Lovedrive - Scorpions

This is the sixth album by German Hard Rock band Scorpions. This is also the album where Michael came back, well at least he's credited as a guest so something like that. It is also the first to feature Matthias Jabbs and Herman Rarebell both who stuck around for a number of years (Jabbs is still in and Rarebell left was last on the 1995 Live Bites record). I decided to review this in honor the the 2015 50th Anniversary remasters that recently came out. This album is basically the beginning of their sound that would bring them the most success. Though, you could argue it appeared on earlier albums, this is when it was defined and this is basically how they'd sound for their 80's period. Also I'm using that 2015 remaster to do the review instead of my previous CD copies.

1. Loving You On A Sunday Morning: You know, this is a weird song. It's kind of fits, and makes Anybody Out There? fit also. I love this song, and how weird it is. I almost feel like this is left over, or was written with the same frame of mind, from Taken by Force. In fact, while its production and "sound" fits perfect here, the writing and musicality wouldn't be to uncomfortable on that other album. There is a psychedelia present that also sort of reminds me a tab of Lonesome Crow. Seriously, and I love the sharp guitars. Nice and loud and powerful. This is a pretty straight forward song, it's just this chorus.... damn I honestly feel if I added a few sounds, back ground sounds, this could be a trippy section. Also great solo from Jabbs and oh how by the end of the song is this chorus stuck in my head.
2. Another Piece of Meat: Ah, a phrase I use in my head when thinking about..... Well kind of to laugh. This is pretty fast paced and is just a straight rocker. There is this like wind thing that revs up before the track and it's pretty nice touch. This track makes me want to get out my Strat and just rip and shred along with the Sheckner brothers (both of who play on this tune). Plus Another solid chorus, so.... something this band is pretty great at making. Listen to Mikey shred, damn it's so tasty. 
3. Always Somewhere: A ballad, and damn is it powerful. This is one of those "best ever ballads" the group churned out even into their less rocking period. Seriously, these are some fucking amazing power ballads. I can barley do a review of this tune, it's so ingrained in my consciousness as one of those, tear jerkers/introspective tracks. Klaus and Rudolph really pull off one of the best songs by the band here. It's pretty gorgeous, to be completely straight. And that chorus, power ballad royalty. I know I said that, but I need to stress that.
4. Coast to Coast: Great song, that I love. And instrument that is pretty straight forward, but here we get another lead guitar song from Michael. There is just something about this melody that is so perfect, I mean this could have be just as powerful with lyrics, but they chose not to use any. Plus nice bass playing Francis, and I love that little "ah" that sounds like he just drank a Cold Sprite. I can only assume that sound was from Klaus.
5. Can't Get Enough: At this point I can't argue with you about that one. :) This is another rocker and damn does it have energy. This is up there with Another Piece of Meat and I love the almost shrieked refrain of the title of the track. Klaus you remind me why I'm proud to be German. This band fucking rocks. The freak out at the end sort of reminds me of the album Virgin Killer and maybe like Hell Cat, I could be remembering wrong but that's what came to mind.
6. Is There Anybody Out There?: This is a tad odd. This is the only time I think they ever did a reggae number. This is pretty reggae, and it's odd that they did it now (then). 1979 the only reggae that was existent was ska of Oingo Boingo and like The Police, in rock outside of actually reggae. And reggae was huge in Britain around 1973ish. I could be wrong, but I think it's an odd choice for them to do this, here. But that being said, it's one of their best songs they ever did. It's very simple, and at parts reminds me a tad of Taken by Force, but this is a powerful song. Like I feel like it could almost be a cover of a traditional song along the lines of a Malagueña Salerosa. Thematically that is, like a very sad tale of someone who can't love the person they want. Except here it's they are all alone and want love. Someone searching for love. But this is a really neat song that literally I never skip, even if it comes on by accident. I love this song to death.
7. Lovedrive: The title track is actually proabably the weakest tune on the album. Don't get me wrong, the chorus is up to snuff, but everything else seems like it's already been done. Also this kind of, in the choruses reminds me too much of Judas Priests' cover of the Joan Baez tune Diamonds And Rust. Although, solid solo in the tune. This is also the last track to feature lead from Mike.
8. Holiday: Closing we get one of the greatest closers of all time. While they tried to close on a ballad after this, and before, I kind of feel like this is the best one. Not best ballad, but best end. This also just like forces me to contemplate my decisions and my life up to this point. It's kind of weird. The first half is acoustic and very pretty, pleasent and almost like Born to Touch Your Feelings. Then it goes into a more rocking power chord section, with amazing backing harmonies. I can hear that gorgeous bass tone in the new 2015 version I never heard before. Damn that little Spanish fill, it is tasty. Matthas does a great job here soloing. I mean it really fits the mood and to the ending.... great. It works. Also if you want a sort of extended version, in the 2015 edition there's a 2 minute longer demo.

