of decimal point percentages. I guess the best part (and also worst part) is it's only 37 minutes, and as fast as it goes by I forget even hearing it. If this truley is "Phase One", I'm not looking forward to "Phase Two". To get a review done correctly I need to hear the album a few times. But to be honest, I'm only waiting to hear the CD version. To see if my copy is inferior. But then again, "Tidal is CD quality music" so here's the review.

The Gold Experience - O(+>

Wow it's been over two years since I did a review of The Purple One. This is the 17th studio album by Prince, first to be with the Love Symbol title, released in September 1995. Thought this follows the album released in July 1995 titled Symbolic Beginnings, with recording from 1977ish from the 94 East band. Then you had November 1994's The Black Album (note The Gold Exp was originally named the Gold Album) which was originally intended for release in December 1987, so in reality his last album before this was August 1994's Come. That album is just..... Not very good. But you know, I've already heard this thing too, and sadly it lives up to the follow up for Come.

1. P. Control: Pussy Control, for a title like that you know of expect it to be a good track, but sadly, it doesn't reach any expectation of mine. This song opens with a woman talking in Spanish (?) but Prince raps in this track, and honestly I like the International Lover reference, but still this track would fit snugly on the Graffiti Bridge soundtrack. This track reminds me a ton of Tick Tick Bang.
2. NPG Operator (Segue 1): This I guess sets the theme or tone or concept for the album. I guess after she says the word "come" a sample from the song Come appears until the end of the track.
3. Endorphinmachine: This has the energy (esp the end of this track) of Let's Go Crazy, but doesn't hit that high. I do like the rhythm on breakdown part. Other than that part and Prince's scream there isn't anything that sets this apart and makes it great. I also wish that peaceful part would last longer.
4. Shhh: This track, unlike most of the album, dates to June 1992 (but was rerecorded in 1994) because of it's original use for Tevin Campbell. The little kid who dances around and sings Round And Round. That was a song that kind of pissed me off because it was kind of annoying. This is a very appropriate title for this track. It's a kind of slow jam that it very 90's to me. Thought I do like when it picks up and kind of plays harmony notes together right before the solo comes in
5. We March: This is one of two co-written tracks on this album. It was co-penned with Nona Gaye, you know Marvin's daughter. This song's intro sounds a ton like a later Queen song. Up until the GB sound comes in. You know the 1990 soundtrack album (hint)
6. NPG Operator (Segue 2): wow The Dawn, it covers everything a young boy can ask for, courtship, sex, commitment, fetishes, loneliness, vindication, love and hate. The segues are there to go to different "experiences" or "themes" for group of songs.
7. The Most Beautiful Woman In The World: This was originally released as a single in February 1994, 19 months before this album was released. It was released on an Ep as The Beautiful Experience in May 1994. Thats kind of just laziness to reuse a almost two year old track for an album in my opinion. The other thing is that this is another clunker for me. I don't know why but it just.... doesn't work. So to reuse it a year and a half later is just kind of pointless to me. This is seriously the 90's version of The Most Beautiful Girl (In The Room) by Flight Of The Conchords. Wonder if they were spoofing this song?
8. Dolphin: This is another uneventful track :( Actually I'm waiting to turn on "Sabrina, The Teenage Witch" and this to be in a scene.... well period, anywhere.
9. NPG Operator (Segue 3): This track goes into the Now experience which also contains Irresistible Bitch, Housequake, and Sexy M.F. but according the the Operator that was then, this is NOW!
10. Now: This song is pretty much in the "experience" I got from P. Control. I don't think that should have been the intro track. Honestly, I would have rearranged the tracks a little to make the concept more clear, but whatever. I like the reggae, Rastaman voice.
11. NPG Operator (Segue 4): Welcome to the beautiful experience, why the hell is track seven not in there. But anyway this covers courtship, sex and commitment
12. 319: This is another track that I just can't get into really. Maybe if it was a blues song
13. NPG Operator (Segue 5): This is saying to enter a different experience, Ok
14. Shy: This track is pretty nice, and relaxing, but I'm getting a folksy feeling from this track
15. Billy Jack Bitch: This track was co-written with Michael B. Nelson. This also features an uncredited backing vocal from Lenny Kravitz and honestly the chorus is kinda annoying an too much like Delirious for me to give the time of day to. It's also a little too long for me.
16. Eye Hate You: This is a very 90's song. It's got a cool Zappa-esque solo to the end, but still it's just okay first time through. Also it is listed with the eye symbol
17. NPG Operator (Segue 6): This is supposed to be the computer going haywire. And guess what, I entered the Gold Experience.
18. Gold: Not great, but a good way to end this album. This is a kind of ballad, but you know the strings on this remind me of tons of other tracks from 90's/00's like this.

Overall I have to give this album a 6/10. Wanna know how you can kind of tell it's kinda weak, Christgau gave it an "A". He's an idiot, but regardless I give Prince props for making a very cohesive album, but it's also not very adventurous or exciting. It works, but for me, I didn't really enjoy this album that much.