- Disco Wedding/Honeymoon (In Puerto Rico)/Disco Divorce: This is one of the most unique songs I've ever heard. There is also, now in 2014, a laughable-ness to this track. The thing is I once read an article that said disco literally took over everything, and how tacky is it that there is a "Disco Wedding", not to mention the dialogue. I wonder if Paradise By The Dashboard Lights had any inspiration on this track. You know they are both at least 9 minutes long, both about a relationship beginning (kinda) and ending (kinda, or at least the enviable end of romance). This is obviously not that serious of a track, but is great. Who ever said a real musician doesn't use humor. I like it when discos kind of corny, tongue-en-cheek. Supernature, while its a kind of serious theme of not messing with nature, he make the idea not so scary and easier to take in the fun atmosphere. This song starts out with a nice chimes atmosphere then plays the Here Comes The Bride song. After that there is a horn section that reminds me of Living With Hernia by "Weird Al". But the verses do remind me a little of Paradise By The Dashboard Lights. This groove is solid and it isn't that obnoxious like some disco beats can on occasion get. What I assume is Paul, he sounds a little like a raspier Meat Loaf. The strings on this song are arranged pretty great too. If I was going to have a wedding in the 70's, post 1979ish, I'd play the first section of this song. The whole "speakers" part is totally in the similar fashion as the running the bases from PBTDL. The section change reminds me a little of The Tubes first album. The strings are great and it's just awesome. I also like the slap part, and the whole reasons their qualified for the "grounds" of "Disco Divorce" is pretty shallow on Paul's part. It kind of is also maybe poking fun of people getting married and divorced. I don't know, I think it's a solid song and hilarious at the same time. Quiet possibly the best "marrige" of those two main things I love is the whole Disco Divorce part. UGH! "Oh, there's trouble". We need people now adays who aren't stuck up tools, we need more people to make songs like this.
- Foggy Day/Never Lose Your Sense of Humor: This song is a duet with Donna Summers. This has a very different feeling to the first side. This reminds me, because of his voice also, a little of Beth. Though this is a pretty uneventful track, the whole idea of it is pretty true. You shouldn't ever loose your sense of humor, esp if your a musician. Anyone who claims that a "real" musician doesn't use humor in their music.... long story short, they'll probably kill themselves pretty young. This just isn't anywhere near as awesome as the prior track, or funny. Shame :(
- Just You And Me: This track has nothing special about it either.
Overall I have to give this album a 5/10. To be honest the lack of variety and tracks to pick up where the intro leaves off really kills this album as a whole. I'm not saying I'm not gonna return to that oh so great 14+ minute gem, it's just that's tr only track ill be returning to. But the discoviews I've done all seem to be that way. Disco, not revived disco I mean original when it was popular disco. Disco has so many great traits that when explored further than a stupid dance tune gives birth to some of the greatest tracks ever in the history of man. Supernature, Don't Let Me Be Misunderstood, Disco Marriage (to save time typing the whole name), Giorgio, Touch to name a few I've already reviewed.