Overall I have to give this a 8/10. This, like every other Scorpion record is worth checking out. This is in their heyday. They have yet to make a bad record. But from 1972 to 1984 the lowest I'd have to give a record is like a 7 the highest is a 10. Every record also had a number of amazing songs on each album. While this isn't my favorite record, it's still an amazing record. These guys always get the short end of the stick to shitty bands from the 80s. I'll let you know a secret, these guys kick the shit out of most of their 80's contemporaries. Hands down, no argument, listen to this record and the ones before and maybe you'll be enlightened yourself. I'm serious, they didn't put out a bad record ever and their mediocre ones started in 1988 with Savage Amusement. 

HITNRUN Phase Two - Prince

A surprise release, dropped the 12th of December, this follows HITNRUN Phase One released earlier in 2015 (September). If you read that review, I kind of didn't really like that he did what he did there. There were previously released songs, some he remixed that led to results lesser than the original. Overall it was just kind of uninteresting. For all the interesting parts, there weren't as interesting by the end of the song. So here is Phase Two, a sequel and looking from the track listing you can tell. At least going in I know there are a few songs I like. I downloaded the album, and to be honest I didn't expect much from this.

1. Baltimore: A song that I was bummed out wasn't on Phase One. It dropped as a single around the time you'd drop a single from the album for the last one. Like this dropped in May 2015, and the first Phase dropped in September. This song is pretty slick sounding. This is honestly how I feel The Purple One'd sound today. While I'm not crazy about some parts of what he's saying, I do think the sentiment is meant for the right reasons. Getting rid of guns all together solves nothing, bad guys will still get them. If that wirks, how come they found child pornography on Jared's computer? The track seems to be about the shootings and what not as of late. You know that Police bullshit. I'm not saying that the Police are in the right, I think if they were wrong let them hang. I meant it as its bullshit its happening. This is a very well put together song, and is probably how his last three should have sounded. I love those strings at the ending. Great, great, great, great song that melts my fears away. This is easily his best song in the last decade, better than FallInLove2Nite. For whatever reason, I get a Philly Soul feeling to this track. I should note, the original relase didn't have horns or strings. It was re-relased with added strings and horns. I've heard both versions, and this is the superior.
2. RocknRoll Loveaffair: A solid track released as a single in November 2012. This version is the same as that single, well with the exception of added horns. I remembered why I never revisited this track, it sounds like a Revolution track. I mean I could swear that Lisa & Wendy or maybe Susan, spoke something on this track. The horns and strings remind me somewhat of that Under The Cherry Moon soundtrack. I don't think this is a terrific song, not as good as the last, but I do think it's a bit of nostalgia that would be nice to have. It isn't to the point of overkill, but it's nice you know.
3. 2 Y. 2 D.: Not a fan of the title. Why not do it in the fashion of a Prince song and drop the 2-Y-2-D part and just what it stands for, with the obvious 2's. These horns in the beginning are pretty awesome, and that flute. Damn, this reminded me a bit of Roland Kirk or Dolph with that flute. But this song overall would be another snug addition to Parade. This almost reminds me of Boys & Girls. While I do like this, I could totally see me getting bothered by this in years to come.
4. Look At Me, Look At U: This reminds me a ton of 70's soul. There was this record I was listening to and it sounded similar to this, 70's or 80's. I like the woodwinds on this tune and love that piano. The vocals are pretty solid and I think the bass here is nice too. This also has a nice solo in it as it's a very peaceful song. I could see this being on a contemporary Lets Get It On. 
5. Stare: Another single that seemed to drop and was an outtake. It was almost for no reason. It's also one of the few Prince songs still on Spotify.  When I looked into it I guess it was Spotify exclusive until this album. Nice slap bass starting the track out, and this is pretty funky. The horns remind me of some other song a bit. And the horn solo section, or fill rather, remind me of the "solo" in Macho Man.
6. Xtralovable: I had to check one this one. I was not sure if it was a single or not. And guess what, it's from 2011. If you are a nerd and care, this dates back to Vanity 6, written back in 1982 and demoed but scrapped. It was later rerecorded by Andy Allo to promote a tour for Prince. That version had a rap and was recorded and released in 2011, this version present here is from the 2013 release on the 3rdEyeGirl website (they dropped Andy's rap, and added horns). I'd assume with all that background info, I like the track. Why would I go through that for nothing right?
7. Groovy Potential: I believe this was dropped as a free download, if I'm correct, and I think I had it before the release of the record. I'm glad I finally get a chance to hear it. This beginning makes the think of a lullaby. With the soft guitar, and "star dust effects" make me think of that more. I mean this is a solid tune, it's just I don't feel magic. I don't want him to do what he was doing, I just want to feel the magic I felt on album like 1999, Dirty Mind, Purple Rain even Sign "o" the Times. I mean this is pretty nice and good, I just..... I don't know. I do like the jazzy, real horns here. It's like a updated Prince.
8. When She Comes: This title reminds me of The Velvet Underground's 1968 ballad Here She Comes Now. That's neither here nor there, damn I should review that record. Maybe this year... why not. Don't get me wrong, I love jazz.... but at this point..... the appeal this had has now gone.
9. Screwdriver: The last song to be released prior, this is a February 2013 single. Oh, by the way, I'm not really feeling this one. Also I want to hear another copy of this, because it sounds like it was mixed horribly. Like the mixing from the other one. There isn't really much to say, this is rather straight forward. 
10. Black Muse: This is kind of nice, but again, I mean..... I'm not ecstatic about this track. If you want it straight, my favorite part about this is it reminds me of the title Muse 2 the Pharaoh. Also there is hints of songs like Playing in the Sunshine's joy in this tune, but 7 minutes is a bit long for this. I'm completely honest, not digging this.
11. Revelation: At this point, I want to make it 4 times to listen to the entire album. I mean I get this, but this isn't interesting. Part of this reminds me of Blackstar, and I'd much rather listen to that. It would play with sort of smooth jazz vibe. I can't stand smooth jazz. What's with this month. I wanted to finish up some reviews, and most of these have disappointed me. Seriously, I can barley listen to this. I just so badly want to skip................
12. Big City: You really think this is going to fix the album...... make up for this disapoint ment. I'm sorry. It's just, the thing I love about The Purple One is he's fun... this is not.

