The Third Album - Paul Jabara

This is, as the title suggests, the third album by Paul Jabara released in August 1979. This guy famously co-wrote It's Raining Men with Paul Shaffer. But that shows this guy has a sense of humor, which is apparent on this album. This guy also wrote the No More Tears duet between Donna Summers and Barbra Streisand. I said that album because this is a spoof/reference to Striesand's 1964 album The Third Album.

1. Disco Wedding/Honeymoon (In Puerto Rico)/Disco Divorce: This is one of the most unique songs I've ever heard. There is also, now in 2014, a laughable-ness to this track. The thing is I once read an article that said disco literally took over everything, and how tacky is it that there is a "Disco Wedding", not to mention the dialogue. I wonder if Paradise By The Dashboard Lights had any inspiration on this track. You know they are both at least 9 minutes long, both about a relationship beginning (kinda) and ending (kinda, or at least the enviable end of romance). This is obviously not that serious of a track, but is great. Who ever said a real musician doesn't use humor. I like it when discos kind of corny, tongue-en-cheek. Supernature, while its a kind of serious theme of not messing with nature, he make the idea not so scary and easier to take in the fun atmosphere. This song starts out with a nice chimes atmosphere then plays the Here Comes The Bride song. After that there is a horn section that reminds me of Living With Hernia by "Weird Al". But the verses do remind me a little of Paradise By The Dashboard Lights. This groove is solid and it isn't that obnoxious like some disco beats can on occasion get. What I assume is Paul, he sounds a little like a raspier Meat Loaf. The strings on this song are arranged pretty great too. If I was going to have a wedding in the 70's, post 1979ish, I'd play the first section of this song. The whole "speakers" part is totally in the similar fashion as the running the bases from PBTDL. The section change reminds me a little of The Tubes first album. The strings are great and it's just awesome. I also like the slap part, and the whole reasons their qualified for the "grounds" of "Disco Divorce" is pretty shallow on Paul's part. It kind of is also maybe poking fun of people getting married and divorced. I don't know, I think it's a solid song and hilarious at the same time. Quiet possibly the best "marrige" of those two main things I love is the whole Disco Divorce part. UGH! "Oh, there's trouble". We need people now adays who aren't stuck up tools, we need more people to make songs like this.
2. Foggy Day/Never Lose Your Sense of Humor: This song is a duet with Donna Summers. This has a very different feeling to the first side. This reminds me, because of his voice also, a little of Beth. Though this is a pretty uneventful track, the whole idea of it is pretty true. You shouldn't ever loose your sense of humor, esp if your a musician. Anyone who claims that a "real" musician doesn't use humor in their music.... long story short, they'll probably kill themselves pretty young. This just isn't anywhere near as awesome as the prior track, or funny. Shame :(
3. Just You And Me: This track has nothing special about it either.

Overall I have to give this album a 5/10. To be honest the lack of variety and tracks to pick up where the intro leaves off really kills this album as a whole. I'm not saying I'm not gonna return to that oh so great 14+ minute gem, it's just that's tr only track ill be returning to. But the discoviews I've done all seem to be that way. Disco, not revived disco I mean original when it was popular disco. Disco has so many great traits that when explored further than a stupid dance tune  gives birth to some of the greatest tracks ever in the history of man. Supernature, Don't Let Me Be Misunderstood, Disco Marriage (to save time typing the whole name), Giorgio, Touch to name a few I've already reviewed. 

Triple Brutal - Austrian Death Machine

This is the third studio album by Tim Lambesis' project Austrian Death Machine. This project's first album was fresh and original in it's idea and approach. While the second album, Double Brutal, was kind of original and had a slightly different sound than the previous album. But this thing is something that was released April 1st, 2014 after Tim was arrested and, just look up the story yourself. But the biggest thing I have to say, as a Christian, the biggest heart break is a man losing his faith. If he had no faith then what's his views, but losing faith is a terrible and sad thing.

