Lego My Ego - Mercury Rev

So basically, I'm not expecting that Blackstar review to be complete until at least March. So yeah, this is the bonus Ep released with the 1992 re-release of Mercury Rev's 1991 debut album Yerself Is Steam. This was one of the first albums I added to the site for review. It wasn't until recently that I started the review. I hadn't even listened to this until this review. Considering how I needed some 90's reviews, I decided why not do this Ep. It's been sitting around, plus I really liked their Car Wash Hair single, thought I consider it more of an EP. Also, look at that girl, she's gorgeous. This could almost be screen shot from a Jess Franco film..... almost. Though if anyone knows where this photo is from, or who the model is I'd be ecstatic if you'd let me know. I'm serious.

1. If You Want Me To Stay: This is a cover of the Sly & The Family Stone track. And if I'm being honest I like it. This opening reminds me of something that I'd hear Mike Patton doing. I'm 100% serious right now. Once it goes into the song I think the do a solid cover of the track. There are voices and things here that remind me of Mr. Bungle (in a good way). This is one of the funniest funk covers I've heard and you know they kind of make it their own, by way of Mr. Bungle. But I don't know, I still really like this. I also like the Wild Cherry-esque Brick House inflection vocals.
2. Shhh/Peaceful / Very Sleepy Rivers - Live: A live version of a track that would be featured on from Yerself Is Steam. This opening reminds me a bit of like this was recorded in the audience vs an actual soundboard recording. But it also reminded me a bit of Street Collage section of Movement for the Common Man. This drum rhythm and atmosphere reminds me of Love Is A Fist, either that or Travolta. I mean I do think this is good, but if these comparisons come back.... I don't know. While this isn't that bad of a track I'm waiting to read a, featuring Mike Patton on vocals credit. I like how it gets more intense and freaks out, but at 14 minutes I think it's a little long. Also I should note the album version of Very Sleepy Rivers is 20 minutes long. Also I knew it, Shhh/Peaceful is a cover of the Miles Davis 1969 track from In A Silent Way.
3. Frittering - Alt. Version: Another YIS track. I actually like this song, it's got a lot of feed back and there is some woodwinds. This is pleasant, sort of, but I mean it isn't like amazing. I think the song was a little too long.
4. Coney Island Cyclone - Alt. Version: This is a track that finds it's original home on CWH. There is this sample that reminds me of Bungle, and then the song starts. I like the song, its not half bad. But I mean I can play Let It Be Me at parts. I think that's the right song. But the horns are nice touch on the song, it's just.... I don't know.
5. Car Wash Hair - Extended Version: I wonder where this was originally from? I still like this song, and this version reminds me of the original. I can't complain about this.
6. Syringe Mouth - Alt. Version: I don't want to go into to much detail, the reason being I want to save some for the album review, but I do enjoy this track. It's pretty solid.
7. Blood On The Moon: I believe this to be one of two tracks not to be on another release, either YIS or CWH. This isn't half bad, I guess it was featured in some movie. Kind of reminds me of if Elliott Smith did psychedelic music. And with a very long thing. I don't know I've heard this before so it isn't as awesome.
8. Chasing A Bee (Inside A Jar) - Alt. Version: The last track to be on CWH and also YIS. Oh this and all the other Alt. Versions were recorded during a John Peel session. Also the thing continues into this track. I remembered I liked this on the original single. But the thing is I mean this isn't anything special. I mean I like it, but not love.

Overall I have to give this EP a 5/10. This is like a better, not great but better, Flaming Lips. Sometimes when they do Deluxe Editions of albums, older ones, they release a Rarities Edition. That contains all non-album tracks. on there. Basically the tracks that are bonus tracks with the Deluxe Edition. This is basically that, except released separately and the following year vs 20 or 30 years later. I'll still pick up this 45. Why not? But seriously, there is something that I liked about Car Wash Hair that seems to be missing from here.

Lucille - B.B. King

This is the long awaited review I'm gonna give. It is also the long awaited review of a blues legend. Now I'm gonna be honest, going into this I knew something. There are only two tracks by this guy I LOVE, the title track and The Thrill Is Gone. Now in the wake of his passing, I have to be completely honest.... I felt it was time for me to review him. I did it for Lou Reed, and B.B. King (while not on me specifically or my writing I or direction) has had a huge influence on artists how have had a huge influence on me. Much like Elvis or Buddy Holly, Chuck Berry or Ray Charles and so on. Now if not for a double album called Freak Out! I would have lost faith in the blues, well minus Aerosmith. The aforementioned band, well they kick too much ass to bore me, but I digress. Now from FO! reviving my interest, I also gained footing in my favorite blues band, not from America, Fleetwood Mac. I said that because here there is a quote from BB that said Peter Green is the only guitarist, white, to give his a cold sweat from his pure tone. Now really none of this matters, what does is the BB King is a legend and has influenced countless artists, so why not do the album that I have the best chance of loving. I will also do The Regal next time I get the chance, and depending on how this goes maybe some other records also.