Overall I have to give this album a 5/10. Out of the 12 tracks, 6 dropped prior to the record. This really functions as that Circle In the Rounds comparison. While it's nice to have tracks that are hard to find in one convenient place, that doesn't make this a good record. I guess, this could also be compared to his Chocolate Invasion and Slaughterhouse albums. I thought this would be a completely different record, but thankfully it came out not as a sequel to PlectrumElectrum, but as what he really would sound like in today's day and age. There were sounds that came from the past, and the Nostalgja is probably nice from fans from when this was coming out originally. I mean I like it, but I hope he does something new I guess. Move forward from this, but it's pretty nice regardless. Also even thought I enjoyed it, I can't really say I had fun listening to it. For whatever reason, when I returned the magic was gone. I don't remember if I mentioned but this took 3 time to listen to this entire record. It wasn't because it was had to do, it was because I wanted to listen to something else...... That isn't good for a Price record.

Also, even thought it might seem inappropriate, 

Aladdin Sane - David Bowie

The last memorial album I did didn't go over so well, so why not review an album that I consider one of my all time favorites. It is in, some what, continuous play on my iPod/Spotify/iTunes/Anything Really. And as much as it sucks he's gone, let's hope this review is positive enough, though I'm not going to lie to you, I know it'll be a fitting goodbye to one of my heroes. In past reviews I've mentioned how much he means to me as a musican/writer and there is no way I'd ever be able to pay him back, and since I need more time to dissect Blackstar, Aladdin Sane is the natural choice for this (if not counting the ones I've done and not Lodger). But anyway, here are the facts, this is album number six. This was the first of two albums released in 1973, the other the covers album Pin Ups. This was released in April of 1973 and was mainly written while David was on his American tour for Ziggy. This is looked at as Ziggy in America, and that's a great way to look at it.