1. Neah 1, 2: This is the intro and is ultimately nowhere near as funny as the other intros on the other albums. Actually the whole Arnie thing is getting to be overdone, the man doing the voices sounds more like he has a mental disability than he's Austrian.
2. I'll Be Back: This sounds way too much like Get To The Chopper to be interesting. From the sound to the form, come one.
3. Chill Out Dickwad: You know, for as angry as their music was I never recall a cus word in any of As I Lay Dying or Austrian Death Machine lyrics. This is just poor taste and forced. Which is the ultimante sin in comedy, forcing something. It needs to be natural.
4. Prepare To Be Conquered: This song is actually the first song here that I can say I've heard and liked. The love song part is actually pretty, I think it's kind of funny and reminds me a little of Frodo (Don't Wear The Ring) by Flight Of The Conchords.
5. One More Rep: This intro sounds like a track off his 80's work out album. That had song like Raining Men and other hits in the background while he tells you "one, two three". That albums hilarious, but this song isn't anything they'ven't done before.
6. I Hope You Leave Enough Room For My Fist: This is from Running Man and samples a line from the movie in the intro. This song isn't that bad, and it is pretty in line with Bring Me The Horizon's debut album from 2006/2007. This though, has some progression from the last album.
7. Pumping And Humping: The intro is the same type of one as One More Rep and kind of funny. I like that I can hear the bass in this song. It sounds like it's being slapped.
8. Crom: This sounds like Arnold's voice over a song from Shadows Are Security, except heavier bass playing.
9. I Eat Green Berets For Breakfast: This song is just like the others.
10. You Lack Discipline (There Is No Bathroom For You): Come On
11. Acting Advice: I don't think that this is funny. Tim sounds like he's pissed off. I think it sounds forced and not light hearted like before.
12. I Know Now Why You Cry: You know, I didn't retain anything from that song.
13. I Lied: I have nothing to say about this track.
14. Brutolitics: ...............
15. Get Your Story Straight: I was hoping for a heartfelt song about his future incarceration.
16. Brutal Recall: I think it's funny he's pointing out my least favorite part of Decas, but outside of that this isn't anything that good.
17. I'm Not A Pervert: I originally liked these songs. I thought they were funny but now this is on an album released like three years later. Come on, but it's still the best song here. This song sounds more like the songs on the previous album. I also like the whole breakdown, and think the Arnold voice is funny, but not hilarious, but mainly because of the reference to Jingle All The Way.
18. It's Turbo Time: This song is pretty punk in that he's not screaming. Also you can understand Tim.

Overall I have to say that the "bonus tracks" were good but this gets a 4/10. Other than to say you heard it, or out of curiosity, but don't say I didn't warn you. I did this review about a month ago on April 10th, 2014 but because of Jazz month waited to upload it. The whole Tim thing sucks and you know I don't think that I can judge him, it's not my place, but you know...... Let's hope this is the last album by this project and hope the new debut album coming out from other AILD members is hopeful. Esp since Jordan mentioned wanting to pursue styles he'd want to. EXPANSION and EXPERIMENTATION

NOTE: JAZZ MONTH MIGHT NOT HAPPEN AND NEED A REVIEW

Louder - Lea Michele

This is the debut solo album by Lea Michele. Now I know that I may not seem like a pop person, but I do like some Gaga and Katy Perry. Not enough to say I'm a fan, but I do like some of their stuff. I also enjoy listening to some T Swift sometimes also. After being excited to do this review, it hit me.... she's a member of Glee. So, I swallowed my pride and did this review to the best that I could. You know, without being an asshole. I tried to be as serious and open minded as I could be. So yeah..... But one thing I wanted to say was I tagged producers who produced things that I plan on reviewing in the future.

1. Cannonball: There is a 90's type of feeling that I'm getting from this reverb that is present. This song isn't bad, but it isn't that great. I don't think I'll probably revisiting this track. It's pop, and I could see people liking this who enjoy pop. But you know, not me.
2. On My Way: Like I mentioned earlier, I damned myself and I have to do this review. This is the type of song I would listen to in a movie, and listen to but not the whole album at once. It doesn't matter how cute the girl is, she ain't worth it. I feel like this is her atempt at a Wrecking Ball.
3. Burn With You: Well, I did this and the prior track in the same day. What I learned is that I can't do that. Also this track is deeper than Going To Hell........ hahahahahaah.
4. Battlefield: Love Is A Battlefield right? I be that's gonna be the theme of the song. This is just ok, and you know, kind of like the other songs.
5. You're Mine: This supposedly contains a sample of You Only Live Twice, since that's one of my favorite songs ever it better be good. And to be completely honest, this doesn't sounds that much different from the other tracks. The sample is kind of cool, but it doesn't really live up to what it should. You're using a song by the great Nancy, and the song isn't anything special.
6. Thousand Needles: This track kind of slipped through that cracks, and I didn't retain anything from it.
7. Louder: I'm not huge on the auto tune in this track. If it's not autotune then the effects on her voice. And honestly, I could see the radio appeal, but not for me.
8. Cue The Rain: This is an ok song, but it isn't that different from any other track. If anything it's inline with Foster The People/Mylo Xyloto vocal harmonies.
9. Don't Let Go: At this point I've run out of positive things to say.
10. Empty Hands: ......................
11. If You Say So: This is kind of a thought less pop album that isn't in anyway deep.

