Showing posts with label Garage Rock. Show all posts
Showing posts with label Garage Rock. Show all posts

Monday, January 11, 2016

Sound & Color - Alabama Shakes

Let's get another one done, get er dun. This is the second album by Alabama Shakes. I reviewed their debut, didn't like it, but when I heard the first sing to drop it wasn't so bad. So I decided to review this album, the thing is I didn't hear the entire thing until December. Well.... let' just say I made a mistake. Sort of, not entirely but kind of.
  1. Sound & Color: This intro is miles away from that boring last record. I love that xylophone in the beginning, it reminds me a bit of Bill Withers. While once the song comes in, singing, the xylophone isn't as useful I still like the textures. I don't love this song, but I do like it enough to say it's like a 7. I think the strings add to this nice texture that is heard here. This track reminds me of Weight of Love. It sounds great, though that track is a bit superior to this, but after that the rest of the songs may not be so great.
  2. Don't Wanna Fight: I do like this song too, but only to a certain extent. This is the definition of what I like to listen to if I have to listen to the radio. And interesting song that is cool and sounds nice, like the Black Keys or White Stripes. But the sad part is I usually forget it once it's over, except in the case of The Stripes. But easy come easy go. This really does sound like a Keys track. Prior to that track I didn't check, so this is a serious hunch, I wouldn't be surprised if Dan produced it. Also they have that repeating the title to the point of annoyance in common.
  3. Dunes: Okay, all I can say is this sounds like a cover of a Beatles track. Listen to the track and just tell me if you can pick up what I'm saying. There are at least five songs, maybe, I can pick certain parts and instruments out from. Most of them from Rubber Soul/Revolver albums and era. With the ending maybe being like I Am The Walrus.
  4. Future People: Four tracks in and I'm already giving up. I was seriously going to type, I don't care at this point. I mean I came back when I wasn't in such a bad mood, and still didn't like it. Why listen to this when I can hear this in other places done better. Take The Kids off Broadway.
  5. Gimme All Your Love: I listened to a track from that other album before listening to this, maybe a bit of a break will help. While I like the jazzy feeling to this keys, not feeling anything else. Why can't I enjoy this band. I'm not saying this is bad, I'm saying I don't like it.
  6. This Feeling: Not only am I okay to check out, this song is boring. I can't say there is anything about it I care to dig into.
  7. Guess Who: I mean this track may not be interesting, but it isn't terrible. I could totally see myself listening to this as background music. That or radio music, while I do something else and don't focus on this.
  8. The Greatest: This isn't that bad, but that's because it reminds me of The Strokes. I'll probably relisten to this track in the future.
  9. Shoegaze: This song literally, I seriously couldn't tell the last song ended. This starts off okay, but I mean again this isn't anything special. It's just kind of similar to the rest of the album. Sersiously I need to start listen to these things before I start a review.
  10. Miss You: Ah a cover my favorite Stones track, you know the one that never gets annoying. This song is kind of nice, but to be honest I could get this a bit more tailored to my tastes elsewhere. There is a song I love, and it's just about the same exact composition, maybe not notes but sections and changes, as this one. There's even a piano that is arpeggiated and it's very similar to this. I can't quite think of it, I'll add it in once I do, but this also reminds me a bit of New York I Love You, But Your Bringing Me Down. Like the piano part, and there was a part that vaguley reminded me of Last Time by The Stones.
  11. Gemini: This track, seriously, sounds like it's slowed down. Like it's making fun of me for wanting this to be over. Also this is a pretty boring song, even when I listen to it by it's self.
  12. Over My Head: Closing the album, finally, is a track that just feels like I want it to be over. I got nothing here to add.
Overall I have to give this album a 4/10. There isn't anything here I care about, I mean I wanted to do this, I thought it sounded cool when I first heard track back last April, but it hasn't really aged well. It's not like it was over played, I just lost interest in it. I don't think this is bad, it just bores me. I can't focus because there isn't anything that I find worth focusing on for me. I should do a Foxygen review.