1. Watch That Man: maybe not the best song here but damn is it a solid glam rocker. From the hard rock guitar and the piano and the nice ass drum beat. This song is a terrific opener. Like I said this is pretty straight forward tine, one listen basically gives you everything there. You might pick up on that piano later, but it's still a nice rocker.  Actually the backing vocals are awesome and that piano reminds me a bit of that live performance of Search and Destroy on the Legacy Edition of Raw Power. 
2. Aladdin Sane (1917-1939-197?): So we opened with a rocker, a straight forward tune. The following track couldn't be more different. With a title that hints WWIII could happen sometime in the 70's this odd European tune is one of the things I love about this album. It kind of throws left hooks. This song has some gorgeous piano from one Mike Garrison. The chorus here is as catchy as any of his other, more poppy songs. That guitar riff, and that tone (esp. During the verses, Damn!). I love the sort of freak out with the saxophone backing up the insane, almost mad man playing of the piano. I mean yes there is logic to it, but to a regular person.... WTF. I'm serious if I played the solo section for someone out of context they'd most likely be confused. This song is great and I couldn't ask for something else for this spot here. And that ending :)
3. Drive-In Saturday: A classic, and by that I'm serious. I guess this is about people in post apocalyptic.... just look it up. It's kind of interesting. Plot aside, this has a doo-wop sort of vibe to it. It isn't straight doo-wop though, like some of his best tunes.... It has this weird atmosphere to it. Seriously, I mean it almost makes no sense, but it's a solid ass fucking song. I love every second from the sax to the vocals to those backing harmonies. Plus the lyrics are pretty funny, in a kooky way. 
4. Panic In Detroit: Another rocker, though this is more of a hard rocker. I can't recall if this is about anything, like a real riot in Detroit, or whatever but I honestly don't care at the moment. This song is much better than the meaning and it doesn't need a meaning to make it good. There's a reason he played this live in the years to follow. It's a great rocker that is probably the closest The Spiders would get to TMWSTW. There are actually riffs where it sounds like it could go into the extended solos on that record. Even the opening just shouts rock and roll. I mean really. Also I should mention, this sonically sounds different from the other tracks, but not enough to not fit on this mixed bag of rock and roll tunes. I love the backing singers here too and we get to hear Mick just rip.
5. Cracked Actor: This is the only song I can say that I don't either Love. I mean it isn't bad, but compared to the other tracks I don't think it's as strong. You can almost look at this as a rewrite of Jean Genie. I mean this is a good glam rock tune, I just don't Love it you know. 
6. Time: This song starts out with a piano that is avant-gardeish. There is this vaudeville feeling to this track. I feel like this could be a cabaret number. It's very odd, there is a type of closure you get with this song.... now at least. It's got everything here that makes this album great, vocals, I love the guitar when the song gets more intense. I love how it goes back to the beginning and just feels like odd, even thought in reality it isn't the odd. Mick has some great guitar parts here that just add and, he's fucking an amazing arranger period Those backing vocals are great. I mean in reality most of what makes these songs great is on each song. The only thing is they all are different enough, to where you could call this a mixed bag of songs.
7. The Prettiest Star: A rerecorded version of the 1969 single, written about Angie Bowie. On the original Marc Bolan played lead, and Mick tried to replicate that guitar on this recording. This is a happy song, and I mean I feel like it's sort of heartfelt. It sort of reminds me a bit of Kooks or Soul Love or just a number that may not necessarily be the "insane genius theorist" he is elsewhere. I like songs that show another side to a guy, this is one of those. Nice saxophones by the way :)
8. Let's Spend The Night Together: The only cover on this album, it was originally released as a single by The Rolling Stones in 1967. Opening with a sort of weird heavy psych, feed back and then what I can describe as atonal piano hits. The songs rushes into a performance, and damn this thing fly's by. To be honest, the best performance of the song. This almost sounds like the original, but better heavier and more rockin'. 
9. The Jean Genie: What can I say about this track. It feels like a pirate is playing this. Seriously, I much prefer to think the Rebel Rebel video Bowie is singing this. This riff is just one of those, and yes you can hear it towards the ending of Width of a Circle, but here it's just so oddly perfect. I can kind of imagine people in the 70's going... what the fuck, this is really good, but still what is this. There is a reason this is as famous a song as it is. It's classic. Go Mickey Go!
10. Lady Grinning Soul: Argue with me all you will, but I believe this to be the most romantic track to ever be written... ever. You can't top this, not Marvin not Smokey, not Ole Blue Eyes nor anyone else. Keep on listing songs, you'll never change my mind. From Mr. Garrison's opening piano rolls, to David's sole vocal introduction. Listen to this thing, I mean really. Everything here sounds so damn good, and just the playing is so tight. I really can't find anything wrong here. I love the saxophones, I love the Spanish solo. The piano and guitar duet, Mick you are a genius. This word is almost too good for words, every time I listen to this I cry a bit. This song is perfect.

Overall I have to give this a 9/10. This s very much an Americanized version of Ziggy. On top of that its a great fucking album, there isn't much to complain about here. I mean really, every songs is unique, and they are all solid performances. I guess you could complain there's a cover, but that's just nit picking. Bowie my friend, you may be gone, but I know you're one of the few people to make a string, constantly great to amazing albums, from 1969 to 1980. Though I may never be able to tell you, or thank you for everything you done for me I also don't think I'd be able to either. Sometimes, actions speak louder than words. I'm gonna miss you.

Lego My Ego - Mercury Rev

So basically, I'm not expecting that Blackstar review to be complete until at least March. So yeah, this is the bonus Ep released with the 1992 re-release of Mercury Rev's 1991 debut album Yerself Is Steam. This was one of the first albums I added to the site for review. It wasn't until recently that I started the review. I hadn't even listened to this until this review. Considering how I needed some 90's reviews, I decided why not do this Ep. It's been sitting around, plus I really liked their Car Wash Hair single, thought I consider it more of an EP. Also, look at that girl, she's gorgeous. This could almost be screen shot from a Jess Franco film..... almost. Though if anyone knows where this photo is from, or who the model is I'd be ecstatic if you'd let me know. I'm serious.