1. Lucille: Opening with same notes as the legendary Let's Get It On, this is a phenomenal blues track, and one of the best of the genre I've heard. Hell it's one of my favorite songs ever, and at over 10 minutes it doesn't get boring at all. Its "talking blues" that has the in between fills that's sound like a blues god is filling in the voiceless areas. And its not just guitar soloing is also has sax fills and piano fills and even organ fills. I need to say that the tone used for the guitar is amazing, and is gorgeous. I LOVE the Sinatra name drop, and I read somewhere he'd listen to In The Wee Small Hours everynight, and that Old Blue Eyes was his favorite singer. So I got respect for him bro. And the way the he is laughing and just having fun, that's what music really. It's art, but it's also about having fun. The tone is top notch and the playing here is great. All the solos are awesome and I laugh everything I hear the "Oh I bet you're wondering why I call the guitar Lucille". And the tale, while ultimately pointless, is pretty interesting to me at least. Oh I almost forgot to mention; that organ, Damn this recording is so damn phenomenal. {9/10}
2. You Move Me So: The horns on this upbeat song and fast paced track It's exciting and is a left hook for me in this album, I figured the only good track would be the title track. This is very Motown sounding to me. The upbeatness and speed remind me of a Sam & Dave track like Hold On or Soul Man. The funny part is they were on Stax, but you get the point. I honestly enjoy those tracks. This sounds like it's be a fun little ditty, and sort of sounds like the Shakes but good.
3. Country Girl: "Fell in love with a Country Girl". The second this started I went "Fuck another Lucille". But that organ is actually pretty solid, and to be honest that little "dun dun dun dun dun dun" at the end of the verses, it reminds me a ton of Pride & Joy by Marvin Gaye. So thumbs up there :) I mean it isn't amazing, but it ain't terrible and boring to me.
4. Mo Money, No Luck Blues: A Joe Ivy Hunter penned track. This isn't that bad, but I mean it isn't ground breaking. It's a blues tune. I did enjoy it though.
5. I Need Your Love: While this isn't a cover I vaguely remember a blues classic that had this title. Maybe I'm wrong, but who fucking cares. At this point it's starting to wear thin, the whole blues feeling. I mean I feel hypocritical because I loved Mr Wonderful but I don't know. While the piano is making it much easier to take, I just... I kind of know the rest of this thing is going to be very similar isn't it.
6. Rainin' All the Time: This does have a nice feeling, but again, I've heard it already and can't really say it's that great in context of a front to back listen. I mean I could totally see myself digging this by it's self, but in context it isn't standing so strong.
7. I'm With You: Babe: This was very similar and I spaced out and didn't even realize this song started. I think it's okay.
8. Stop Putting the Hurt on Me: I guess BB ain't into chains, hahahahaha. No just another blues tune.
9. Watch Yourself: To close the album we get more of the same. I mean it isn't half bad, it just a bit much for me.

Overall I have to give this album a 6/10. First off, I need to be honest. I was surprised by how much I didn't hate this. There are tracks what I think are decent and much better than say his earlier albums. I played a track off each album and damn are some of those boring as fuck. It was nice to see that there was an album with a very long track and not every other track was shit. It usually happens with longer songs like Love to Love You Baby, Foreigner, Disco Wedding, and many others. The title track alone is worth buying the vinyl or CD of the album. At the end of the day Lucille will never be black, instead it will be sunburst and hell maybe one do I'll be able to cover it live. So goodbye Riley B. King, you wont be forgotten by your fans, and won't be by me after making this album. Also there will be another Memorial review coming up tomorrow, or The Next Day.

Tug of War - Paul McCartney

Considering the 2015 reissue of this and Pipes of Peace, I decided to review this. Though that was months ago, I still think I should do this. I deserve this, and besides why not review this album. Also hopefully I'll finish the Sticky Fingers review too, soon (it also had a deluxe reissue this last summer). Now back to business, this is the third solo album credited to Paul McCartney. I'm talking non-Wings and Post-Beatles (if you include Thrillington) its the 5th but its technically only number 3 (1970-McCartney, 1980-McCartney II, 1982-this). This particular album is actually quite good, and is one of my favorites of his career. Information wise,  I'll try to do this off the top of my head, I wanna see what I remember. This is his first solo album produced by George Martin, though Live and Let Die the track was produced by Martin. This is also from 1982, and was his first Post-Lennon's Murder album. Since I could only remember 7 track (8 if you consider I couldn't remember the name but what it was) I decided to look some stuff up and I need to say it. This album is all star studded with the likes of Steve Gadd, Stanley Clarke and even George Martin plays the old electric piano. The others who played will be listed in their individual tracks. Also for the review I'm using my preferred mix, the 1993 CD version. I will also list, as a special little thing, at the bottom a few tracks from the 2015 reissue I think are worth listening to.