Friday, August 15, 2014

Lazaretto - Jack White

This is the sophomore solo effort by Jack White. I started this review before the album was released so the singles will have more time to grow on me. The White Stripes are a pretty great band of the last decade or so and his solo stuff is also pretty interesting. I wasn't in love with Blunderbuss, but I love that he didn't just do what everyone expected/wanted him to do. Continue on The Stripes, he's on his own now and doing his own thing. It's what he wants and no one can influence it like other band members. Also as before, the shades of blue on this album cover are great. And the day has come, June 10th so lets go into this Review.
  1. Three Women: This is a cover of a track by Blind Willie McTell. I don't know the original so I can't compare the two, though it was by a delta blues artist so I can assume it's in the vein of Robert Johnson. This song is pretty enjoyable and odd, and I like that it's odd. I might not love this song, but I enjoy that it's a little odd.
  2. Lazaretto: This was the second single released and it's pretty interesting. The song has a feeling that reminds me of the rock/hip-hop crossovers of the 90's. This is like Jack singing and soloing over Rage Against The Machine. I like the change in pace, but it reminds me far too much of the Tomahawk title track off their last album Odd Fellows, but not as interesting or cool. Interesting song I can see growing on me with multiple listens possibly. This song is very reminiscent of Salute You Solutions. I like the electronic elements added in the song, and the thing is it adds a little to the song. It doesn't kind of kill the song like some other artists or songs. My favorite part is the Odd Fellows part. Also dig the violins.
  3. Temporary Ground: This is another just ok track. I've heard the LP a few times and each time I'm, ultimately, disappointed. Why? Well because of an over abundance of material that is just kind of not keeping my interest. It's better than Ultraviolence but all in all just nothing. 
  4. Would You Fight For My Love?: I like the intro to this and the piano. This songs intro vaguely reminds me of an Egyptian version Aladdin Sane's title track and The Supermen. I think this is a pretty good track, but you know the best part is the "choir" thingy in the chorus. Then it turns into a hip hop-esque song.
  5. High Ball Stepper: This was the first single released for this album. I like the backwards intro to this track, but I think that this screech may get a little old if it were through out the entire track. I also Love the piano in this track. This is a bizarre track for someone who was in a blues duo from the late late 1990's to the late 2000's. I also like that this is an instrumental, but I wonder if during that "oh ah oh" if there was a vocal in there and the "oh ah oh" was a little quieter and the no singing part was more the piano part or hard to sing with parts.
  6. Just One Drink: This song is ok. I think that female vocalist is the same from Love Interruption. You can almost look it as a sequel to that track. It's ok, but I prefer the other one.
  7. Alone In My House: This sounds like a Get Behind Me Devil track. Well almost any track in the vein of that track. I can't quite think of it, but this is a great track, on the LP.
  8. Entitlement: This reminds me of a country track that I'm kind of bored of by now. I think a little country is ok, but you know. This is kind of like a country version of The Stones.
  9. That Black Bat Licorice: The backing track is pretty good, but I kind of feel like it may have been looped instead of being played straight. Though I do like the "tape" distortions. Also whenever I hear violin I almost need to hear it being played at the level of Jean Luc-Ponty.
  10. I Think I Found The Culprit: This kind of reminds me of a little less exciting version of Forever Dolphin Love. Well then the chorus is ok, but you know, I just don't think the odd parts fit as naturally as they should.
  11. Want And Able: This is the sequel to another Stripes song, I can't think of.
Overall I have to give this album a 5.8/10. First time through I can't say that I was much more than a 6 on it. While I don't think that it's as good as I want it to be I have to give him credit. While there is variety the production makes all the songs kind of sound similar. If I wasn't paying attention all the songs would probably blend together. I just think that the album only instead of growing on me it ungrows or grows against me. The reason it took so long to upload this review is because of lack of motivation and interest in returning again and again to the album.