1. If You Want Me To Stay: This is a cover of the Sly & The Family Stone track. And if I'm being honest I like it. This opening reminds me of something that I'd hear Mike Patton doing. I'm 100% serious right now. Once it goes into the song I think the do a solid cover of the track. There are voices and things here that remind me of Mr. Bungle (in a good way). This is one of the funniest funk covers I've heard and you know they kind of make it their own, by way of Mr. Bungle. But I don't know, I still really like this. I also like the Wild Cherry-esque Brick House inflection vocals.
2. Shhh/Peaceful / Very Sleepy Rivers - Live: A live version of a track that would be featured on from Yerself Is Steam. This opening reminds me a bit of like this was recorded in the audience vs an actual soundboard recording. But it also reminded me a bit of Street Collage section of Movement for the Common Man. This drum rhythm and atmosphere reminds me of Love Is A Fist, either that or Travolta. I mean I do think this is good, but if these comparisons come back.... I don't know. While this isn't that bad of a track I'm waiting to read a, featuring Mike Patton on vocals credit. I like how it gets more intense and freaks out, but at 14 minutes I think it's a little long. Also I should note the album version of Very Sleepy Rivers is 20 minutes long. Also I knew it, Shhh/Peaceful is a cover of the Miles Davis 1969 track from In A Silent Way.
3. Frittering - Alt. Version: Another YIS track. I actually like this song, it's got a lot of feed back and there is some woodwinds. This is pleasant, sort of, but I mean it isn't like amazing. I think the song was a little too long.
4. Coney Island Cyclone - Alt. Version: This is a track that finds it's original home on CWH. There is this sample that reminds me of Bungle, and then the song starts. I like the song, its not half bad. But I mean I can play Let It Be Me at parts. I think that's the right song. But the horns are nice touch on the song, it's just.... I don't know.
5. Car Wash Hair - Extended Version: I wonder where this was originally from? I still like this song, and this version reminds me of the original. I can't complain about this.
6. Syringe Mouth - Alt. Version: I don't want to go into to much detail, the reason being I want to save some for the album review, but I do enjoy this track. It's pretty solid.
7. Blood On The Moon: I believe this to be one of two tracks not to be on another release, either YIS or CWH. This isn't half bad, I guess it was featured in some movie. Kind of reminds me of if Elliott Smith did psychedelic music. And with a very long thing. I don't know I've heard this before so it isn't as awesome.
8. Chasing A Bee (Inside A Jar) - Alt. Version: The last track to be on CWH and also YIS. Oh this and all the other Alt. Versions were recorded during a John Peel session. Also the thing continues into this track. I remembered I liked this on the original single. But the thing is I mean this isn't anything special. I mean I like it, but not love.

Overall I have to give this EP a 5/10. This is like a better, not great but better, Flaming Lips. Sometimes when they do Deluxe Editions of albums, older ones, they release a Rarities Edition. That contains all non-album tracks. on there. Basically the tracks that are bonus tracks with the Deluxe Edition. This is basically that, except released separately and the following year vs 20 or 30 years later. I'll still pick up this 45. Why not? But seriously, there is something that I liked about Car Wash Hair that seems to be missing from here.

Lucille - B.B. King

This is the long awaited review I'm gonna give. It is also the long awaited review of a blues legend. Now I'm gonna be honest, going into this I knew something. There are only two tracks by this guy I LOVE, the title track and The Thrill Is Gone. Now in the wake of his passing, I have to be completely honest.... I felt it was time for me to review him. I did it for Lou Reed, and B.B. King (while not on me specifically or my writing I or direction) has had a huge influence on artists how have had a huge influence on me. Much like Elvis or Buddy Holly, Chuck Berry or Ray Charles and so on. Now if not for a double album called Freak Out! I would have lost faith in the blues, well minus Aerosmith. The aforementioned band, well they kick too much ass to bore me, but I digress. Now from FO! reviving my interest, I also gained footing in my favorite blues band, not from America, Fleetwood Mac. I said that because here there is a quote from BB that said Peter Green is the only guitarist, white, to give his a cold sweat from his pure tone. Now really none of this matters, what does is the BB King is a legend and has influenced countless artists, so why not do the album that I have the best chance of loving. I will also do The Regal next time I get the chance, and depending on how this goes maybe some other records also.