1. Tug of War: This is very easy to listen to, its very radio friendly. This opens with what sounds like, honestly, audio from the scene in Titanic when they are boarding and you hear the men working. Like in real life though. I know its not that, but it sounds like a factory or an old timey labor force struggling. It works for the title. Then the acoustic guitar and vocals enter with the titular phrase. It's pretty pleasent sounding to be honest. This is followed by strings and some horns and harmony vocals. This is still very nice and I just love this tune. There is a bit of a Yesterday feeling to this. Like a bigger version of the song, maybe with the other members singing on this and playing too. Once the band comes in it sort of looses that Yesterday feeling and have a Wings vibe reminiscent of Mull of Kintytre. This is a nice opening and sort of sets a mood for the record. Also great fade into the next tune. 
2. Take It Away: This is an instant favorite track. It's super damn catchy. There is the classic Macca hook that is just an earworm. It has this sort of pop reggae vibe to it. Maybe not reggae, but an island vibe. The chorus has some great harmonies and is followed by some solid horns. I love how the tune gets larger and larger with each passing verse. Oh, I have something I'd like to add, Richard Starkey drums on it. I forgot that, Damn me! And George Martin plays Electric Piano.
3. Somebody Who Cares: Digging this acoustic guitar and woodwind a intro. This is reminiscent of Wings again, but you know I like them. The highlight of the song is the chorus. I enjoy hearing it, even though I never can remember this song. Also that woodwind, not sure if organic or synthesized. The solo on this is pretty nice and that woodwind adds a texture. This is at the very least a 7. This is another song that I wasn't super familiar with, I forgot about it, but you know.... It's pretty damn solid. I really dig this.
4. What's That Your Doing: Co-written and performed with Steve Wonder. This is one of two tracks that features him. I like this track, but I'm not huge on the title. It's like having two songs, your bandmembers wrote and released on albums, titled Angel. *Cough* Christie *couch*. The intro made me laugh, this is so 80's. I'm seriously waiting for MTV to have a video going on while I listen. The vocals in the beginning can be called if Paul made Temporary Secretary a pop song. This is pretty funky, and I'm pretty sure that's a drum machine. This is a bit dated now, but it's still a nice touch. But again, I don't think this would have been made in any decade besides the 80's. I do like this tune though, and their vocals sound good together. Also it's kind of a good change of pace. Though it might run a bit long, and might quote more Beatle songs lyrics that I would have wanted. 
5. Here Today: A very touching song that feels right. For the two people reading this Paul & John had a very strong friendship and songwriting partner ship in their Beatles days. Even though they wrote the songs themselves, and would only really on occasion post-1963 write together, they still credited the songs to each other. Now around 1966 when Yoko (she wasn't the complete reason) came into the fold they had already begin to grow as musicians and artists. By the Pepper sessions their relationships were strained. It lead to people quitting, rejoining and so on until September (if I'm remembering correctly, the month) 1969. John officially left, without announcing it. Paul was the first to officially announce his leaving in early 1970. Thought 1970-1972 or 73, they'd take shots at each other in different ways, mostly songs. John retired in 1975 and then came back in 1980, shortly before his passing. It's funny how time heals all wounds, Paul talked to John before he died and they were on good terms. I believe them being on good terms may have helped, but regardless, the situation must have hurt. And this song is a very touching, not to sappy not to bitter, song about a friend who passed and can only be written when you look past all the bullshit and just look at the good times. This might be more deserving of that Yesterday comparison. 
6. Ballroom Dancing: Lyrically look at this as Paul's take on the idea of Come Dancing. You know, just a song about memories of a ballroom. Both are fun and silly, though CD has some serious parts. You know, for a title like this this sure have a big Rockabilly vibe going one. That's not a complaint, pretty solid track this is, but I just.... I just laugh. I mean I can't really describe this, it's fun and just don't take it that serious. Nice solo, of sorts, or breakdown rather. Also I love that musical breakdown. This tracks pretty cool, and fun and make me wonder if Gilmore made an uncredited appearance :). 
7. The Pound is Sinking: It took a while to realize what this song is about. Based of the title I couldn't piece it together till I remembered Pounds is currency. So, the Money is Sinking? So this has to be about money in some way, like a political track, be it satire or straight. Now it's been a longb time since I heard this track, but I think it's pretty damn solid. It has these changing sections that reminds me of Uncle Albert, but this could be the masterpiece (in terms of structure) on this record. Most are rather straight, this has changes. That whole part where he talks with an accent, I love it. The guitar here is great, and this song could be a favorite of mine. There song has a personality that for whatever reason, I love in a McCartney song. This is really a great track. All the other songs I could honest review in one listen, I know them so well and they are pretty simple, this would take multiple.
8. Wanderlust: One of my all time favorites, and still is. This song has such an epic feeling to it. I love how this follows that last track. It's just so comforting, I feel like this could just be an ending but not the end. Like a sort of floating away to go on a trip. Great example, when Rey heads out at the end of Force Awakens... If she doesnt get to her destination in the film and it ends on her just leaving and going and heading out that would be a great thing for this song. I mean, not perfect, but it feels pretty satisfying. I just love this tune, I don't know why, but I just do.
9. Get It: This track features one Carl Perkins on guitar and vocals. For those unaware The Beatles covered Perkin's on multiple occasions. Before I listen to it for the review I want to note I remember not loving this track, and it being a weaker track. Now let's see if I remembered correctly. This actually sounds like it's fit on that Russian rock and roll covers record, Снова в СССР,  or the 1999 Run Devil Run record. It isn't straight rockabilly, but there is hints and Carl sounds snug as a glove on this duet with Pauly. It's not half bad, though I prefer the other tracks. O
10. Be What You See (Link): Opening up with a Carl Perkin's laugh, this is actually a nice little link. Ah a Vocooded James Paul that sounds like he's singing Jesu. That's all I honestly have to say, but I think it's a good link. The transitions pretty solid. 
11. Dress Me Up As A Robber: I haven't heard this song in years and I can still play the titular line in my head. And it makes me wanna dance. From the falsetto to the percussion and Spanish guitar. This is a Spanish song, even if it may sound a bit robotic. This is one of the best songs here and really this is awesome. I love how you pick little things up here and there with each listen. While nothing crazy it's nice. Also the main riff that's very distorted could sound just as nice if played on horns. 
12. Ebony and Ivory: Closing the album is one of the best sings about togetherness. Featuring Stevie Wonder this song, while still a good song..... It's kinda hilarious. Also the demo is much sadder in nature. I love this song, maybe more for its cheese.... But this is the good shit. I bet in the 80's this was a solid song and the songs just so happy and harmless ..... The only reason you can hate it is if you over heard it on the radio back in the day. But honestly, this is just to damn innocent. Really, there isn't any depth beyond "Ebony" (black) and "Ivory" (white) "live together". Why don't we live together "side by side". Also I'm a sucker for the "living in perfect harmony" pun. 