Overall I have to give this album a 4/10. She is a good singer, I'll give her that. But on top of that, there isn't much more I can say that is positive other then it's also her first album. So there, I was open minded and honest. She is hot though, so that's a plus. Trust me, the next review will be a 10 (Hopefully). I not only know the album, but I love the hell out of it and am almost done with the review. I'll add the producers If they are on other albums I review in the future. One thing I do plan on doing is making this review today, then another tomorrow and then I plan on one weekend doing a bunch and then posting them over the course of a month.

Going to Hell - The Pretty Reckless

This is the second studio album by alternative band The Pretty Reckless. Now I've been waiting to review this since I found out it was coming this year. This cameout March 12th in Japan, but the 18th in the US. FUCK JAPAN! They also get bonus tracks we don't get on things. I'll never forgive Face, the best song off Just Push Play and only ever released as a Japanus Track (Japanese Bonus Track). I mean they even get the hotter debut album cover then us, we get a little prepubescent girl. Boner killer, but enough with the sex jokes because I got a review to do. Oh yeah, Japanese music isn't bad and noise music is super interesting (i mean it). I do have to say that the Hurricane Sandy made them lose some of the tape for his album and led to them rerecording them.

1. Follow Me Down: This is a pretty good intro to this album and grabs my attention. So far of the few tracks I've heard this album has enough diversity and isn't the same riff over and over. I like the chorus, but is that orgasm in the intro necessary. This is pretty heavy though and surprising that I'm digging this so much. So far this album is very indebted to Sabbath. Oh yeah, Jenny Haze ex-porn star sings backing vocals on this track.
2. Going To Hell: This is a pretty good track to use as the title track. The guitar sounds pretty cool and the singer is pretty good here. This is a pretty good track, but I feel like she's trying too hard to be a punk. I do like that refrain/bridge. I vocal thing they did is pretty cool. But if this is religious and just denouncing God then it will get old. Especially if she doesn't make it believable. That ending was taken from Sabbath via War Pigs, lets damn this band and never forgive them. It's totally not homage, its stealing. (I wonder where I heard that before)
3. Heaven Knows: This song is Ok, but the chorus/choir isn't that great. I mean how many times can you say "I AM GOING TO HELL" or "I'M BAD". I'd rather listen to Bad by MJ and I'm not even huge on him or that track. Please, please give me a reason why you are bad and why you're dirty.
4. House On A Hill: This seems to shows a deeper side of the singer. Which is always good, and this has that ballad feeling to it. There is a heartbeat sound, Dark Side? but this is the first acoustic song on the whole damn thing. I mean it's four tracks in, but still. The album seems to be picking up and isn't as dumb as the first few tracks make it seem. I like the whole deep feeling and the guitar at parts sounds like a western guitar. Though this track isn't blowing my mind it's making me glad that not everything is "I'M GOING TO HELL". There is actual feeling in the album and not so calculated you know, even though this track probably was. This shows a more human side of her.
5. Sweet Things: At this point I can say I hope this is a cover of the Diamond Dogs track. This is a pretty cool track, but it literally sounds like some song of Vol. 4. It could almost be a cover. I do like the strings in this track, and liked that part where it got sweeter which reminds me of Muse. The riff also kind of reminds me of Breadfan cover by Metallica or that vocal harmony in The Memory Remains. I like the scream, and thought I like this song and it distracts from why I'm annoyed she want to go to hell, and doesn't explain. Sorry it's not Vol. 4 it's Children of The Grave, off Masters of Reality. But this is honestly the only song so far I'll probably be returning to a few times. And not just to hear it again, because I like it, and by far the best track here.
6. Dear Sister: This title is very kind of lame but let's hope it gives me the thing I needed, a reason why you're bad. And honestly it's a shame it's only 56 seconds. This kind of reminds me a little of Eisley. This is pretty and just dreamy. I can see people hating on this track.
7. Absolution: Muse? Just kidding, but this has a western feeling to it. A country feeling. Let's just hope this doesn't turn into Carrie. This shows some variety in the style of the album thus far. This almost doesn't fit on this album. It's not bad, just unusual, but not in an amazing way.
8. Blame Me: Though this is different this isn't what I want. This is kind of lame and I'm losing interest in this album. This track is way too long.
9. Burn: Deep Purple please. I know that Coverdale can sing a kind of high so I wonder how good she'll do at singing this. That was a joke, and it's not a cover. Why couldn't they spread this acoustic songs over the album. It's like first half rockers, the second softies tracks. Though it's kind of an interesting track, I wish they did it that way. This is a pretty song though and pretty good. I like the way that she sings the title. This is very reminiscent of Toxic.
10. Why'd You Bring A Shotgun to the Party: This song is empty as the title. There isn't anything that I can't get out of this song that I can't get out of  Beautiful People. Except I enjoy that song more (even though I don't like it), and this sounds like Carrie Underwood gone metal or grunge. It's also not as dark as Manson.
11. Fucked Up World: Great title for an introspective tune...... that's the only thing I have to say about this track, other than it reminds me a little of Bond.
12. Waiting For A Friend: Please be a cover of the Tattoo You track. Well, technically it's Waiting On A Friend, but let's pretend they could use that title for legal reasons. You know what, by the end of this review, I'm just so done. I can't wait for this to go up. You know there has to be a calculated aspect of this album. There is harmonica on this and it's completely out of character for this album. This kind of reminds me of Bob Dylan and shows that she's kind of a softie. This could be a cover of a Stones track. This further shows the first half of the album is kind of "bull shit". This is the best song overall. {8/10}