Wednesday, May 21, 2014

Turn Blue - The Black Keys

This is the latest album from The Black Keys. Before this album was released I knew its be problematic. First the promo was way to similar to the last albums promo. They were using like 90's VHS quality tapes. Also that wasn't that funny, but that's really not the end of the world. What pissed me off was that the album continued their Danger Mouse collaborations after they said something along the lines of "we sold out on that last album". Also what's why psychedelic music, if you want to make good psychedelic music use Sonic Boom or MGMT as your producers. Now I don't know if you know that but I'm not huge on Brian, and the only thing he's done I liked was The Grey Album, which he only mixed previously recorded albums together. He did a great job, but still. Outside of listening to the Gorillaz's there isn't anything else that I'm even that remotely interested in that he's touched.
  1. Weight of Love: This is a track that sits at a long 6:50. The intro sounds psychedelic and is probably a great direction for the Keys to head. They aren't over using that stupid Danger Shit and this is a pretty interesting introduction. The vocals here are actually pretty cool, and I think this might possibly, with numerous listens, be my favorite Keys track I know. This is definitely their most experimental and ambitious I've heard. There is a very Breathe In The Air feeling I'm getting here. The ending reminds me a little of Black Sabbath's opener Black Sabbath. Overall a great track that I doubt will have others living up to it. Upon repeat listens this intro, until the percussion, reminds me a little of Gorillaz track Clint Eastwood. Maybe it's because of the western feeling of it.... I don't know, but all I know about this track is this is the best on the album, but I'd still get a better sence of what this is going for if I listened to Dark Side. That first note reminds me a little of Flight of the Conchords on one of their songs, I think it's Foux Du Fafa. As neat as this is, and baren a wasteland it paints I think it just doesn't 100% click with me.
  2. In Time: This is kind of a part two of the last track. Well, if there was a segue it'd work better and be cooler. Some of the guitar melodies are interesting here, but you know for some reason there isn't anything sticking to me. This is another Gilmore inspired solo. This also has a feeling of Dr. John's album Locked Down.
  3. Turn Blue: This is a pretty bland song, and the reason I use that word is because I don't care to think of any other description. This sounds like Foster The People's new album, but worse.
  4. Fever: This was the first track released from this album. And honestly the song reminds me way too much of El Camino, with the exception of making it more trippy/electronic. Upon first listen, esp with the backing vocals.............. If I didn't know multiple listens help I'd probably never listen to this song again. Also if the whole album is any foreshadow of this track..........
  5. Year In Review: This intro reminds me of Haim. But I can't stand this title, why I hope it's not gonna be a political message. But overall there wasn't anything that I picked up from that track. This is a pretty straight song, but you know it just doesn't click with me.
  6. Bullet in the Brain: This is another decent song, but it kind of just gets lost in this albums "wasteland". As much as I like the ideas going on here, there isn't anything that makes me want to come back other than to not be indecisive about it.
  7. It's Up To You Now: This song sounds like a I Want Candy, but more in line with the original. Also I think those wolf howls sounded better in Howlin For You. Actually I'd rather them cover the song then play this song.
  8. Waiting On Words: I hope that he doesn't, post this album, use those falsetto vocals. Why, it's not that it's terrible, but he sounds like a girl. They should have just had a girl come in and sing this with him. But it's a decent song.
  9. 10 Lovers: You know, they were going for a soul thing, but then they have this kind of synth that after a few listens will probably grow against me. Why couldn't have they just cut that out. It'd be a better song and fit better on the album if they left it off. I'm also not into that noise that sounds like me speakers are broken.
  10. In Our Prime: Are you really? This is, no offense, kind of gay...... I mean the strings are kind of cool, but really this sounds like a rip of a Crimson song, mellotron. Just like with the Weight of Love I'll listen to the original instead. I do like how the song changes and the guitar fades out into an atmosphere. But still.
  11. Gotta Get Away: This is a pretty straight forward ending to the album. The thing is that this is a song that is so so. I think this remind me a little too much of a Bob Seger track, but maybe with a synth. And the vox aren't that great here.
Overall I have to give this album a 5/10. I am a supporter of the further experimentation and pushing boundaries in music. In order to do that you need to push you boundaries first. Now with at in mind you automatically score support in my eyes. The next things is when you experiment and grow you try new things, see of they work or not and then that shows where you stand on that idea. That scores you points in my book too. When you make and album called True Blue it should basically be an album before Attack & Release. While there are good intresting ideas here they just didn't work at all. I hope they decide to either throw in their bags or make another Thickfreakness or if they dont want to go back FIRE!!!!!!! DANGER MOUSE. Now in the future I may review their next album, but remember that unless certain things change it won't look very good. I was glad to see Fantano agreed with me on this being not so good. 