1. Lucille: Opening with same notes as the legendary Let's Get It On, this is a phenomenal blues track, and one of the best of the genre I've heard. Hell it's one of my favorite songs ever, and at over 10 minutes it doesn't get boring at all. Its "talking blues" that has the in between fills that's sound like a blues god is filling in the voiceless areas. And its not just guitar soloing is also has sax fills and piano fills and even organ fills. I need to say that the tone used for the guitar is amazing, and is gorgeous. I LOVE the Sinatra name drop, and I read somewhere he'd listen to In The Wee Small Hours everynight, and that Old Blue Eyes was his favorite singer. So I got respect for him bro. And the way the he is laughing and just having fun, that's what music really. It's art, but it's also about having fun. The tone is top notch and the playing here is great. All the solos are awesome and I laugh everything I hear the "Oh I bet you're wondering why I call the guitar Lucille". And the tale, while ultimately pointless, is pretty interesting to me at least. Oh I almost forgot to mention; that organ, Damn this recording is so damn phenomenal. {9/10}
2. You Move Me So: The horns on this upbeat song and fast paced track It's exciting and is a left hook for me in this album, I figured the only good track would be the title track. This is very Motown sounding to me. The upbeatness and speed remind me of a Sam & Dave track like Hold On or Soul Man. The funny part is they were on Stax, but you get the point. I honestly enjoy those tracks. This sounds like it's be a fun little ditty, and sort of sounds like the Shakes but good.
3. Country Girl: "Fell in love with a Country Girl". The second this started I went "Fuck another Lucille". But that organ is actually pretty solid, and to be honest that little "dun dun dun dun dun dun" at the end of the verses, it reminds me a ton of Pride & Joy by Marvin Gaye. So thumbs up there :) I mean it isn't amazing, but it ain't terrible and boring to me.
4. Mo Money, No Luck Blues: A Joe Ivy Hunter penned track. This isn't that bad, but I mean it isn't ground breaking. It's a blues tune. I did enjoy it though.
5. I Need Your Love: While this isn't a cover I vaguely remember a blues classic that had this title. Maybe I'm wrong, but who fucking cares. At this point it's starting to wear thin, the whole blues feeling. I mean I feel hypocritical because I loved Mr Wonderful but I don't know. While the piano is making it much easier to take, I just... I kind of know the rest of this thing is going to be very similar isn't it.
6. Rainin' All the Time: This does have a nice feeling, but again, I've heard it already and can't really say it's that great in context of a front to back listen. I mean I could totally see myself digging this by it's self, but in context it isn't standing so strong.
7. I'm With You: Babe: This was very similar and I spaced out and didn't even realize this song started. I think it's okay.
8. Stop Putting the Hurt on Me: I guess BB ain't into chains, hahahahaha. No just another blues tune.
9. Watch Yourself: To close the album we get more of the same. I mean it isn't half bad, it just a bit much for me.

Overall I have to give this album a 6/10. First off, I need to be honest. I was surprised by how much I didn't hate this. There are tracks what I think are decent and much better than say his earlier albums. I played a track off each album and damn are some of those boring as fuck. It was nice to see that there was an album with a very long track and not every other track was shit. It usually happens with longer songs like Love to Love You Baby, Foreigner, Disco Wedding, and many others. The title track alone is worth buying the vinyl or CD of the album. At the end of the day Lucille will never be black, instead it will be sunburst and hell maybe one do I'll be able to cover it live. So goodbye Riley B. King, you wont be forgotten by your fans, and won't be by me after making this album. Also there will be another Memorial review coming up tomorrow, or The Next Day.

Tug of War - Paul McCartney

Considering the 2015 reissue of this and Pipes of Peace, I decided to review this. Though that was months ago, I still think I should do this. I deserve this, and besides why not review this album. Also hopefully I'll finish the Sticky Fingers review too, soon (it also had a deluxe reissue this last summer). Now back to business, this is the third solo album credited to Paul McCartney. I'm talking non-Wings and Post-Beatles (if you include Thrillington) its the 5th but its technically only number 3 (1970-McCartney, 1980-McCartney II, 1982-this). This particular album is actually quite good, and is one of my favorites of his career. Information wise,  I'll try to do this off the top of my head, I wanna see what I remember. This is his first solo album produced by George Martin, though Live and Let Die the track was produced by Martin. This is also from 1982, and was his first Post-Lennon's Murder album. Since I could only remember 7 track (8 if you consider I couldn't remember the name but what it was) I decided to look some stuff up and I need to say it. This album is all star studded with the likes of Steve Gadd, Stanley Clarke and even George Martin plays the old electric piano. The others who played will be listed in their individual tracks. Also for the review I'm using my preferred mix, the 1993 CD version. I will also list, as a special little thing, at the bottom a few tracks from the 2015 reissue I think are worth listening to.