Overall I have to give this album a 7/10. I feel she's trying to separate herself from Cindy Louwho. But if she's really that tough and ballsy why not do the cover completely nude. Don't act like something you're not. I'm a man of God but I respect other people's views. I love Fallen, and that album is lyrically topically everything I'm against. I'm at peace with my beliefs and don't feel threatened by hearing someone say "God's fake" or "I love Satan". I don't agree, but I'll listen to your views and think about them. This is just kind of pointless with the lyrical repetition. She doesn't say why I'm not nice anymore, why this why that.... IT'S FOR SHOCK VALUE. This feeling of deepness is fake, outside of the acoustics maybe, and I don't respect when you can't write how your feel even if it isn't great. There's such thing as playing a character, but here she's trying to show this is her. Also these titles for tracks suck and aren't that bad ass. A bunch of these tracks titles are other tracks that are well known. I will give them this, their first album kind of sucked and this is better. If you LOVED this album just listen to any of the comparison track and you'll probably love them more then this album.

J.S. - Justin Stockton

This review as to go up on the 2nd of this month but things happen and I wanted to let this linger a little longer before I do any review. So this is the first Ep by my friend Justin Stockton, and was released independently on my label. Now usually I don't like reviewing anything I've touched, but I can give this a go. This is the first release that he's done with acoustic guitar. I want to say this was recorded and released on February 17th, 2014 and the only thing I did was fix digital distortion, and also resize the artwork and convert the mono to stereo. So I didn't contribute in anyway to the material so I can review this. Oh yeah, he also reviewed my album I did. Which by that way, was his best to date. And the first review of anything I've ever done so, yeah life's good.

1. Mary Ann: This opens the EP with a country feeling. It actually sounds like a song that I could imagine being something in the vein of Robert Johnson. Now it's not one of his songs, but very influenced and inspired by. I like that it's only about 1.5 minutes, because the thing about blues is lots of time it can drag on and on and on and on and... you get the point. This song is straight forward and doesn't stay past its welcome. It's also a great way to open this new flavor to incorporate in his material. Also he sings within his range. My only complaint is the vox be clearer, but I can't complain to much because I run into that problem sometimes too.
2. Good Night: Now I talked to him about this song and he told me its dear to his heart. There is a religious aspect in there and this is the deepest he's gotten ever. Thought that chords aren't that drastically different from the prior track, this is the style and I enjoy it. Oh, question Justin is the progression Am-F#m-DMaj. Just wondering if I can hear correctly.
3. Jack: This sounds very similar to Mary Ann, but I think it's a solid track. There is a type of just tongue-n-cheek aspect that I think he did a good job at, but there were certain slips. This reminds me of possibly a cover of a song off Folsom Prison.
4. Gettin' The Blues: This is a good song, just needs to be a little more fleshed out. I think that if he added a guitar solo in there it may have been better, but it's a good track.