Thursday, January 16, 2014

Kiss & Kill - Le Butcherettes

This is the, I believe, debut release by Le Butcherettes. This was released in 2008 and I'm just gonna do a quick review for today. Why not, this things like under 20 minutes right. So here we go.......
  1. Feminist Politics: This song starts out with an electronic drum beat. It also features a woman talking in Spanish.
  2. I'm Queen: This song starts out with a punk riff. This is relatively simple and reminds me of The Runaways or The Slits (I like the latter way more). It's a good song and I enjoyed it.
  3. The Problems Hide In Our Backs: This is just the two girls talking. This reminds me of the G.T.O. album. The way that they would have tracks where they just talked, and the sound quality of it too.
  4. Kiss & Kill: This has another solid riff that reminds me of One Way Or Another, but with variations. I actually like this song more than I'm Queen. This song is a little more catchy and guitar sounds great. 
  5. Last Tear: This opens with a telephone conversation in Spanish then the song starts. The lyrics are obviously tongue-and-cheek. They are actually kind of funny too.
  6. Honey Honey: This is a bluesy song. For some reason I am not getting bored of this song. Possibly because it's short, but still.
  7. For You're Bleeding: This is probably my favorite song on this Ep, it's the funniest song on here, but it's also the best. I think the pitch wavers in the voices are pretty funny. This is a fun song and hopefully the next song will be good too. It's also the longest track too. This ends with a sound that sound's like a rappers gonna come on pretty soon, but the singer laughs and coughs.
  8. Six More: This is the last song on the EP, and by this point there isn't really anything here on this song that isn't anywhere earlier in the album.
Overall this thing gets a 7/10. It's short, and doesn't really get overbearing because of that. I also like the kind of, what some would say as "filler". I think it's pretty funny and gives personality to the Ep you know what I mean.

Saturday, September 7, 2013

The Modern Age - The Strokes

This is the first release by The Strokes. This precedes Is This It and features "demos" of song that would be rerecorded for their debut. Kinda like on As I Lay Dying's split album, going on to Re-Record all those song for different albums. (Note: This paragraph was written before school, and the review was done during school, and the summary was just now).
  1. The Modern Age: Now, I do like this song. I think that I might like this ones a little more.This band has a garage band/Alternative vibe to it. Lot's of times those types of bands have a DIY vibe to everything. The solos are cool, I like the way it is double picked. I also like the start stop feel of the riff. I like Julian's vocals, on songs like Reptilia, but I also like this one too. I also like the kind of "jams over" stop thing they do at the end of the song. It just ends. 
  2. Last Nite: I also like this version more. I don't know if this is a thing. Like liking the rawer sounding versions of songs. A good example is, though it's not really other versions of the same songs, but Nirvana. The sloppy, raw grunge vibe off 1989's Bleach. Another example is Soundgarden's two slops from the 80's. Maybe it had to do with the money reasons, but I still like those and the sound more. This version sounds more DIY. And I like it because of that.
  3. Barley Legal:  Quite possibly my favorite Strokes song, either this or Reptilia or the MGMT vibe of Machu Picchu. The verses are pretty solid but on top of that I love the chorus. I don't know why, but that kind of hooked me on the band. Actually I have Is This It and Room On Fire coming in the mail, and they should be here with Bowie's Zeit on Monday.
Overall I have to give this album a 8/10. This is short, but it's also great. Since it's short it doesn't get very redundant, and it is able to keep my interest. If you have any interest in this band at all you might want to hear this before you even hear their 2001 Debut classic.