Overall I have to give this album a 8/10. And early 80s record that holds up, and while not as experimental as the McCartney albums this is still a great release. I'm serious, this is probably the best solo record and maybe the last great record by the guy. That doesn't mean he didn't have anything worth listening to after this, but honestly Pipes of Peace and the following records just kind of...... this is the end of an era where Macca did no wrong (so to say). He'd never reach this high quality again after this, that's probably more accurate. Also don't frett, I have another Memorial review coming out tomorrow. 

Now here are the deluxe edition track to check out: (this is just a bonus and in no way effects the score). Dress Me Up As A Robber/Robber Riff (Demo), You Don't Know Where She Came From (Demo), 

Sound & Color - Alabama Shakes

Let's get another one done, get er dun. This is the second album by Alabama Shakes. I reviewed their debut, didn't like it, but when I heard the first sing to drop it wasn't so bad. So I decided to review this album, the thing is I didn't hear the entire thing until December. Well.... let' just say I made a mistake. Sort of, not entirely but kind of.

1. Sound & Color: This intro is miles away from that boring last record. I love that xylophone in the beginning, it reminds me a bit of Bill Withers. While once the song comes in, singing, the xylophone isn't as useful I still like the textures. I don't love this song, but I do like it enough to say it's like a 7. I think the strings add to this nice texture that is heard here. This track reminds me of Weight of Love. It sounds great, though that track is a bit superior to this, but after that the rest of the songs may not be so great.
2. Don't Wanna Fight: I do like this song too, but only to a certain extent. This is the definition of what I like to listen to if I have to listen to the radio. And interesting song that is cool and sounds nice, like the Black Keys or White Stripes. But the sad part is I usually forget it once it's over, except in the case of The Stripes. But easy come easy go. This really does sound like a Keys track. Prior to that track I didn't check, so this is a serious hunch, I wouldn't be surprised if Dan produced it. Also they have that repeating the title to the point of annoyance in common.
3. Dunes: Okay, all I can say is this sounds like a cover of a Beatles track. Listen to the track and just tell me if you can pick up what I'm saying. There are at least five songs, maybe, I can pick certain parts and instruments out from. Most of them from Rubber Soul/Revolver albums and era. With the ending maybe being like I Am The Walrus.
4. Future People: Four tracks in and I'm already giving up. I was seriously going to type, I don't care at this point. I mean I came back when I wasn't in such a bad mood, and still didn't like it. Why listen to this when I can hear this in other places done better. Take The Kids off Broadway.
5. Gimme All Your Love: I listened to a track from that other album before listening to this, maybe a bit of a break will help. While I like the jazzy feeling to this keys, not feeling anything else. Why can't I enjoy this band. I'm not saying this is bad, I'm saying I don't like it.
6. This Feeling: Not only am I okay to check out, this song is boring. I can't say there is anything about it I care to dig into.
7. Guess Who: I mean this track may not be interesting, but it isn't terrible. I could totally see myself listening to this as background music. That or radio music, while I do something else and don't focus on this.
8. The Greatest: This isn't that bad, but that's because it reminds me of The Strokes. I'll probably relisten to this track in the future.
9. Shoegaze: This song literally, I seriously couldn't tell the last song ended. This starts off okay, but I mean again this isn't anything special. It's just kind of similar to the rest of the album. Sersiously I need to start listen to these things before I start a review.
10. Miss You: Ah a cover my favorite Stones track, you know the one that never gets annoying. This song is kind of nice, but to be honest I could get this a bit more tailored to my tastes elsewhere. There is a song I love, and it's just about the same exact composition, maybe not notes but sections and changes, as this one. There's even a piano that is arpeggiated and it's very similar to this. I can't quite think of it, I'll add it in once I do, but this also reminds me a bit of New York I Love You, But Your Bringing Me Down. Like the piano part, and there was a part that vaguley reminded me of Last Time by The Stones.
11. Gemini: This track, seriously, sounds like it's slowed down. Like it's making fun of me for wanting this to be over. Also this is a pretty boring song, even when I listen to it by it's self.
12. Over My Head: Closing the album, finally, is a track that just feels like I want it to be over. I got nothing here to add.

Overall I have to give this album a 4/10. There isn't anything here I care about, I mean I wanted to do this, I thought it sounded cool when I first heard track back last April, but it hasn't really aged well. It's not like it was over played, I just lost interest in it. I don't think this is bad, it just bores me. I can't focus because there isn't anything that I find worth focusing on for me. I should do a Foxygen review.

At.Long.Last.A$AP - A$AP Rocky

This should be quick, I mean what do i really have to say other than 2016 will be the year of I listen first, then decide if to review or not. This is the second album by A$AP Rocky, it follows up Long.Live.A$AP and Live.Love.A$AP mixtape. I first hear him from friends in High School my Senior year, thus leading me to buy and review his debut album. Now I may have not listened to him that much after High School, but I want to note something. 1Train and Fuckin Problems still rock to this day, and they are two of my favorite hip hop songs ever. Note: I may list the features and producers in the beginning, so skip a sentence to get to the songs.