Overall I have to give this a 6/10. Now this is by far the best thing he's done yet, it's showed maturation, and is showing artistic growth, which is necessary as a musician. I can't damn him because some of the ideas could have been furthered, this is only his third release. I still make mistakes and fuck up, but he is definatly growing and glad I know him. He's on the right path, also look forward to that album I'm producing for him. PS, click _here_ to go and get a copy yourself. 

American Beauty - Grateful Dead

This is possibly the best known album by The Grateful Dead. You know I got this thing on vinyl from my moms cousins husband. And honestly, I didn't care first time through. Now I'm older and more mature and have been craving the following artists/genres The Dead, 20th Century Classical, Free Jazz, Jazz, Bowie and a little hip hop/pop to add flavor so it doesn't get dull. I'm 100% serious when I say that so I may be going insane or I may just give this thing another shot. After all, it is a classic.

1. Box of Rain: This opens up this album, and you know it isn't that bad. The thing that turned me off was the harmony vocals before, but you know this is a pretty decent track. The more I hear this song the more I think that I enjoy it. Maybe it also has something to do with Eugene, but that's also a little irrelevant. It's a pretty song and it's relaxing.
2. Friend of the Devil: This is a pretty fun song. I always kind of liked the bass line in it. This is a fun song that I may want to write a song like. I mean this 
3. Sugar Magnolia: Now this song is a song that kind of gets on my nerves. I mean, it's not terrible, but there is a type of magic that is keeping me from hating this thing. Usually I can't stand bluegrass or country unless it's done a certain way or with a little flavor. This album is able to keep my interest and make me wanna review this. I think the drums on this a pretty cool sounding. Its also very happy and kind of "brainwashes" you into wanting to have fun too.
4. Operator: This song reminds me a little of Big Yellow Joint or the real version Alice's Restaurant. This is a fun song that I think may also grow on me with time. This is a pretty fun time and a jolly way to sit back drink a beer. Thought I don't drink, nor will I ever, this is something I imagine would go great with it.
5. Candyman: This is pretty much on the same boat as Operator with the whole beer things. This song is just relaxing, but I like the guitar fills in there. This album has a central focus. I think that this shows great maturation on the part of the band, why? Well they were willing to go from that psych sound on their debut to this folk/country feeling on Working Man's Dead and further expand it more with this album. I'm actually surprised that those 6 minutes were actually pretty fun.
6. Ripple: This is a very country sounding song. I mean even as the album progresses I am opening up to the songs more. This is pretty and relaxing I just want to kick back and write a bunch of these songs after hearing this song. 
7. Brokedown Place: There isn't really anything that crazy complex going on, other than these guys are really into the song. They are able to make boring songs have heart and honesty. The vocals here are pretty great, and they make me wanna listen to this thing again after listen to it once. This proves that simplicity isn't always a bad thing. I also like the honky tonk piano fill thing. It's pretty great.
8. Till The Morning Comes: Now this is a song that I think, after the last track doesn't really stand up. This album uses a lot of very similar sounding songs and they probably reuse a few chord progressions, but the songs are still pretty great. This song has a cool thing that reminds me a little of I Can't Explain's main riff. I also like the chiming sounds and what not at the end.
9. Attics of My Life: This is a more relaxed song. This actually reminds me of The Beach Boys. One of their songs that would be sunshine pop. A good example too would be Good Day Sunshine by The Beatles off 1966's Revolver. Now I always found an irony in the genre because it's always felt kind of dark even though it has "sunshine" in the title.  Just an underlining darkness in there. Though this doesn't necessarily do it for me, that may change over time.
10. Truckin: This closes this LP, and a pretty great ending too. Just keep on Trucking and keep calm. This whole album is relaxing and I think that this kind of wraps up the whole feeling of sit back and kick you shoes off to a T. It's also probably the song that has the more things going on. This is also just a great way to end the review and album

Overall I have to give this bluegrass/rock n roll classic a 7/10. The title fits, country is from America and if you think about it then you can know why it fits. Thought I may not think this is my favorite album by the group, this is still a pretty solid album. Now I may not always see the genius or the classicness of this, but one year has done maturation and let me enjoy this a little more, maybe in a year from now I'll like it even more. I am positive though, that I WILL be returning to this album if I plan on doing a country influenced album, song, ep whatever. I don't want to say this is genius or even a classic, but it's pretty great and a great place for inspiration.