Monday, July 1, 2013

Transformer - Lou Reed

This is the sophomore solo album by ex-Velvet Underground lead singer, Lou Reed. Now I watched the Classic Albums doc on this and I gained a new appreciation for it. Before that this was one of those "I'll listen to it eventually" albums. Even though I knew that David Bowie produced the album. I heard a few songs from it and decided to do a review.
  1. Vicious: I don't know if there is a specific reason, but I keep listening to this song. I don't think it's the best song on the album, but there is something about it that makes it catchy. This is a good way to start out an album. It gets your attention and it kind of keeps it. I like how the drums sound like a "metrognome". The lyrics are kind of dark. Not sadistic, but the type of dark that reminds me a little of One More Minute by "Weird Al". Tongue-and-cheek dark.
  2. Andy's Chest: I guess this is about how Andy Warhol was shot. This is a decent song, I mean that I don't think it's mind blowing, but it's ok. I think that this track does have some significance to Lou. But you know, I just am not super into it. The more I hear it the better it gets, but for right now, I'm not in love with it.
  3. Perfect Day: I was just, before I started the review, listening to Duran Duran's cover of this song off their Thank You album. The more I listen to it the better it gets. The more "perfect" it gets. Here are the legendary Mick Ronson strings. Damn, if I could have ever had the chance meet this guy. But I can't, :(. This song though has this pretty piano and the strings that go along with it. I mean, Damn.
  4. Hangin' 'Round: This is a total Bowie song. I could almost see this being an outtake from Ziggy Stardust sessions. It's kind of uncanny about how much this is like one of those tracks. I'm assuming that it sounds like that because Bowie helped, but still. This reminds me of a song off that album.
  5. Walk On The Wild Side: I love the way this song is. I don't love it, how it turned out, but it's amazing. That contradicts itself but I love the way this song is, the instrumentation, just the overall. I love the lyrics and love the way it IS, but I'm not in LOVE with it, if that makes sense? I think the way the instrumentation is and the whole overall idea about it is awesome, but I'm not crazy about how it turned out? I like it, but I wish it was a little more exciting. This is a relaxing track. I guess you could compare it to Soul Love.
  6. Make Up: I'm not a huge fan of this song either. I get what it's talking about, but I don't think it's anything special. If I had a choice I'd probably skip this track, but it's not horrible.
  7. Satellite Of Love: This song is just... it took me by surprise. I never really cared for The Velvets but after this song, I decided to check them out. They aren't as bad as I though, and I plan on reviewing one of their albums I've yet to touch later this month. This is by far my favorite song by Lou that I've heard. I heard a demo of this song from the Loaded deluxe album. Only that demo. It's not as good as this version. I do like it tough. It has one of my favorite chord progressions and is one of the funnest songs I know how to play. The whole "I've been told". This is my favorite part and it's so much fun to play along with. The ending that is like ad-libbed, it's great. I love David's high notes in that outro. Something I don't think he used enough on his, if at all, Next Day.
  8. Wagon Wheel: This song reminds me of The Velvet Underground. I'm not huge on that band, but you know, it's not that terrible of a track. It's hard to live up to that last track.
  9. New York Telephone Conversation: This is a fun song. I can honestly say I never though Lou Reed would do anything like this. Maybe David had an influence on him, but still. This is a silly song, and probably the most silly. I love this song, it's so weird that I don't think it could ever work unless Davey had something to do with it. This is a very fun song and I hope I could write a song almost as fun as this is to listen to.
  10. I'm So Free: This song is a little more return to this sound of glam rock, more so than that last song. It actually reminds me of the Wagon Wheel track a little.
  11. Goodnight Ladies: This is a great ending to this album. It's a bizarre and it's an awesome ender. It's like a glammed up version  of Good Night off 1968's self titled album The Beatles. Its a great track and if you've never heard it, I'd definitely listen to this first or second to Satellite.
Overall I have to give this album a 8.6/10. I understand this thing. Lou Reed seems like a guy who is dirty and one of those Factory Kids who hung with Warhol, but this is a silly album. It is the opposite of the dark Velvet Underground albums. Just listen to any track off this album, then any track off The Velvet Underground & Nico. David definitely know how to work magic. Most of this album is amazing, though there are some Ok parts, nothing is terrible or boring or bad.