1. Tug of War: This is very easy to listen to, its very radio friendly. This opens with what sounds like, honestly, audio from the scene in Titanic when they are boarding and you hear the men working. Like in real life though. I know its not that, but it sounds like a factory or an old timey labor force struggling. It works for the title. Then the acoustic guitar and vocals enter with the titular phrase. It's pretty pleasent sounding to be honest. This is followed by strings and some horns and harmony vocals. This is still very nice and I just love this tune. There is a bit of a Yesterday feeling to this. Like a bigger version of the song, maybe with the other members singing on this and playing too. Once the band comes in it sort of looses that Yesterday feeling and have a Wings vibe reminiscent of Mull of Kintytre. This is a nice opening and sort of sets a mood for the record. Also great fade into the next tune. 
2. Take It Away: This is an instant favorite track. It's super damn catchy. There is the classic Macca hook that is just an earworm. It has this sort of pop reggae vibe to it. Maybe not reggae, but an island vibe. The chorus has some great harmonies and is followed by some solid horns. I love how the tune gets larger and larger with each passing verse. Oh, I have something I'd like to add, Richard Starkey drums on it. I forgot that, Damn me! And George Martin plays Electric Piano.
3. Somebody Who Cares: Digging this acoustic guitar and woodwind a intro. This is reminiscent of Wings again, but you know I like them. The highlight of the song is the chorus. I enjoy hearing it, even though I never can remember this song. Also that woodwind, not sure if organic or synthesized. The solo on this is pretty nice and that woodwind adds a texture. This is at the very least a 7. This is another song that I wasn't super familiar with, I forgot about it, but you know.... It's pretty damn solid. I really dig this.
4. What's That Your Doing: Co-written and performed with Steve Wonder. This is one of two tracks that features him. I like this track, but I'm not huge on the title. It's like having two songs, your bandmembers wrote and released on albums, titled Angel. *Cough* Christie *couch*. The intro made me laugh, this is so 80's. I'm seriously waiting for MTV to have a video going on while I listen. The vocals in the beginning can be called if Paul made Temporary Secretary a pop song. This is pretty funky, and I'm pretty sure that's a drum machine. This is a bit dated now, but it's still a nice touch. But again, I don't think this would have been made in any decade besides the 80's. I do like this tune though, and their vocals sound good together. Also it's kind of a good change of pace. Though it might run a bit long, and might quote more Beatle songs lyrics that I would have wanted. 
5. Here Today: A very touching song that feels right. For the two people reading this Paul & John had a very strong friendship and songwriting partner ship in their Beatles days. Even though they wrote the songs themselves, and would only really on occasion post-1963 write together, they still credited the songs to each other. Now around 1966 when Yoko (she wasn't the complete reason) came into the fold they had already begin to grow as musicians and artists. By the Pepper sessions their relationships were strained. It lead to people quitting, rejoining and so on until September (if I'm remembering correctly, the month) 1969. John officially left, without announcing it. Paul was the first to officially announce his leaving in early 1970. Thought 1970-1972 or 73, they'd take shots at each other in different ways, mostly songs. John retired in 1975 and then came back in 1980, shortly before his passing. It's funny how time heals all wounds, Paul talked to John before he died and they were on good terms. I believe them being on good terms may have helped, but regardless, the situation must have hurt. And this song is a very touching, not to sappy not to bitter, song about a friend who passed and can only be written when you look past all the bullshit and just look at the good times. This might be more deserving of that Yesterday comparison. 
6. Ballroom Dancing: Lyrically look at this as Paul's take on the idea of Come Dancing. You know, just a song about memories of a ballroom. Both are fun and silly, though CD has some serious parts. You know, for a title like this this sure have a big Rockabilly vibe going one. That's not a complaint, pretty solid track this is, but I just.... I just laugh. I mean I can't really describe this, it's fun and just don't take it that serious. Nice solo, of sorts, or breakdown rather. Also I love that musical breakdown. This tracks pretty cool, and fun and make me wonder if Gilmore made an uncredited appearance :). 
7. The Pound is Sinking: It took a while to realize what this song is about. Based of the title I couldn't piece it together till I remembered Pounds is currency. So, the Money is Sinking? So this has to be about money in some way, like a political track, be it satire or straight. Now it's been a longb time since I heard this track, but I think it's pretty damn solid. It has these changing sections that reminds me of Uncle Albert, but this could be the masterpiece (in terms of structure) on this record. Most are rather straight, this has changes. That whole part where he talks with an accent, I love it. The guitar here is great, and this song could be a favorite of mine. There song has a personality that for whatever reason, I love in a McCartney song. This is really a great track. All the other songs I could honest review in one listen, I know them so well and they are pretty simple, this would take multiple.
8. Wanderlust: One of my all time favorites, and still is. This song has such an epic feeling to it. I love how this follows that last track. It's just so comforting, I feel like this could just be an ending but not the end. Like a sort of floating away to go on a trip. Great example, when Rey heads out at the end of Force Awakens... If she doesnt get to her destination in the film and it ends on her just leaving and going and heading out that would be a great thing for this song. I mean, not perfect, but it feels pretty satisfying. I just love this tune, I don't know why, but I just do.
9. Get It: This track features one Carl Perkins on guitar and vocals. For those unaware The Beatles covered Perkin's on multiple occasions. Before I listen to it for the review I want to note I remember not loving this track, and it being a weaker track. Now let's see if I remembered correctly. This actually sounds like it's fit on that Russian rock and roll covers record, Снова в СССР,  or the 1999 Run Devil Run record. It isn't straight rockabilly, but there is hints and Carl sounds snug as a glove on this duet with Pauly. It's not half bad, though I prefer the other tracks. O
10. Be What You See (Link): Opening up with a Carl Perkin's laugh, this is actually a nice little link. Ah a Vocooded James Paul that sounds like he's singing Jesu. That's all I honestly have to say, but I think it's a good link. The transitions pretty solid. 
11. Dress Me Up As A Robber: I haven't heard this song in years and I can still play the titular line in my head. And it makes me wanna dance. From the falsetto to the percussion and Spanish guitar. This is a Spanish song, even if it may sound a bit robotic. This is one of the best songs here and really this is awesome. I love how you pick little things up here and there with each listen. While nothing crazy it's nice. Also the main riff that's very distorted could sound just as nice if played on horns. 
12. Ebony and Ivory: Closing the album is one of the best sings about togetherness. Featuring Stevie Wonder this song, while still a good song..... It's kinda hilarious. Also the demo is much sadder in nature. I love this song, maybe more for its cheese.... But this is the good shit. I bet in the 80's this was a solid song and the songs just so happy and harmless ..... The only reason you can hate it is if you over heard it on the radio back in the day. But honestly, this is just to damn innocent. Really, there isn't any depth beyond "Ebony" (black) and "Ivory" (white) "live together". Why don't we live together "side by side". Also I'm a sucker for the "living in perfect harmony" pun. 