1. Holy Ghost: This track features Joe Fox and was produced by Danger Mouse. And honestly, this has a very uncanny resemblance to Action Bronson's far superior The Symbol. Hell the guitar sounds kind of like a knock or Flying riff covered or performed by Turn Blue era Black Keys. Actually the backing vocals sound to me like The Keys on the song, which I was gonna most compare it to, Weight of Love. I mean this isn't bad, it also kind of reminds me of Baddest Man Alive at parts. But again, I mean, I don't think I'll ever revisit this outside of this review.
2. Canal Street: This track features Bones. And to be honest this is a little uneventful. It has a sort of acoustic/nylon string guitar sample in the beginning. It's kind of okay, minimal, but it kind of gets old. Also I think all the scratches and noises are supposed to get your mind off the fact it just loops. This isn't terrible, but there isn't anything that makes me want to listen to it again.
3. Fine Whine: This track features Future, Joe Fox and MIA. I am not even somewhat feeling this. There is a sort of feeling I am getting, like one of the atmospheric tracks from the last album, but this..... Certain things happening should appeal to me, but I don't like it. Also, M.I.A. not a fan of your verse. I mean I like her voice and all, but not the words coming out of it. 
4. L$D: Which stands for "Love Sex Dreams", but I think it's kind of a stupid attention grabbing title. It's like naming a song "Grab My Tits", what's the real purpose. This opens better than I think it'd be based off the title. The guitar is kind of nice, but the bass..... not feeling that. And the vocals are not something I'm on board with either.
5. Excuse Me: This is an okay track, but this doesn't really do much for me. It kind of sounds like, the backing vocals and what not, like he sampled Coldplay. The music makes me think it was Mylo Xyloto or more likely Ghost Stories. I know that they didn't and the song sampled was Come Home For Chirstmas by The Platters, but still.
6. JD: For a loving tribute to James Dean, the porn star, this track doesn't really mention him at all. That "interview field recording" wasn't that bad, but the rap shut my ears off. The second it started I lost interest. I came back to it, but still, not feeling it.
7. Lord Pretty Flacko Jodye 2 (LPFJ2): If I'm being completely honest I didn't care for the track. Now I mean the name is an interesting name, and I made me want to check it out. The fact that it was a single help solidify in my mind it might be one of the better tracks, possibly something in like with the last albums singles. But the actual track is very uneventful, boring and lame. 
8. Electric Body: This track features Schoolboy Q and three producers, one being Danger Mouse. The other two producers I never heard of, this opens kind of okay, but the sample is not something I really like. I appreciate the dark feeling here, like on a lot of songs here, but that doesn't mean I like it. This just doesn't appeal to me.
9. Jukebox Joints: This track featues Joe Fox, once again, and Kanye West. Now Yeezy also produced it with che pope.  This isn't that bad, a little Little B ish. I like the backing track the best, it's peaceful. This has some really good soul samples going on in the track. :) I enjoy each person's verse, though maybe this track is a bit long, its better than most of this. I also think the best part is the beat/sample behind Kanye.
10. Max B: This track features Joe Fox. This track isn't horrible, but I mean I'm not in love with it. I think it's kind of a hard hitter, but I still feel like something is missing. It's better than what I've been hearing on the rest of this, bust it is just not perfect. 
11. Pharsyde: Another track featuring Joe Fox and produced by Danger Mouse. This opens with a sample (it's not one actually that I can find) that isn't half bad, from the track. The only problem is am I hearing this right, its phasing in and out. I mean that is kind of a big problem, I thought something was wrong with my speakers. I like this song, but that phasing is hurting the track fro me.
12. Wavybone: Juicy J and UGK are featured in this track. This is nice, but I think I've heard this before. This sounds similar to what I just heard. You know, in the last track. I mean it might not be, but for all I know it is. To be honest, once the guest comes in I checked out.
13. West Side Highway: This track features James Fauntleroy. When Bernstein meets Deep Purple.... I wish, but who knows. This is juist okay.
14. Better Things: At this point this whole feeling and atmosphere has kind of grown old. It's not interesting anymore. Do something else, at the moment I'm bored.
15. M'$: This track features Lil Wayne. Something I thought was funny was both Kanye and Wayne were on this, A$AP Rocky's new album, and on Tyler The Creator's new album. I think that's funny because I got into them at the same time in High School, or rather I was into them. Ehhh.
16. Dreams (Interlude):  At 2:16 this is pretty damn long for an interlude. 
17. Everyday: This track features an odd number of people, or an odd group rather. Rock singer then solo pop artist Rod Stewart, Miguel, and that guy who made that shitty The Time rip off Mark Ronson. The thing for me is just about ever other song here is either boring or awful. So My biggest problem is does this song hold up on it's own, like is it actually good or is it just good compared to the rest of the album. And upon multiple listens I have to say it's actually a good track, but I'm not so sure this will be as good as I think two years from now. I mean I still think the last album was solid, and the best tracks are still awesome. I like the whole introspective feeling I get when I listen. Like I feel like this would be great for a movie and it's when the guy either looks back on choices, or on his past. This might sound odd, but this tracks instrumental reminds me of Soldier of Fortune by Deep Purple off the "controversial" Stormbringer. And also upon revisiting the song I have to say the only great part, or the only part I really enjoy, is that refrain.
18. Back Home: Featuring Mos Def and Acyde. I know Mos Def, I do not know Acyde. This isn't terrible, but for an ending it really doesn't feel like an ending. Like there is no satisfaction from this track. the last track would have been a better ending.