Sunday, August 19, 2012

El Camino - The Black Keys

This is the seventh album by garage rock duo The Black Keys and I was kind of looking forward to it. It came out December 6th, 2011 (I bought the CD the day it cameout). Albums like that I have conveniently labeled "Bought on day of release". To be honest I wasn't really looking forward to doing this. I've been literally putting this off since February. I'm a lazy bastard, not really, but I'm finally doing this album.
  1. Lonely Boy: Either this or Little Black Submarine are my two favorites. The first time I heard this song I liked it. I thought that it was a had this Southern Rock/Blues feeling that you can dance to. I don't know exactly what band it reminds me of but the part where it says "oh oh oh" it kind of reminds me of The Stones in their early 60's days. You know, when they still did a lot of covers. I do though think this song is a song that it's hard not to like. The female vocals help that feeling of the song. I feel like I'm shooting myself in the foot if I say this, but I can picture like the Allman Brothers doing something like this. I don't understand why, but they just come to mind.
  2. Dead And Gone: I think that this is a decent follow up to Lonely Boy on the album. I am not huge on this song, but I still like it. I don't know what to think of the little chimes in the intro. I feel like it'd be better without them, but then again it might take away too. You know what I mean. But this is a simple song to get into and an easy on to like.
  3. Gold On The Ceiling: I like this song, but I think there is too much synth. Why can't it be more guitar driven or at least more dirty. I feel like this is trying to sound gritty, but it is more poppy than dirty. Like a cleaner version of the grit. What happened from Thickness Freak's title track to Gold On The Ceiling. Do you know what I mean. I do like the little part though where it says "I could never doubt you". I like the way the vocals sound.
  4. Little Black Submarines: This song is like their Stairway. The song starts out acoustic and then kind of builds. Then it goes into a White Stripes/Old school Keys/Zeppelin type of feeling when the song goes hard. i with that it was a though. Like there isn't enough of a solo to say it's like Stairway's solo. But the solo is probably realistically based on the solo in the classic Stairway to Heaven.
  5. Money Maker: Though I liked this song at first, it kind of didn't "wear off" on me. That actually makes no sense. What I mean to say is it didn't stay with me. I don't really like the chorus. I think that it's actually kind of lame. Not in a terrible way, just in a "they didn't even try" to make it good. This song does remind me of The Black Crows 1990 album title Shake Your Money Makers. I do like the way the Wah-Wah solo sounds. I wish it was more creative though.
  6. Run Right Back: This song has a groove to it and it think that it is pretty enjoyable. I don't think that it's AMAZING, but I do like it. I like the way the riff to the song sounds. It is a good song, but I think that it isn't as good as once I thought. I don't like as much as the first time I heard it.
  7. Sister: I really never liked this song. I don't exactly know why, but I just never did. I do think that it's a decent song, but I just don't really think this is a Keys song. This might be a stretch, but I could see people roller skating to this song if that ever came back. This has this unapealling Disco vibe to it. I don't hate disco, I really like some of Santa Esmeralda's stuff, and the Saturday Night Fever soundtrack has some good tunes on it. But I much more like Grease, but not side 3 with Sha-na-na. Anyway, I think this isn't a song that they actually wrote, and if they did, shame on them.
  8. Hell Of A Season: This is another song that I don't really go crazy for. I think it's kind of like a knock-off, this is my opinion on the song (just to settle the facts), version of Lonely Boy. I don't know why, but I feel like it is just a reworked and messed around version of that song, with different lyrics. The solo is kind of Ok thought.
  9. Stop Stop: This song starts out with this distortion that kind of reminds me of an attempt at a Jimi Hendrix sounding tone. But not a good one. This song is a song that is not the band. Damn you Brian Burton. Why'd you ruin this song and other songs on this album too.
  10. Nova Baby: This is like a songs that I could see being on a sound track to some popular album. This is more of a novelty song then a blues song. I think it's decent, better than the last couple tracks.
  11. Mind Eraser: The riff in the beginning of this song isn't as cool as it was the first time I heard it. I do like the solo at the end, not a ton, but I still think that it's ok. I wish there was more for me to enjoy on this album.
Overall I have to give this a 6/10. When I first heard it it would have probably gotten like a 9/10. I used to like this a ton, until I heard some songs off Thickness Freak & The Big Come Up. Back before they teamed up with Danger Mouse. In fact, my least favorite Keys songs that I've heard to date were the ones I heard off 2008's Attack & Release, the first to have Danger Mouse on production. I do remember being told, from a bigger Keys fan then myself, that they feel like they kind of sold out with this record. I don't know, if I listen to this, unless it's front to back thing, I'll probably listen to tracks Lonely Boy, Little Black Submarine. Actually, I almost forgot about Mind Eraser. One of my favorite song by this band is on Brothers called Tighten Up.