Environment For Sextet - John Zorn, Andrea Centazzo, Eugene Chadbourne,Tom Cora, Toshinori Kondo, Polly Bradfield

This was originally released in 1979 via Itcus Records. The album was produced by Andrea Centazzo and one of John Zorn's first releases. This was recorded November 7th, 1978 on a Radio Broadcast WKCR. Now I know about Parachute which is Eugene Chadbourne's label, but I'd never heard of Itcus. I guess the label belongs to Andrea Centazzo, a percussionist. Since there are names I've never seen before I'll list what the people play. On cello Tom Cora, on guitar is obviously Eugene, on percussion Andrea, on reeds Zorn, on trumpet Toshinori Kondo and on violin Polly Bradfield. Now an over simplification of Free Jazz is improvised music that disregards the structures of Jazz. Chord changes, tempo it's really kind of free form. With that in mind you know this album won't be "pretty". But when you think about it, beauty is a very  relative. It varies from person to person. So listen/read with an open mind for experimentation. I was planning on doing this review a week ago, but in that time I've learned something. This is a new beginning, I'll start reviewing Ennio also.

1. Environment For Sextet: The things that I feel I'm gonna have trouble doing for this review is describing the sounds. But I'll try. It's kind of like an organized chaos. There is strings that sounds like they are creaking. The drums are going pretty crazy, and the horns and squealing. Then every few seconds, about maybe 10 or 20 or 30 there's a silence. After the third time a drum fill breaks the silence. It lasts only a few seconds before silence again. Under the silence you can hear Zorn playing around with the reeds and Centazzo playing around with the drums. Actually around 4:25-ish the squeals remind me of The Return of The Son of Monster Magnet off Frank Zappa's debut Freak Out!. The chimes in here remind me a little of Larks' Tongue. The reeds kind of do too. The two songs I compared this too are two of my favorite songs. I like the way the guitar sounds, it don't sound that pretty, and kind of sounds weird. This song progressively picks up it's pace again. Zorn and those bird calls. I also like that drone in the background. This song makes me feel kind of nervous.
2. Solo Improvisations: This intro to this reminds me of Naked City, but with less structure. By that I mean Naked City has odd things like that but they are always broken up or cut off by a different composed or thought out kind of idea. This is just free as can be. But the thing is it's pretty cool that they did this. This is the shortest track, at 5:58 on the CD. There is slide he's playing on the guitar that sound like things I've done, or tried to do. He's making them way more interesting and this is feels like it could be maybe in a movie or something. And the cymbals rhythm that Centazzo is keeping is great. I wonder if not for him would this be kept together. Thought it's really not that kept together.
3. Second Environment For Sextet: Some of whats going on reminds me a little of Classic Guide to Strategy, but this is keeping my attention more so. Maybe it's because I can tolerate it more, or maybe it's because there's more going on. This is the longest part at 17:12, and probably my favorite part. This is very chaotic and great because of that. There are elements that I found in the first Environment that reappear here. The trumpet reminds me of Bitches Brew at around the 3:45 mark. This is truly something that I imagine was fun to do. It also sounds kind of fun and has feeling that's going into it. These players are kind of clicking, and able to think of the same level as each other. This really sounds like some of the things that Zorn would do later on in his career. This is obviously where it all started. There are certain moments here that remind me of The Crucible. There are also parts that remind me of The Yellow Shark, especially Be-Bop Tango. The only complaint is that this is kind of long, not too long. I probably wont listen to this twice in a row, maybe every once and a while, but it's a long track.
4. Solo Improvisations (Part Two): This wraps up the album. This is kind of crazy sounding. I could imagine someone about to be killed, or someone going crazy with this in the background. At this point I kind of have a lack of words to describe what's going on. I like just the flurries of insanity that go on in this and throughout the rest of the album.

Overall I have to give this free jass release a 7.5/10. Unless you're able to sit thought random happenings, ie. In C or chance music in general, you may not like this. I find this very interesting, but you may not. But now back to me, if there's anything I learned from this it's definitely look up some more of these artists. I enjoy this music though, it gives me ideas and helps keep me in check. How may you ask..... MUSIC HAS NO RULES!!!!!!! There are certain things that are common and are used in certain genres, but realistically there isn't a rule that says you can't do this here. Who's gonna lock you up for having a micro-tonal solo over classical music. Oh yeah, also I plan on reviewing all the albums I just torrented (LPS not on CD or Cassette ever). This is the only way I can listen to them and hopefully decide if I'll find the real deal someday. But I plan on doing all the Parachute Records and most of the Avant and Tzadik labels and any other label that is related to anyone on this album. This also got me pumped to listen to The Topography of the Lungs by Derek Bailey, Evan Parker and Han Bennink.