Overall I have to give this album a 4/10. This is far too long for what little it has to offer. Now I know you shouldn't compare past work to present, but there was a thing. Well like, I didn't really even know of this rap until I heard the mixtape and album. And the album made me thirst for all rap period. I've learned most current rap is not good, but the thing is this guy along with someother artists, gave me the shot of heroin that made me a rap addict in HS. The guys before opened the floodgates, this A$AP, OF, Lil B and The Weeknd among others tore the gate doors off. Sadly as mentioned earlier this lead to a lust for all rap, and that over exposure lead to disaster. It lead to many a boring, uninteresting, pointless pop radio bullshit that had nothing interesting at all to say. Honestly..... I'd fit this album into the upper middle crust of that whole slew of shit. And that's really all I can say, minus maybe Everyday and a few tracka here and there. So I'm very disappointed. Also what the hells up with all the 2010's samples galore.

Music From Another Dimension! (Deluxe) - Aerosmith

I figured, since there hasn't really be anything of any note or even reviewing for a while the thme has come to do this. Yes a record I started before, the pre-review, the release of this some 4 years ago. There is a reason this hasn't gotten finished, but with the upcoming Steven Tyler solo country debut album slated for February 2016...... Also, some of this was typed 4 years ago so, yeah. This is the long awaited album by one of my favorite bands. I have been waiting for this since 2008. I have been holding a certain type of anger against them because of the wait  I said that this better be worth the 4 year wait. Especially since it's first official date was August 28th, 2012 and it was pushed back to November 6th, 2012. Well heck with you Steven I'm not picking it up the day of, I'm gonna pick you up a week late. Sorry, but I mean what I said. Let's see you be one Cd sale short of debuting at #1. I waited so long to review this because I had to brush up on my Aerosmith. I hadn't listened to any albums front to back, excluding Toys in the Attic in April. I was hoping to get this up by Christmas of 2012 but that sadly never happened, and you'll find out why now.

1. LUV XXX: I don't like the name of this song at all. I actually think it's kind of a stupid name. I listened to a few seconds then skipped it and listened to some of the other songs. I did return to it. The beginning kind of reminded me of a 2012 version of The Movie. With the spoken word part, either that of like Twilight Zone. Also, their name is not Prince. This starts off the album rather promising. The riff is pretty cool, and it gets you pumped to hear the album. While I"m not huge on the vocals, and harmonies I'll let them slide. As the song goes on and on the only connection I can think of is the verses had to be inspired by both Hello There and Goodbye from Cheap Trick. Also, by the end of the track I'm drained. I really don't even want to defend it anymore. Okay solo.
2. Oh Yeah: There is a song by Badfinger called Oh, Yeah. This songs beginning kind of reminds me of that song. The harmony vocals in this song are just... I don't know. The only thing I can say is this was written entirely by Perry. I mean I hear it, but still..... ;'(
3. Beautiful: The beginning of this song reminds me of Back in the Saddle with the foot steps. This song didn't really feel like an Aerosmith song, at first. Like I could see this maybe being a mix of I don't know. When it clicked was after I re listened to Permanent Vacation in my car, because I wanted to hear Magic Touch. After that it became my favorite song on the album. Maybe the only song I love too.  I like the textures a lot on this track, but I feel like I don't want to ruin the song. I mean there isn't anything I could ruin, but I just really like this one.
4. Tell Me: What you see. Starting with an acoustic guitar, this could be a rewrite of Crazy or Amazing. The only thing that doesn't make me want to delete this song off my computer is the fact the chorus is pretty neat. I like the trippy feeling from it. Sort of Nine Lives ish, and I like the backing vocals/harmonies also.
5. Out Go The Lights: This title is too similar to that Kanye off Dark Twisted Fantasy. Cool riff bro, where do I Get The Lead Out? I do like the chorus and backing singers, but I'm not nuts on what they are saying. The song might go over better if it wasn't a blues band playing it. The actual chorus is trippy, but I mean... I don't know. I don't think this is horrible, just not memorable. I mean by the ending of the song, I"m glad it's ending. Also nice way to end the song then come back, and why does it come back. For a solo that isn't even worth listening to.
6. Legendary Child: I don't care for this song. I don't really like the name, it reminds me way too much of 1976's Last Child. I love that song, and I don't really like this song all too much. I don't think this is funny, all the stuff I liked about the band is not working here. Also there is not reason this song exists.
7. What Could Have Been Love: No offense, but this is a gay song. By that I mean this song is kind of "faggy" for these guys. WHY THE HECK DON'T THEY STOP WORKING WITH MARTY! I don't think this song is that good, it's tolerable, but no matter how much I hear it I can't really get into it. I don't think this is a true Aerosmith song. At least not worth waiting four years for. I feel like this is a ballad, but it's here just to have a ballad. There is nothing here that makes me feel anything beyond it's a ballad for sake of a ballad. Stevie plays cigar-box guitar here.
8. Street Jesus: It's nice to see Brad credited to a song again. I thought this was the first time Brad was credited to songwriting on an album since 1993's Get A Grip. I was wrong, it was actually 1989's Hoodoo/Voodoo Medicine Man. This is also one of 3 song that credited Tyler/Whitford. The other's being 1975's Round & Round and 1976's Nobody's Fault. Well that is unless you count the entire Done With Mirrors album credited to the all the members of the group. Both of which are awesome hard rock songs. So as you can tell I had a "expectation" for this song. And we'll certain days I enjoy this, others I don't. I go back and forth between "I like this, maybe I was a little to harsh" to "Why did I ever like this" and the process repeats. It seems best listening once in a blue moon or two. 
9. Can't Stop Lovin' You: I really like the beginning of this song. After kind of re-listening to Get A Grip I gained a new respect for this song. It reminds me of a country song I'd hear on the radio, but it's kind of good. While Carrie sounds good here, come on. Talk about appealing to a pop audience. I do think this works out good, and it doesn't get worse with time. There isn't much to say, it's good. It's not a generic piece of Aerocrap. Maybe it does go a little long, but it's not terrible.
10. Lover Alot: This song isn't that amazing. It sounds like a newer version of a song from Get A Grip. The funny part is that it was probably reworked from Pump Era or Get A Grip Era recordings. With each listen I'm almost convinced to like it less. To be serious, I am progressively loosing interest in it, and faith in this LP. Also 7 fucking people wrote this song, maybe that's too many.
11. We All Fall Down: This title reminds me of Falling Off which I think was some like B-side or Bonus track from like 1993/1994. Don't quote me on this but I'm pretty sure. It also might be an outtake. But this was written by Dianne Warren of I Don't Want To Miss A Thing and other hits writer. What the fuck, this pissed me off. And as for the song................... I never liked Fallen Angels, but this is actually shitty boring lame ass song. I mean even Fly Away From Here has grown on me, but this. This is generic pop Aerosmith.
12. Freedom Fighter: While cheesy, this would fit better in August or July. You know Independence Day and all. Good song, not really. I prefer America, not this bullshit. Also guess who sings backing vocals here, Johnny Depp.
13. Closer: to God. This song starts and it isn't that bad. It kind of sets up something that might be good. While this isn't that amazing of a song, I could see it fitting on Just Push Play, I feel like this should have closed the album. 13 tracks, this closing it... that would honestly be fine.
14. Something: In the way she move. I like the organ in the opening, and I like how this feels like it was not used for a James Bond theme. But as the song goes on and on I see why they didn't accept it.
15. Another Last Goodbye: This is a stupid name for a song. I don't care for the title. To be honest, this feels like classic 70's ending to an album. While there might be a bit of a differnce, there is still Tyler and his piano. Home Tonight, You See Me Crying, Mia this song is pretty decent.