Monday, May 21, 2012

Boys And Girls - Alabama Shakes

This is a band called Alabama Shakes. They are a southern rock/garage rock/blues band from, ironically enough, Alabama. They formed in 2009 and released an Ep last September. I originally heard of them via NPR after looking at the SXSW videos on their website while listening to M. Ward's new album A Wasteland Companion. I kind of forgot about them until I watched the Rock It Out Blog! for April 3rd, 2012. He mentioned that you can stream their album for free on NPR's website. Well I'm all about that, because I think that it might be interesting, and he mentioned that it was good.
  1. Hold On: This song starts out like a song that you can move back and forth to. The way the singer, Brittany Howard, is singing sounds like vocals that could be on Lonely Boy off The Black Keys latest album, El Camino. This song also sounds like it could possibly be on it, for the most part. The chorus not so much, but the versus sound that way. This song is ok, I'm not in love with it, but I do think that it is ok.
  2. I Found You: This song doesn't have that much difference between that last track and this one. There is a difference, but I don't really care for it. This isn't that good so far. A big difference is the insertion of backing vocals on this track.
  3. Hang Loose: This song gives me this feel of, this is an endless loop. They actually remind me of the band that went on before me yesterday. They were good, its just some of the songs could have been the same song.
  4. Rise to the Sun: This kind of has more of a reggae feel to it. I think that I can say that. It is kind of like a song that I could see that reminds me of D'ye Maker off the 1973 Houses of the Holy by the, who the singer could be compared to Robert Plant, blues giants Led Zeppelin.
  5. You Ain't Alone: This sounds like a song that would be played at like a '50s dance or something. I could kind of picture this being something that a band that would be like Ruben & The Jets style of music from The Mothers of Invention 1968 Crusing with Ruben & The Jets. The ending kind of reminded me of David Bowie's 1969, at least I think so, epic Memory of a Free Festival.
  6. Goin' To The Party: This song is boring, and there isn't much more to say about it.
  7. Heartbreaker: This is another song that could be along with Goin' to the Party.
  8. Boys & Girls: This is the title track, so I am hoping for a big thing. And to be honest... that was extremely boring. 
  9. Be Mine:................................. yawn
  10. I Ain't The Same:.....
  11. On Your Way: This is the same, boring and not interesting to me. The only difference is that this song is a more uplifting song. 
Overall I have to give this a 5/10. This is the first time I've heard anything by these guys and this was what I was expecting. I'm not a huge fan of Southern Rock, well... at least not so much any more. I don't know, it has kind of lost it's flavor with me. That's part of the reason I want to hear Jack White's new album before I buy it, versus me just buying it the day it comes out. I didn't really like it, and I honestly can't say I will. I think it was too boring to heard, I've heard this before, but I never have. does that make sense. This album dragged for me. Who knows it might not for you. I do think if you like blues and southern rock you should check this out. I feel like this album had a terrible set up. Too many boring songs lined up and then the non boring songs were too spread out.