Overall I have to give this album a 8/10. And early 80s record that holds up, and while not as experimental as the McCartney albums this is still a great release. I'm serious, this is probably the best solo record and maybe the last great record by the guy. That doesn't mean he didn't have anything worth listening to after this, but honestly Pipes of Peace and the following records just kind of...... this is the end of an era where Macca did no wrong (so to say). He'd never reach this high quality again after this, that's probably more accurate. Also don't frett, I have another Memorial review coming out tomorrow. 

Now here are the deluxe edition track to check out: (this is just a bonus and in no way effects the score). Dress Me Up As A Robber/Robber Riff (Demo), You Don't Know Where She Came From (Demo), 

Sound & Color - Alabama Shakes

Let's get another one done, get er dun. This is the second album by Alabama Shakes. I reviewed their debut, didn't like it, but when I heard the first sing to drop it wasn't so bad. So I decided to review this album, the thing is I didn't hear the entire thing until December. Well.... let' just say I made a mistake. Sort of, not entirely but kind of.

1. Sound & Color: This intro is miles away from that boring last record. I love that xylophone in the beginning, it reminds me a bit of Bill Withers. While once the song comes in, singing, the xylophone isn't as useful I still like the textures. I don't love this song, but I do like it enough to say it's like a 7. I think the strings add to this nice texture that is heard here. This track reminds me of Weight of Love. It sounds great, though that track is a bit superior to this, but after that the rest of the songs may not be so great.
2. Don't Wanna Fight: I do like this song too, but only to a certain extent. This is the definition of what I like to listen to if I have to listen to the radio. And interesting song that is cool and sounds nice, like the Black Keys or White Stripes. But the sad part is I usually forget it once it's over, except in the case of The Stripes. But easy come easy go. This really does sound like a Keys track. Prior to that track I didn't check, so this is a serious hunch, I wouldn't be surprised if Dan produced it. Also they have that repeating the title to the point of annoyance in common.
3. Dunes: Okay, all I can say is this sounds like a cover of a Beatles track. Listen to the track and just tell me if you can pick up what I'm saying. There are at least five songs, maybe, I can pick certain parts and instruments out from. Most of them from Rubber Soul/Revolver albums and era. With the ending maybe being like I Am The Walrus.
4. Future People: Four tracks in and I'm already giving up. I was seriously going to type, I don't care at this point. I mean I came back when I wasn't in such a bad mood, and still didn't like it. Why listen to this when I can hear this in other places done better. Take The Kids off Broadway.
5. Gimme All Your Love: I listened to a track from that other album before listening to this, maybe a bit of a break will help. While I like the jazzy feeling to this keys, not feeling anything else. Why can't I enjoy this band. I'm not saying this is bad, I'm saying I don't like it.
6. This Feeling: Not only am I okay to check out, this song is boring. I can't say there is anything about it I care to dig into.
7. Guess Who: I mean this track may not be interesting, but it isn't terrible. I could totally see myself listening to this as background music. That or radio music, while I do something else and don't focus on this.
8. The Greatest: This isn't that bad, but that's because it reminds me of The Strokes. I'll probably relisten to this track in the future.
9. Shoegaze: This song literally, I seriously couldn't tell the last song ended. This starts off okay, but I mean again this isn't anything special. It's just kind of similar to the rest of the album. Sersiously I need to start listen to these things before I start a review.
10. Miss You: Ah a cover my favorite Stones track, you know the one that never gets annoying. This song is kind of nice, but to be honest I could get this a bit more tailored to my tastes elsewhere. There is a song I love, and it's just about the same exact composition, maybe not notes but sections and changes, as this one. There's even a piano that is arpeggiated and it's very similar to this. I can't quite think of it, I'll add it in once I do, but this also reminds me a bit of New York I Love You, But Your Bringing Me Down. Like the piano part, and there was a part that vaguley reminded me of Last Time by The Stones.
11. Gemini: This track, seriously, sounds like it's slowed down. Like it's making fun of me for wanting this to be over. Also this is a pretty boring song, even when I listen to it by it's self.
12. Over My Head: Closing the album, finally, is a track that just feels like I want it to be over. I got nothing here to add.

Overall I have to give this album a 4/10. There isn't anything here I care about, I mean I wanted to do this, I thought it sounded cool when I first heard track back last April, but it hasn't really aged well. It's not like it was over played, I just lost interest in it. I don't think this is bad, it just bores me. I can't focus because there isn't anything that I find worth focusing on for me. I should do a Foxygen review.