Here are the bonus tracks. I'm not going to waste time specifying which goes with which, but here are the bonus tracks. It should be noted that I really don't know of an artist who......... Why are you guys doing this. Nothing you've put out since Just Push Play is even worth revisiting. Hell, I'd even go as far to say it's not even worth checking out. Beautiful is a great tune and Can't Stop Loving You surprisingly didn't get old. Another Last Goodbye, while not amazing still pulls enough of those nostalgia heartstrings.. That track kind of holds up well, but outside of those; this, and your solo material, is basically garbage. I'm sorry. Now back to the bonus tracks.

1. Shakey Ground: I have heard the original, after I head this version, and it isn't a half bad song. The Temptations are actually a great band if you're listening to the right shit. I like how it sounds like they got a clavi to play in the track. This is pretty funky, and I love those horns in the track. They reminds me a bit of Straight Up. This is much better than a vast majority, if not everything actually on the album. Then we get a rare saxophone appearance on a Aerosmith track, which I'm pretty sure hasn't shown up since at least the 70's. Also there is a rhythm guitar appearance from someone who hasn't appeared on one of their records since 1982.... Rick Dufay (the guitarist who replaced Brad from 80-84). I should note there is a fun feeling to the original they tried to capture and while I think they did a decent job, the original is better.
2. I'm Not Talkin': This is a cover of the 1964 Mose Allison track. This was only featured on the Japanese edition. I'll say right now, this is more in line with the cover of Baby Please Don't Go off Bobo than the actual deluxe edition bullshit tracks. This comes and goes pretty fast, it's not terrible but it's kind of just same old same old at this point. There isn't anything special here.
3. Up On A Mountian: The thing about these bonus tracks are the Japanese bonus track Face off 2001's Just Push Play is one of my favorite Aerosmith songs ever. Period. So it sucks they don't release them in America. But anyway Tom wrote this himself and sings lead. I was very excited to hear this. And....... I don't care for Tom's voice. This is the first time Tom's ever sang lead. I might be wrong, but this song kind of reminds me a little of 2004's Honkin On Bobo. At least I'll be able to pick out his voice at the ending harmony of Love in An Elevator. I don't think I'm gonna listen to this song again :( I mean the song isn't terrible, it just isn't anything that sticks out to me as worth revisiting after this. This should be a bonus track.
4. Oasis In The Night: This is a song that starts with acoustic guitar, and was written by Joe. The thing is, when I hear this, I go.... what the hell buddy, you sound terrible. Is he doing for a Dylan vibe. If so, I guess he's doing a some what inflection of him now, but.... I really can't even like.... This song isn't horrible, it's just when I hear the lyrics and how this sounds together.... I don't even want to sit through the entire track. It's a nice change of pace, but that doesn't give it a pass.
5. Sunny Side of Love: Written by Steven and Fredreiksen.... this is so Geffen era, maybe like a ballad off Nine Lives. I mean, I used to like that album a lot, but really, it's more select tunes off anything post Draw The Line.