Tuesday, April 17, 2012

Blunderbuss - Jack White

This is the debut album by blues/garage rock giant Jack White. He was on of the two members of the now defunct White Stripes from 1998-2011. He is also a part of The Raconteurs since '05 and Dead Weather since '09. This album is set for release on April 24th, 2012. That is the same day as the debut album I'm looking forward The Money Store by Death Grips. This has had a lot of hype and I am going to review this bitch. In the end all I know for sure is that I will still want this for my CD/Vinyl collections. Oh yeah, one last thing, I heard this on ListenBeforeYouBuy.com
  1. Missing Pieces: This song starts out the album. This kind of gives me a White Stripes vibe, but with more going on. This seems like more of a White Stripes/Raconteurs mix up. I really like the keys on this song. It gives it this warm welcoming feel to it. The solo in this song is also awesome in it. This is a good intro to the album.
  2. Sixteen Saltines: This sounds like Salute Your Solution. Seriously I could see this being one of the AC/DC style songs off the Back In Black album. On that one they reused the same riff, just different time signatures and beats. But the way this is sung sounds like it to. This song is pretty solid, but it kinda hurts that the solo in the song even kind of reminds me of it.
  3. Freedom at 21: I found out about this song via Rock It Out Blog! And I wasn't sure what to think. That's a weird name for a song, especially a blues/garage rock song. This song starts out pretty cool.The drums are awesome. They make this song sick. I personally think if not for the drums this wouldn't be as good. An example of a song that was kind of made by the drums is 50 Ways to Leave Your Lover off Paul Simon's 1975 Grammy Award Winning album Still Crazy After All These Years. Because of the drums and beat it makes Jack sing a little faster, which sounds sick. I think that the solo sounds like any other solo. It isn't bad, but it isn't anything that sticks out to much.
  4. Love Interruption: This song is a duet with a female singer. This has more of a folk feel to it. I could see Paul Simon singing this song, minus the lyrics. This is a solid song. There are like oboes and keys on this song accompanying it. This song is really cool. {8/10}
  5. Blunderbuss: For the title track I don't really like this song. It has this bluegrass country feel. I could see this being a White Stripes song, but at the same time I couldn't. If you minus the instrumental parts and focus on the verses that's what I meant by being a Stripes song, but not.
  6. Hypocritical Kiss: This my friend is a White Stripes song that people probably want. This isn't that bad of a song. Anyone who likes the Stripes will like this song.
  7. Weep Themselves to Sleep: This is like a new take on some type of White Stripes/Raconteurs song. I don't think that this is anything that I haven't really already heard before.
  8. I'm Shakin': This song reminds me of a mix of soul backing vocals and a song off Broken Boy Soldiers. This song isn't bad, I don't love it, but I think that it's kind cool. It gives me this other kind of feel of something off possibly the 1999 self titled White Stripes album, or 2002's
  9. Trash Tong Talker: There is like a drum roll in the beginning. When the vocals come in this goes into a total White Stripes song off Icky Thump. But the only thing is that there is a piano solo in the song. This is a fun song.
  10. Hip (Enoymous) Poor Boy: The very beginning of this song, for some reason, reminded me of Teardrops On My Guitar. Only the beginning, the rest of the song reminds me of like a 70's song.
  11. I Guess I Should Go To Sleep: This song has this skiffle feel to it. I could see this being a traditional rendition of folk song. This sounds like it would be really fun to play. It also has this type of western feel to it.
  12. On and On and On: Twang...... NO!!!! This song isn't bad, but it seems like a filler. This isn't bad, but I don't really like twang, it hurt Tonight The World Dies by Avenged off 2010's Nightmare for a while for me.
  13. Take Me with You When You Go: This kind of feels like a continuation of On and On and On. This has this like '70s feel to it almost. It isn't half bad. And it has some pretty cool keyboard fills. The the song picks up and it gets heavier. It is kind of, in a way, like his Stairway on this album. They don't sound at all like, but that is so it helps you get the idea. This is a good song. This is a good way to finish up this
Overall this gets a 7.4/10. I have to give it to Jack. He wrote some damn good songs. Thought I'm not as huge on them as I wanted to be, that doesn't make them bad. Sorry this is so short, its just I wanted to also do other reviews today, for later dates to update. I don't think I'll return to this, with the exception of tracks 1, 3, 4, 6, and maybe 13. 

Wednesday, March 7, 2012

Dark Room - Hot Fiction

I found out about this group on Last.fm, where I have all my albums I've recorded uploaded to. Hot Fiction is a garage rock band from the UK. These guys look ok, and I want to free space on this bitch so here we go with this album review of this UK garage rock band. The thing is I'm planning on having one review uploaded daily. I'll get a good start because I have a four day weekend (Thursday, Friday, Saturday, Sunday).
  1. Start It Off: This seems like it is an atempt to be The White Stripes or The Black Keys
  2. If I Had A Girl: This song is another song that I've already heard before. Nothing suprising
  3. My Girl Dances: The beginning riff sounds like a rip of Gimme Three Steps. This song sounds like a rip of Gimme Three Steps.
  4. War of Attrition: Major differences between other songs.... This sounds like El Camino in the worst way possible.
  5. Autum Girl: This has a funky bass in it. The vocals on this track somewhat remind me of Jack White. Not in a exact way but a similar way. Also there is a harmonica solo on this song. It is ok, not amazing but ok. But then it picks up at the last 40 seconds into something that reminds me of The Black Keys.
  6. I Just Want Your Body: This song isn't very original either
  7. Thump: This one is good... psyche
  8. When Nothing Mattered: Hey the beginning of this one isn't that bad. For realizes. This is not amazing but it is a decent song on the album {4/10} unlike the rest of the songs {3/10}
  9. Get Out Of My House: And this is back to well... no
  10. Truly Dark: Bad
  11. Laid Me Low: BADD
  12. Creepy Disco: This song has terrible lyrics.
Overall I think this sucked... so it's 3/10. This isn't very original and its not like I haven't ever heard this before, you know. These guys sound like they copied the bands I mentioned before. There are people who will like this because they like everything to sound the same... that not me. The album lost me after track 3.