Overall I have to give this a 4/10. This is what I expected. I don't even know what to say. I really kind of..... this is my absolute least favorite release by these guys. Hell DWM is better all around. I've waited 4 years for this, me specifically not talking about those who waited the whole time. What they need to do is fire Marty and Steven has to stop trying to be cute and give the band personality. The 70's group had way more personality and were bad asses. The worst thing they ever did was get song doctors. Also they have to go the way Joe wants to, why?, because he knows whats up. The production hurts the songs for me, to flat out killing others. If you listen to the first Aerosmith album, that is a "true blues" album. Listen to the first like 3 seconds, with headphones and the volume turned up, of the song Movin Out, or Make It but on the Pandora's Box version (the self titled and Pandora's Box version are different, slightly). There is an unintentional noise in the background. Some of that, I think, was left in the mix because it couldn't have been taken out. Now it's like a germaphobic Aerosmith where they can't leave little bits like that and they have to have everything clean and sterile and if a little studio thing like that happens then they have to "rewrite" the entire album. Or at least that's part of a theory of why the pushed the album back 3 months, after there was a release date of 08.28.12. They probably had to give the album a acid treatment, the entire thing. UGH!!!!! Why are people so afraid of germs. I'll never know. If the next albums like this, I GIVE UP!!!!!!!! Oh by the way 4 years later it only gets worse with each listen.

Motörhead

Recently, Lemmy passed away. Now I can't say I'm really a fan of this band, but I can say the first string of albums, at least up to Iron Fist (I haven't heard most of Another Perfect Day yet) are pretty solid all the way though. Of those albums, I remember this being my favorite. And while it's been a long time since I heard this album, I still remember enough to still fell the same. I may not be directly affected by this news, he has been in and out of the hospital numerous times these past few years, but you know it's better. No more worrying, no more him being sick. As much as it might seem weird to take it, for some people, I think death isn't the end. He's going to live on in the hearts of the people who love his music. That is where, more or less, he affects me. Many artists I love have been influenced by Lemmy so I really can't not do something to show I appreciate that he has, somewhat, affected my tastes and likes in music. Okay, this isn't the first album recorded, the first one recorded was On Parole. That was released in 1979, but features tracks recorded in 1975-1976. These were all recorded in 1977. The tracks ther were rerecorded were tracks 1-4 and 7. Also by reviewing this I'm going to reviewing everything released between 1977 and 1982. And probably Mean Machine (one of my favorite tracks by them).

1. Motörhead: This is a track, written by Lemmy, that was first featured as a B-Side  to King of Speed by Hawkwind in March 1975. Then obvioulsy, as stated earlier the whole On Parole, and now this 1977 version. I think this is probably the best recording of the track. When I hear this I think if punk. Like punk that is considered punk. Not hardcore or any other kind. Just punk. This is pretty raw, and sounds like it was done in one take. This song straight up rocks, killer playing, killer solo. This hasn't gotten old and I don't see it getting old any time soon.
2. Vibrator: Here's a factoid you may not know. This song was written Larry Willis, and another guy who isn't as important really, who was in early UFO. All that side, this is a rocker, and it really feels like punk. Like I could see Bonnie Rotten (haha) singing over this and it being on a Sex Pistol album. Or if Iggy sang over it it'd fit snugly on the Stooges debut or maybe Raw Power.
3. Lost Johnny: This is another straight forward track. There isn't much to say about this track that I haven't said before. Though this isn't as good as the last two track.
4. Iron Horse / Born to Lose: I really think the drums in this track are pretty cool, maybe it's my copy, but the bass is mixed way too low. I hear it doing some things, where I think it's interesting, but that could also be my imagination. I can't really make it out. The solo here is nice, but it's still nothing to write home about.
5. White Line Fever: I don't know if I ever heard this track but it always made me laugh. I don't know why, the title, but it just kind of did. Now that I hear it... I can say that it is very much in line with the other tracks.
6. Keep Us on the Road: There is a different feeling I'm getting from this track. While I can't pin it down, I can say this. It's nice for a bit to have a kind of different feeling. This is probably my favorite track so far that isn't the title track.
7. The Watcher: I really like this bass line, it's opening is pretty cool. This is very different from the rest of the tracks and stands out. This isn't my favorite version of the song, I prefer On Parole's version, but this is still a solid track. I do really like the ending, with the solos but there is something that I've heard with this same general melody at that part. I can't quite pin it down. Also I dig the phasing, reminds me of Hawkwind.
8. Train Kept A-Rollin': While the best version, seriously, of this is the 1974 epic by Aerosmith I still like this song. The Yardbirds have a great version, Tiny Bradshaw's original 1951 version is pretty great itself. I don't think I've heard a version of this I don't like. This is a pretty solid cover of the classic, and it's pretty similar to Aerosmith's version. I mean, besides maybe the change in the solo and vocals there isn't much new brought to the table with this verison. It closes, but it's not that much of a satisfying closer.

Overall I have to give this debut album by NWOBHM legends Motörhead a 6/10. This album has a more traditional punk feeling to it than later albums. Though punk is always present, to some extent, later records are more crushing (rock/metal). You could also argue on tracks like the title track and The Watcher there is still a Space Rock influence. Maybe I'm nuts, but I can imagine if it were a tad different it'd be one. This album is still a solid listen front to back, it's just that there isn't much variety. I don't know.... It's still fun to listen to . I feel like I should pick an album I know would get a better score, but I don't know. Maybe next time. Also, I can't wait to pick up Blackstar.